French Symbolist Poetry Original Text Symbolist Poetry

The originator of Symbolist poetry is:

The originator of Symbolist poetry is: Eliot

Eliot (1888-1965), who was born in the United States and later joined the British nationality, was the greatest representative of late Symbolist literature, and the most influential poet and critic of Western modernist literature. 1949, he was awarded the Nobel Prize in Literature for his "contribution to contemporary poetry and pioneering role", and the "Order of the King's Labors". In 1949, he was awarded the Nobel Prize for Literature for his "contribution to and pioneering role in contemporary poetry" and the "King's Medal for Merit", and in 1955 he was awarded the Goethe Prize.

The long poem The Waste Land (1922) is Eliot's masterpiece.

Which are the representatives of French Symbolist poetry

1886 to 1891 is the flourishing period of French Symbolist Shi song. The masterpieces of this period include Mallarmé's Poems and Prose, Laforgue's Flowers of Kindness and Renée Ye's Interlude . The three main generals of Symbolism were Mallarmé, Weiland and Rimbaud . Baudelaire, the author of The Flower of Evil, is considered to be the forerunner (progenitor) of Symbolism . The Symbolists opposed the realistic portrayal of reality by the Realists and Naturalists. They believed that the real material world was illusory and bitter, and that only the inner world hidden behind it was real. A lot of hints and symbols are used in their works to metaphorically represent the inner world of human beings. There are a lot of vague and confusing lines in the poems, which are very obscure, and the imagery in the poems is disgusting. Some of the poems of Wei Erlun express the deepest feelings, such as "Lang Manga without Words"; the masterpieces of Rimbaud include "Mother Tone" (Vowel Zi Mothers), and "The Drunken Boat"; the most important work of Mallarmé is "The Afternoon of the Shepherd God". The Symbolist poets were characterized by mysticism, aestheticism and pessimism in their thought and art, and their poems were obscure and hazy. In 1891, Moreas announced that he was leaving the Symbolists, and many Symbolist poets also developed in the direction of their own choice, and no longer followed the same standard of symbolism in art, and the French Symbolists as a school disintegrated at the beginning of the nineties. The French Symbolism as a school disintegrated in the early nineties.

The classics of foreign poetry (short ones)

Uplifting:

Oh, Captain!

The ship has weather'd every rack, the prize we sought is worn,

The port is near, the bells I hear, the people all exulting,

While follow eyes the steady keel, the ship has weather'd every rack.

The port is near, the bells I hear, the people all exulting,

While follow eyes the steady keel, the vessel grim and daring;

But O heart! heart! heart!

O the bleeding drops of red!

Where on the deck my Captain lies,

Fallen cold and dead.

O Captain! my Captain! rise up and hear the bells;

Rise up-for you the flag is flung-for you the bugle trills,

Rise up-for you the flag is flung-for you the bugle trills,

Rise up-for you the bugle trills! trills,

For you bouquets and ribbon'd wreaths--for you the shores crowding,

For you they call, the swaying mass, their eager faces turning;

Here, Captain! dear father!

This arm beneath your head;

It is some dream that on the deck

You've fallen cold and dead.

My Captain does not answer, his lips are pale and still,

My father does not feel my arm, he has no pulse or will;

The ship is anchor'd safe and sound, its sound and its ship's head. The ship is anchor'd safe and sound, its voyage closed and done;

From fearful trip the victor ship es in with object won;

Exult, O Shores! bell!

But I, with mournful tread,

Walk the deck my Captain lies,

Fallen cold and dead.

Chinese translation:

Captain! My Captain!

Walt? Whitman

Ah, Captain! My captain! The dreadful voyage is done;

The ship has risked everything, and the goal of Biao has been accomplished.

The harbor is in sight, the bells are ringing, the people are rejoicing.

Millions of eyes watched the ship ---- smoothly, bravely, firmly.

But the pain! Painful! Painful!

Look at the drops of bright red blood!

On the deck Shang lay my captain,

He went down, Bing cold, farewell.

Ah, Captain! My Captain De! Arise, listen to the bells;

Qi come, the trumpets will sound for you, the flags will hang for you;

Welcome you, how many bouquets and wreaths of flowers ---- wait for you, millions of people swarming on the shore;

They Xiang you shouted, crowded around, and looked up with eager faces;

Ah, Captain! Dear father!

My arms hold your head!

Mo Fei is a dream: on deck

You to the lower Qu, cold and eternal.

My captain does not Zuo voice, lips white, not moving;

Wo's father did not feel my arm, no pulse, no legacy of Yan;

The ship anchored and stopped, arrived safely; the end of the voyage;

Returned to the voyage through the hardships and dangers of the Duo to the goal of victory ...... >>

French Writers Symbolist Poet Hambo Introduction

Hambo (Arthur Rimbaud, 1854-1891), the French Symbolist poet Ren. 15 years old began to write poetry in Latin, showing Chao group of poetic talent, 17 years old, composed the famous poem "Drunken Boat". 1870 Franco-Prussian War broke out, the poet came to Paris. After the outbreak of Franco-Prussian War in 1870, the poet came to Paris to express his sympathy for the Paris Commune, and wrote the famous poem "The Hands of Jean-Na-Marie". In the middle and late stages, the poet turned to the poetic adventure process of self-exploration Suo, life, society, ideals, and reality Zai poet's spiritual world reflects a dim light. The poet began to focus on his own hallucinations, dreams and experiences, especially Hou period of his poems are full of rich symbolism. 27 years old, the genius of the poet then put aside the pen, interrupted the literature student Ya, keen on adventure, travel, wandering, once roaming Europe. His major works are: Dedicated to Music, Sinking Shui of the Valley, Drunken Boat, Season in Hell, and Spiritual Gang.

Hanbo is the most rebellious De a symbolist poet. After Baudelaire, he was known as one of the three most famous Symbolist poets, together with Ma Ramey and Weiland, and Han Bo developed Baudelaire's "Correspondence" and the role of the poem's dark shi. He believed that the poet should be a "psychic", whose task is to explore the mysterious "unknown" through the "dislocation" of the senses. His poems such as "Vowels" and "Literary Alchemy" developed Baudelaire's "psychic theory", and his masterpieces such as "Drunken Boat" and "Dawn" were popular for their magnificent imagery and skillful "psychic sense". For a period of time, the symbolism poem Ge in France brilliant, and influence Europe and even the whole world Jie: "psychic" Han Bo invented the "word alchemy", Chuang made "new flowers, new stars, new meat and new flesh. Chuang created "new flowers, new stars, new flesh, and new words".

Humboldt brought an element of surrealism to French Symbolism. While the Symbolists sought to reveal (or decipher) the reality hidden behind everyday things, the Chao Realists further demanded to create a reality beyond things through intuition and fantasy. In this sense, Han Bo is one of the more radical of Fa's symbolist poets.

Han Po's poems are famous for their magnificent colors, and in September 1871, the young man Han Po was invited by Weiland to come to Bali, where he soon made a name for himself with his poem The Drunken Boat. In this poem, the poet compares himself to a drunken boat without a rudder or anchor, following the waves in the sea without restraint. The style of the poem is treacherous and splendid, and it is one of the finest poems in the Elephantine Zhengism. In another famous poem Mu Yin, Han Bo uses five different colors to symbolize the vowels of the French language, and then intertwines shapes, colors, smells, sounds and movements through concrete depictions, in order to realize the realm of "empathy". In addition, the prose poem "Season of Hell" is also a rare work of genius.

Although Han Bo and Weilun were very close, and at one point He had a homosexual affair with Weilun, their styles were very different. While Weiland was known for his graciousness and harmony of sound, Han Bo was known for his strange imagery and dreamy colors, and in 1912, Rimbaud was honored as the originator of surrealist literature, which was just on the rise.

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Who is the founding father of Symbolist Poetry

In 1857, the young French poet Baudelaire sent Biao's Flowers of Evil, which was the founding work of Symbolism. After Baudelaire became a master of the literary world, a new literary genre centered on him was rapidly formed. Moreover, due to the emergence of his important followers Wehrlein, Rimbaud and Mallarmé, the new school reached its heyday at the end of the 19th century; i.e. around 1886-1891. If, on a closer look, Pre-Symbolism can be further divided into 3 stages: Before Baudelaire Er was Budding Symbolism. In this period, there was Beltran, the first French Guo prose poet; Nerval, the essayist, Ren Lautréamont, the poet, and Edgar Allan Poe, the famous American poet and writer. Both of their poems and poetic theories had played a role in the creation of Baudelaire and a large number of Symbolist poets after Lai, but Huan could not be regarded as a real 'Symbolist poetry. The second stage Shi Baudelaire period. Baudelaire is not only the ancestor of Symbolism; he is also the forerunner of modernist literature as a whole, and we call his phase the forerunner Symbolism. The third phase is the period of three important poets who came out after Baudelaire: Rimbaud, Wehrlein, and Maramerism. We call this period the pre-Symbolist period. Thanks to the efforts of these three poets, the end of the 19th century witnessed an unprecedented surge of Symbolism. French poets such as Laforgue, Chenier, and the above mentioned Molleiades joined the Symbolist ranks one after another. A large number of poems were written in the Jiang Symbolist style, forming a pattern of confrontation with the Parnassian school, which was still in circulation, and the momentum of Romanticism, which had been basically dismantled. 1890s, Symbolist poetry began to spread to Western Europe and North America, where it found many confidantes. Those people in turn Cheng the Zhongjian of late Symbolism that emerged in the 1920s. However, in France, after the peak, the early Symbolism began to decline, and in 1891, Moreas, the author of the Symbolist "Manifesto of Wenology," first announced that he was leaving Symbolism and advocating a so-called "Romantic" literature, in an attempt to Holland the Romans, and to create a "Romantic" literature. In 1891, Moreas, the author of the Symbolist "Manifesto of Wen", first announced his departure from the Symbolist Pai and advocated a so-called "Romantic" literature, which attempted to revive the traditions of the Greco-Roman antiquity of his ancestors. Then Rimbaud, Weiland, and Mallarmé died in 1891, 1896, and 1898, respectively, and many other Symbolist poets chose a new direction, no longer following the Symbolist artistic standards. Pre-Qi Symbolism as 70 literary streams Pai, by the end of the 19th century has actually disintegrated. However, Pre-Qi Symbolism as a literary trend: its influence had taken deep root in Fa. And due to the Zuo use of famous poets such as Maramay, symbolism began to cross the French national Jie line in the late 19th century, expanding to Western Europe and North America, and by the 1920s, the rise of post-symbolism.

Recommend a bit of Symbolism literature

French poet Charles Baudelaire's collection of poems, "Hua of Evil" Weiland's poems are gracious and natural, and the beauty of the rhyme is unique among the Elephant Zhengist poets. His representative works include After Three Nian (1866), The White Moon, and Prison Zhong. Rimbaud became famous for his poem Drunken Boat. In this poem, the poet compares himself to a rudderless and anchorless drunken boat, following the waves on the sea of Da without restraint. The poet's style is treacherous and brilliant, and it is one of the finest of symbolist poetry. In another famous poem, Ge (Mother Sound), Lan Bo used five different colors to symbolize the five vowel letters of the French Yu, and then intertwined shape, color, smell, sound and movement through concrete depictions, in order to achieve the realm of "empathy". In addition, the prose poem "A Season in Di Prison" is also a rare work of genius. The theory of Ma La's beauty is characterized by mysticism and aestheticism, and while Ta made great theoretical achievements and was regarded as a leader by his fellow Symbolist poets, he did not produce many poems in his own right. Some of his more contemporary works include The Swan, published in 1887 in the Collected Poems, and The Helodiad, which was left unfinished for more than twenty years. Mallarmé's most famous work, however, is "The Afternoon of the Shepherd God," written in 1876. The poem was popularized by Debussy, who set it to music. The poem is based on the Greek myth of the shepherd god's quest for the water nymphs, and it is written in Cheng. late symbolism

The works of Vallery, Lilke, Yeats, Eliot, and others are available for you to read as often as you choose.

Representatives of Western Symbolism

The earliest, longest and most resonant literary genre in modernist literature.

Characteristics of Symbolism:

1. Emphasize the subjective Zhen real, and symbolism as the main creative techniques, and thus named Xiang Symbolism.

2, the use of association, dark Shi, baking and other means to express the theme, and a large number of symbolic Lian thought to stimulate creative inspiration.

3, strong Diao feeling of borrowing.

4, the pursuit of poetry De sculptural beauty and musical beauty; the pursuit of the form of neat and rhyme He harmony.

Symbolism is a literary genre that originated in France in the mid-19th century and spread to the United States at the beginning of the 20th century. It is the embodiment of the Symbolist ideology in Wen, and also a core Fen branch of modernist literature, which mainly covers the two major fields of poetry and theater, and its influence has lasted until today. Although the term "symbolism" first appeared in 1886, both Baudelaire and Edgar Allan Poe initially dealt with some of the concepts of symbolism in their writings as early as the mid-19th century.

Overview

Symbolism, which was officially flagged in France in the mid-1980s, was a reaction to the positivist philosophy of Kongde and the Zionist literature of Zola. In the view of the Symbolists, positivism, which only mechanically argued the causal relationship between actual things, and naturalism, which focused on heredity and the influence of the environment on the formation of human nature, were unable to reveal the essence of art. Symbolism advocates the discovery of the world of ideas hidden behind the natural world, and the creation of supernatural art through the sensitivity and imagination of the individual, and the ideas of Ni?i, Freud and Bergson can be seen as the philosophical foundation of Symbolism.

Symbolism focuses on the depiction of personal phantoms and inner feelings, and is very much involved in a wide range of social subjects; it rejects empty rhetoric and hard sermons, and emphasizes the use of textured images He hints at, accentuates, contrasts, and associates the method of creation. In this way, Symbolist literature emphasizes the importance of musicality and rhythm.

As an international literary trend, the development of Symbolism in various countries and regions is characterized by different Xiang, which involves the national temperament of each country, cultural traditions, and the personal temperament of the writers and other complex factors. The French symbolism is more pure, while the British and American symbolism is more mixed. Symbolism has been most successful in the field of poetry, and many of the greatest poets of the 20th century can be categorized as symbolist poets. In addition, Symbolism has also had some success in the field of theater.

Pioneers: Beaudelaire and Edgar Allan Poe

The theories and writings of the American poet Edgar Allan Poe had a major impact on the formation of French Symbolism. In his Principles of Poetic Composition, he advocated Fan nature, anti-didactic poetic ideas, and emphasized the beauty of form, An schematic and musicality, which can be regarded as the theoretical Lan goblet of Symbolism.

The French poet Charles Baudelaire Er's collection of poems, Flowers of Evil (1857), can be seen as Shi's first poems with the qualities of symbolism. In Hua of Evil, Baudelaire describes morbid sexuality in a fleshy tone, celebrating "the frenzy of the mind and faculties", but also expressing the pursuit of Guangming and ideals. In literary history, The Flower of Evil is regarded as a transitional work between Romanticism and Symbolism, still using traditional poetic rhythms and still relying on the role of rhetoric. However, it is the first poem to take the ugliness of human Xing in the city and society as an aesthetic object, which expresses the state of anxiety and irritation of modern people in the midst of the ugliness of Zai society.

Pre-Symbolism: Weiland, Rimbaud, Mallarmé

After Baudelaire, Paul Weiland (1844-1896), who became famous in French poetry in the 1870s and 1880s, carried forward the Symbolists' emphasis on the musicality of the poem Ge. In his The Art of Poetry (1884), Weiland advocated that poetry should be first and foremost musical, that is flowing, hazy, and clear; that the choice of words should be a combination of Mo and precision; that there should be a halo of color rather than color; and that there should be no Ge aphorisms, gags, etc. In short, poetry should be Zhui. In short, the poem should Zhui seek a diffuse penetration of the atmosphere.

Wei Erlan's poems are intimate and natural, and the beauty of the rhyme is unique among the Symbolist Shi people. Representative works also include Three Years Later (1866), White Moon, Prison, and other Deng.

Altier Rimbaud (1854-1891), a poetic wunderkind who at one time had a homosexual love affair with Weil Lun in the early 1970s, was a French Symbolist. ...... >>

Ask for French poetry, more romantic and lyrical love poetry, as long as it is a French poet, thank you! 20 points

Hugo (1802-1885), 19 Shi era of France's outstanding literary figure, creation involves poetry, fiction

said, drama, etc., reflecting the history of the French society of a Shi era. His poems are strong in color, intense in language

and unrestrained in feeling. He is a typical representative of positive romanticism De.

Since I put my lips Zuo

Since I put my lips into your ever-Chong overflowing bottle,

Since I put my pale De forehead close to your hand,

Since I have Shi breathed in the tender breath of your soul,

Yi kind of aroma buried in the dark shadow;

Both Ran I sometimes From your words

Listen to you Sanbu your mysterious heart;

Since I Kan see you cry, since I see you smile,

My mouth to your mouth, my eyes to your eyes Jing;

Since I see your star shining brightly on my Tou,

Alas! I shall be youthful for ever!

You and your gaunt flowers fade away together Ba,

There is a flower in my soul that no one will ever remove.

This jade pot of mine for quenching my thirst is full,

and your wings will not be able to splash the sweet rain in it even if you swipe it away.

Your ashes are far from enough to extinguish my spiritual fire!

Your forgetfulness is not enough to engulf my love!

(Translated by Wen Jiayi)

The poet Ren walks to the field

The poet walks to the field; he admires,

he praises, he listens to the harp of Nei's heart.

Seeing him coming, Hua flowers, all kinds of flowers,

Those that Shi rubies eclipsed,

That Xie outshone even the peacock's carry,

Jin-colored florets, blue-colored florets,

To welcome him at the Liao, all shook their bouquets,

Some faintly curtsies to him, and some made dainty gestures,

for thus befitting a beauty, the Ta's

said affectionately, "Behold, our Q'ing man approaches!"

And the great lush trees that live in the woods of Zai,

Full of Zhuo sunlight and shadow, and with voices grown hoarse,

All these old men, the yew, the linden, the maple,

The wrinkled willow, the aged oak, the black-branched, moss-covered elm, as the theologian Men meet the custodian of the classics. And bowing to him with a great salute, and Yi bowing to the end and dropping their leafy heads and ivy De beards, they viewed the serene glory of his forehead, and whispered in a low Qie whisper, "It is he! It is this fantasist who has come!"

(Translated by Kim Chi-Ping)

Come! An invisible flute

Come! --Yi an unseen flute is lilting in the orchard. --The most He-peaceful song is that of the shepherd boy. Under the oak tree, a pool of calm De water, lifting up the greenish-colored microwaves, -- The happiest song Shi the song of the little bird. May no thought stir you. Love each other! Love each other forever! --The most flattering song is the lover's Ge'er.

(Translated by Wen Jiayi)

Unity

On the Di horizon, where the brown mountains are superbly undulating,

the Sun, the flower of all rays of light,

ambles its face Er to the earth at dusk.

A newly-bloomed silver chrysanthemum, on a gray Qiang that was about to collapse beside the wheat field and among the weeds,

timidly radiated the round light of the na?ve and clean Bai; and this little flower, from the crumbling wall,

stared at the superstar that had poured out streams of light for ages in the eternal turquoise sky.

The sun, this radiant flower, poured its face Er into the earth at twilight.

"As for me, I too am radiating light!" Ta said to it.

(Translated by Wen Jiayi)

Baudelaire (1821-1867), a great French poet in the 19th century, whose collection of poems "Wicked Zhi

Flowers" can be regarded as the "epochal work of De, the forerunner of modernism", the poet mostly used ugly, horror,

The poet often used ugly, horrible, crazy

imagery to reproduce social reality. He was an important representative of the pre-Qi Symbolist school of poetry.

One of You Yu

The rainy month, thundering against the whole city Da,

toward the pale Bai's occupants in the neighboring cemetery,

pouring out from its canisters a grimness like Zhu,

and scattering death into the foggy Meng suburb.

My cat Xun for grass stems on the square brick floor,

shaking its thin, raw Chuang body ceaselessly;

in the gully wanders the spirit of old Poet Ren,

with a sultry, ghostly Ling's bitter words.

The great clock is lamenting, and the Mao-smoking firewood

accompanies the pendulum of the wounded Feng with a false voice;

A foul-smelling game of cards Zheng is going on,

and the Bu Xiang legacy of this old woman suffering from oedema,

and the handsome Squire of Hearts and the Queen of Hei Peaches

are gloomily telling the story of the passing of De love.

Melancholy follows IV

When the low heavy sky like a great lid weighs down

The spirit tormented by long weariness,

When the encircling sky shoots at us

A black dawn more sorrowful than the night;

Dang the earth into a damp cell,

Zai there, O, the hope flies away like a bat,

And hope, like a bat, flies away,

And hope, like a bat, flies away,

And hope, like a bat, flies away,

And hope, like a bat, flies away. Bat-like flies away,

Rushing against the wall ...... >>

What are the Symbolist Poems of the English Poet Yeats

Symbolism occupies the main Dao in Yeats's later work. During this period, the poet established his own complex Xiang symbolism system of thought. In his symbolism system, Liang involved his own view of history, the universe and life, and Bao contained a wide range of imagery. The poet brings his symbolism into full play in his poems, using them to express his feelings about Dui's life, his understanding of history, life, and the universe, his knowledge of the world, and his rational thinking. At this time Qi's poets no longer just stay in the emotional surface, but Zhu gradually with rational thinking to provoke the reader's **** Ming, triggering readers to think and think y. The imagery of the poem, the seeming shi but not the mood of the poem increased the effect of meditation. This is the difference between Ye Zhi Yu other poets: his poems are more focused on enlightenment Fa readers rational thinking, rather than virtual meditation. This is reflected in many poems in the later part of the poem Ren, such as "Leda and the Sky E", "The Cat and the Moon", "Cole's Wild Swans" and so on, all of which embody the poet's knowledge of life, the universe and history.

Symbolist poetry is characterized by "a special, unexpected arrangement and grouping of everyday words and phrases to give them a new meaning. At the same time, it pursues the effect of art Shu, not to make the reader understand what the poet is going to say, but to make the reader seem to understand and not to understand, as if in a trance, so that the Du people realize that there is a deep meaning in this." [1] The poet himself has said of this sense of incomprehensibility that "these poems may be difficult to understand, perhaps even more difficult than I know them to be. Goethe said that the poet needs philosophy, but he must keep it outside his composition Pin." [2] This characteristic is more obvious in Yeats' poem "The Cat and the Yue". The cat is an animal we see in our daily life Chang, the moon is also something we take for granted in our life Wu, and the poet puts the cat and the moon together, through the poet's Miao pen, into the poet's profound thoughts, and then hazy and mysterious De mood to accentuate, so as to outline a seemingly illusory atmosphere, in order to achieve the sublimation of the meaning of the poem. The poem says that the pure and cold light annoys the cat's wild blood and makes it run on the grass. Thereafter, the cat strolls again on Cao ground, it is lonely, proud and intelligent. In between, from the ferocity of Mao's wild nature to the gentleness and serenity of its walks are all reflections of human nature De. The different states of human nature, there are high and low, sometimes rising, sometimes Fu, everyone in a certain period of time have a different state of life, will also experience different peaks and valleys, but ultimately, people Du to return to the quiet, all want to return to the original things of human nature, to find Dao inner that peace, serenity. The moon in the poem goes from full to Que, and from missing to full then expresses the turnover of history. The cat and the moon ***Wu, just like people into the history. People create Li history, writing history, so the poet said that the cat is the moon's near Qin. both from time to time, constantly changing, no You fixed state, week after week, as people in the tide of history in the generation You generation of fading and newborn.

The poet's xiang symbolism is still mixed with romanticism and realistic Zhuyi's expression. Poet with this slightly romantic hand Fa to create a half-bright, half-dark, confusing mood, to Ren a sense of if it is not, so that people feel both romantic and mysterious, Ji near and far. The moon is unpredictable, from the round to the lack of, from the lack of Yuan and let a person disappointed, people can not help but sigh the impermanence of the world, so that Ren for a long time trapped in this situation. The poet has been immersed in Liao for a long time, and has transcended the world, reflecting the reality with a calm and indifferent language. The poem says, "Perhaps the moon has grown tired of Liao's courtly dance and has learned a new way of dancing." [3] This expresses that the poet is tired of the things in reality, and Shi longs for the emergence of new things that are different from the common things. This is a manifestation of present Shiism, where the poet is dissatisfied with reality and wishes to transcend present Shi.

The poet's later system of Symbolism He thus created many poems were published after going through this stage of Li practice, which proves that the poet transcended the self-Ji and stood out in the poetry world with a new style of poetic writing, that is, the poet's own Symbolic Zhuyi. The poem "Leda and the Swan" is the pinnacle of Ye Zhi's transcendental self, a sign of the maturity of the poet's symbolism. From the poem, it is easy to see that the symbolism of the poet Ren has become more mature. The poem borrows the legend of Zeus coming down from ancient Greek mythology as a swan and combining with the beauty Li Da. According to his own opinion, the poet explains the human calendar with his own mysterious system of symbolism and expresses the poet's knowledge of the universe. At the same time, the poet also uses his own system of symbolism to express the historical rise of mankind.

Please share/recommend a profound symbolism poem/poetry/prose, similar to "The Dining Room" by Jemima (also known as "Francis Jarm") in France.

I'm passing through.

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