What do you mean by pasting paper?

When printing, the tissue paper sticks to the bottom.

What's the use of pasting paper?

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A complete Chinese painting needs to be more beautiful and convenient for preservation, circulation and collection, which is inseparable from mounting. Because most Chinese paintings are painted on fragile rice paper or silk articles. Mounting, also known as "mounting", "mounting pool" and "mounting back", is a unique technology to protect and beautify calligraphy and painting inscriptions in China. Just like western oil paintings, they should be put into exquisite frames after completion, so as to achieve a higher artistic aesthetic feeling.

Mounting can be divided into original mounting and re-mounting. Mounting the original painting is to mount the new painting according to the mounting procedure. Re-mounting is to mount the calligraphy and painting handed down from generation to generation and published on it because of poor original mounting or poor management and storage, such as shelling, damp mildew, rot, moth-eaten, rat bite and other reasons. The framed paintings and calligraphy are firm and beautiful, and easy to collect and decorate. Re-mounted ancient paintings will also continue its vitality. The ancients said: "The restoration of historical sites will delay medical treatment ... doctors will rise at will if they are good, and they will die at will if they are not good."

So what is the procedure for mounting Chinese paintings? Generally, it is first mounted on the back of the painting with paper support, and then wrapped with twisted, silk, paper, etc. , and then installed as a layout. Traditional mounting is varied, but its finished products can be divided into three categories: hanging shafts, hand scrolls and picture books. Regardless of the size, shape and use of the original picture, there are only three steps: painting the heart, covering and mounting. It's just that the mounting of painting heart is an important process in the whole decoration process. It is quite difficult to re-mount old paintings and calligraphy. Tear down the old painting first, clean the mold, fill the hole, etc. , and then re-mount according to the mounting process of the new painting.

China's mounting technique came into being with the history of China's painting. According to the historical data preserved today, mounting technology appeared as early as 1500 years ago, and there are written records on the production of grain paste, anti-corrosion, selection of mounting paper, decontamination, repair and yellowing of ancient paintings. In the Ming Dynasty, Zhou Jia wrote Decorative Records, and in the Qing Dynasty, he learned to write Tuesday Corner, both of which are China's special works on mounting.

Mounting, also known as "mounting", "mounting pool" and "mounting back", is a unique technology to beautify and protect calligraphy and paintings and inscriptions in China. Mounting is also an art, as the saying goes, three-point painting and seven-point mounting shows the importance of mounting. Once the painting and calligraphy are mounted, they have the feeling of Mo Miao and become a complete work, which makes people feel happy. The method is to mount the back of the painting and calligraphy works with paper support, then wrap them with silk, silk and paper, then support them, and then install them into axes or layouts. The finished product can be divided into roll, shaft, book and sheet according to its shape. The mounted calligraphy and paintings and inscriptions are easy to collect and decorate. A Record of Mounting in the Ming Dynasty, A Corner by Tu Xixue in the Qing Dynasty, An Introduction to Painting and Calligraphy Mounting in China by Feng in Modern Times and Painting and Calligraphy Mounting in China by Du Zixiong; They are all professional works of system theory.

Xuanhe decoration: also known as "Song-style mounting". It is a painting and calligraphy mounting form collected by Huizong (Evonne) in the Northern Song Dynasty. Named after the year number of Xuanhe, Hui Zong (A.D.119-1125). This style is the most complicated one of the mounting strips. For example, Ivy Leung's "Lu Xue Tu Juan" in the Palace Museum uses silk, yellow silk on the back of petals, and white Song stationery at last. The painting itself takes five paragraphs. Also stamped with the seal of the inner government collection according to a certain format.

Wuzhuang: Suzhou and Yangzhou have been mounted for hundreds of years in the Ming and Qing Dynasties, connecting the past and the future, and are famous throughout the country. The history is called Wuzhuang. Its mounting pieces are flat and soft, the mosaic color is quiet, and it is assembled and cut, and the old ones are adjusted. "Decoration Chronicle" said: "Zhou Wang has an eye, and his family has many treasures and secrets, so he studies decoration." In the Ming Dynasty, Hu Yinglin's Shao Baoshan House Pen Collection had the best Wu clothes, but it was also common in other places. Highly praised.

Red gang: a form of frame. Before liberation, there was a red and white vertical axis couplet in Suzhou, Yangzhou and Shanghai, which was specially used for weddings, funerals and celebrations. It's called "Red Gang".

Hanging list: Before liberation, Shanghai, Suzhou and Yangzhou had a special mounting for ordinary calligraphy and painting, called hanging list.

Monochrome mounting: that is, the mounting material uses one color. This depends on the ratio of the length of the painting core to the length of the painting. Generally, if the mosaic length does not exceed the length of the painting core, it can be inlaid in one color. For example, a three-foot painting core with a three-foot mosaic can be mounted on a six-foot vertical shaft, and only one color can be used. In the application of mosaic color, the purpose is to highlight the painting meaning of the painting core, and the principle is beautiful and generous.

Two-color mounting: Two-color mounting refers to embedding around the tribute with appropriate colors, then embedding the remaining insufficient length with dark colors and dark colors, and then pasting heaven and earth for mounting to the required length ... >>

What is white cardboard mounting?

White cards are different on both sides.

At present, ordinary white cardboard has two different sides, one is coated and the other is uncoated, so it is rough and the smoothness and gloss of the back are poor. Just like coated paper, both sides are coated with double copper, so there is little difference between the two sides. Single copper is only plated on one side, so the smoothness and gloss of the back are poor. Mounting is to stick two layers of paper together with glue.

What problems do you need to know when making color boxes and mounting paper?

Bonding accuracy: refers to the maximum range of the relative distance between the side paper and the edge of the backing paper under the specified rules after the backing paper (corrugated paper or paperboard) is bonded to the surface paper (colored surface paper). Its value is generally 1, and the factors affecting this value can be divided into two parts: one is mechanical part, and the other is human factor. The fitting principle of mechanical parts of various manufacturers can basically meet this requirement, but the requirements for the proficiency and skills of operators are high or low (that is, the operability is strong or weak) because the semi-automatic paper pasting machine is the most popular in the market now. So the human factor plays a decisive role. This requirement is slightly different due to different models.

Fit: refers to the impact resistance and obvious adhesion of the finished paperboard. These two indicators are directly related to adhesives, and now they are all based on the use of strange rubber powder.

Adhesion: that is, the adhesion strength between backing paper and cotton paper. A good adhesive product is that the lining paper and cotton paper are impregnated with each other, but too deep impregnation will cause obvious dullness, and too shallow will cause false adhesion (that is, cracking). If it is too shallow, it will open the glue, which requires the glue to be evenly coated on the dull paper, and to ensure that the paper towel has enough immersion depth. Here is a simple verification method: first, apply glue evenly on the extinction front of the extinction paper, that is, one third of the extinction height. Secondly, the matte paper is bonded to the thin paper. Before the thin paper is transported and pressed, the semi-finished product is taken out, and the thin paper is opened to observe the glue marks on the thin paper. When the pressure of each conveying roller is appropriate, the glue mark should be a continuous glue column line. When it is big, it will have a certain width of glue marks. When it is too big, there will be two glue marks with small width. If it is too small, the glue mark will become a discontinuous glue column line.

What is the reason why the moisture content of packaged products exceeds the standard after pasting?

Usually the glue is too thin, the water content is too high, or the paper is too damp.

What do you mean, it won't burn?

It's just a piece of shit. Too sensitive

I think she hates pasting paper, but she is alone. what do you think? Because of her, I quarreled with my partner several times. Would you like to paste paper? 50 points

Kids, I know you're serious. I believe that people who live seriously are the most beautiful life and will give them a beautiful smile.

What does the pit loading process mean? 5 points

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What brand is a 20-minute paperhanger?

Jiangyin Dingyi Printing and Packaging Machinery Co., Ltd. has a fully automatic paper laminating machine with a price of less than 300,000 yuan, which can also be used to attach tiles and cards. Corrugated paper per hour 10000 sheets, paper per hour 8000 sheets. It can also be directly equipped with a flip paper receiver, with a total price of less than 500,000. There is no cheaper price in China than ours!

How to mount paper in meticulous painting?

I often draw meticulous paintings. Generally, I draw my final draft on silk, and the painting on paper is not fixed. Because silk is not fixed, spun silk has warp and weft, and twisting will go out of shape. It is generally like this:

(1) Choose paper or silk, cut it one or two centimeters larger than the sketch, and paste it with glue or paste later.

(2) Put the sketch under the cooked paper or silk, and gently trace the sketch with HB pencil. The outline should be clearly drawn, and the pen mark should not be too heavy, so as to avoid leaving copied pencil lines when drawing ink lines in the future.

(3) Find an ordinary piece of white paper and cut it to the size of a sketch as the backing paper. Because cooked paper or silk is generally thin and translucent, it is easy to see the picture effect when painting with white paper below. Wet the backing paper until it is completely unfolded, and then stick it on the drawing board with paste or glue. (4) When the liner is dry, put the copied manuscript on it and spray the paper with a nozzle or watering can. When the paper is completely unfolded, apply one to two centimeters of glue or paste on the back of the drawing paper while it is still wet. When it's dry, you can draw.