Bird and Flower Paintings

1, Gu Kaizhi's Eider Sparrow

2, Shi Daoshuo's Goose

3, Gu Jingxiu's Bee Sparrow

4, Xiao Jie's Deer

5, Han Gan's Shining Night and Herding Horses

6, Bian Luan's Plum Blossom Camellia and Snow Sparrow

7, Diao Guangyin's ? The sketchbook of flowers

8, Zhao Mengjian's "ink orchid", "three friends", "narcissus"

9, Yang Shuizhi's "four plum blossoms", "snow plum"

Expanded information: <

I. Characteristics of Bird and Flower Paintings:

Bird and Flower Paintings include "brushwork," "brushstrokes," "writing," "painting," "calligraphy," "painting," "painting," and "painting. "

Three kinds of painting methods in flower and bird painting:

Working brush, writing, and both work and writing.

Working-brush flower and bird painting, that is, using thick and light ink to outline the moving image, and then shades of coloring in different levels; writing flower and bird painting, that is, the use of concise and generalized methods of painting the object; between the work of the brush and the writing is known as the part of the work with the writing.

As early as in the craft, carving and painting is not yet a clear division of labor of the primitive society, Chinese bird and flower painting has sprouted, Tianshui, Tianshui, the horse beach unearthed at the end of the Warring States period of woodblock prints, "the tiger is bound", is the earliest known one-panel bird and flower paintings, the U.S. Nelson-Eakins Museum of Art in the collection of Eastern Han Dynasty, Tao Barn upstairs mural "two crows perched on the tree," but also an earlier one-panel bird and flower paintings.