Does green landscape belong to meticulous landscape? What great painters are there in ancient and modern times?

Yes, it's a kind of landscape painting.

Generally speaking, green landscape can be divided into two types: the green edge of the pen and the green edge of the pen. The former is characterized by work-induced brushwork. From the Six Dynasties until the Tang Dynasty, Li Licai established the basic creative characteristics of green landscapes. Around the turn of the Song Dynasty, there were three categories: Jinbi landscape, big green landscape and little green landscape. Yuan, Ming and Qing dynasties developed and influenced each other, and little green landscape prevailed. The golden landscape is magnificent, the big green landscape is better than brilliant, and the small green landscape is beautiful. The latter appeared in the late Ming Dynasty, represented by the boneless colorful landscapes in Lan Ying. Later, on this basis, it developed into a colorful landscape founded by Zhang Daqian and Liu Haisu in modern times. Boneless heavy color is better than gorgeous color, and green splash color is better than warm and hearty.

Dong Tang said in the Yuan Dynasty: "Li Sixun's landscape is characterized by golden jade and forms its own way." During the Southern Song Dynasty, there were two Zhao dynasties (Boju and Bojun), which were famous for their green landscapes. In the Ming Dynasty, Chou Ying and Zhang Hong were famous for their green landscapes, which created a new pattern of green landscape paintings.

During the Southern Song Dynasty, the green landscape painting style revived. Zhao Boju's works are the most representative. Zhao Boju's Autumn Color Map of Jiangshan is now in the Palace Museum. The picture depicts the scenery of mountains and rivers in autumn, including peaks, rivers, waterfalls, villages, long bridges, plank roads, pines and cypresses, bamboo pruning, chariots and horses, boats, pedestrians and ferrymen. The picture is extremely rich. Technically, the pen is thin but not trivial. The color is gorgeous but not dry, and the painting is permeated with ink painting, which not only has the brilliance of green landscape, but also has the charm of literati painting, which makes the painting method of green landscape in Tang Dynasty improved. Zhao Boxiao's painting style is similar to Boju's and his age is similar. It can be speculated that they must have worked together, learned from each other and developed each other. Second, the performance of Zhao Shanshui has also undergone great changes. Neat without craftsmanship, compact without delicacy, dignified and elegant. Dong Qichang in the Ming Dynasty said in "Essays on Painting Zen Rooms": "Li Zhaodao Party is very meticulous about Zhao Boju and Zhao Bo, and its morale is high. Those who are imitated by later generations get their works, but they can't get elegance. " On the other hand, the paintings in Song Dynasty were mainly court paintings. From the existing album pages of Song people, we can see some green landscape works with different styles. Although it is an auspicious feather, it is dazzling. For example, Scenery of a Thousand Miles, Pavilion of Yunshan Temple, Chengjiang Garden, Colorful Pictures of Jiang Tianchun, Deep Pictures of Spring in Hanging Gardens, and Lotus Pictures of Qu Yuan, although none of these works left the author's name, it is enough to prove that there were many masters with green landscapes at that time, and we can also get a glimpse of various styles and techniques of green landscape paintings in Song Dynasty.

Zhao Mengfu, a painter in Yuan Dynasty

Zhao Mengfu (1254- 1322) was born in Song Xue, a Taoist priest in Song Xue, a Taoist priest in Water Mirror Palace, and a native of Goulpeau. He is a middle-aged Mengfu native, Han nationality, from Xing Wu (now Huzhou, Zhejiang). Famous painter in Yuan Dynasty, one of the four masters of regular script (Ou Yangxun, Yan Zhenqing, Liu Gongquan and Zhao Mengfu). Zhao Mengfu is well-read, good at poetry and prose, familiar with economy, industrial calligraphy, fine painting, good at epigraphy, fluent in temperament and appreciation. In particular, calligraphy and painting achieved the highest achievement, which created a new situation of painting style in Yuan Dynasty, and was called "the crown of Yuan people". Good at seal cutting, official script, authentic works, calligraphy and cursive script, especially regular script and running script.

Zhao Mengfu's paintings have two styles, one is neat and the other is rough. The whole class inherited the painting method of the green landscape school and directly adopted the legacy of the Tang Dynasty, which was quite impressive. During this period, I have money to choose green mountains and green waters as a unique style.

Ming Dynasty painter Zhang Hong

Zhang Hong (after A.D. 1577-1652) was born in Suzhou, Jiangsu. Good at painting landscapes, rewriting life, sharp brushwork, moist ink and wash, mountains and valleys, valleys in late autumn, ancient meaning of Yuan people; His painting are characterized by stain on that stone surface. The upper layer of the picture is the rolling mountains behind the village, with continuous peaks and clouds. In the meantime, the viewer seems to be in thousands of rocks and valleys, and I don't know how far it is.

He mainly practiced patriarchal clan system in Shen Zhou, catching up with Mi Fei and Dong Yuanhe, and also learned his own style from the integration of Li and Guo in the Northern Song Dynasty and Li and Xia in the Southern Song Dynasty. He can also draw freehand brushwork figures, with good form and spirit, and is the backbone of Wumen painting circle in the late Ming Dynasty. Wu scholars respect it. According to historical records, Zhang Hong is 92 years old and still painting.

As an important masterpiece of green landscape, Zhang Hong's Green Landscape Map is highly praised by later generations. This picture has beautiful peaks, smoky, pale clouds and green shadows, and fresh artistic conception. There are many old trees beside the rock. A hermit was sitting on the floor by the stream, looking up at the mountain and the flying spring, and a servant came with something. The characters are concise and have both form and spirit. Seeing the works in the pen container, the colors are beautiful. The composition of this painting is profound and magnificent, the ancient and clumsy brushwork is vigorous, the elegant and elegant brushwork is vigorous, the layout is subtle and prudent, the peak is beautiful, the smoke is vast, the clouds are light and the wind is light, the green shadows are swaying, and the artistic conception is fresh.

There are many modern painters who are good at green landscapes, such as Zhang Daqian, Huang, Huang Shanshou, Xie, He, etc. They are all masters of green landscape painting and enjoy a high reputation in the painting world.