Traditional Culture Encyclopedia - Traditional festivals - What do poems and songs mean respectively?
What do poems and songs mean respectively?
In ancient times, poetic discord was regarded as "poetry", while harmony was regarded as "song". Poetry can be divided into ancient poetry, modern poetry and modern poetry (new poetry). Classical poetry refers to the poems before the Han, Wei and Six Dynasties. Its sentence pattern is relatively free, and it doesn't pay attention to antithesis and rhyme. Modern poetry refers to metrical poems and quatrains formed in the Tang Dynasty, including arrangement, which have strict requirements on the number of words, sentence patterns, meter and rhyme. Modern poetry refers to relatively free poetry written in modern Chinese, which can express feelings and eulogize life as needed.
Words are developed from poems, and there is a saying that "words are outside poems", which is filled according to the level, number of words and number of sentences specified by a epigraph, so writing words is also called "filling words". It requires strict rules and regulations, and those with less than 58 words are called "Xiao Ling"; Fifty-nine to ninety words are called "middle tone", and more than ninety-one words are called "long tone".
In ancient times, songs were called "songs" because of chorus, and later they were often called "poems" together with poems. In addition, it also refers to a certain type of poetry, such as "nursery rhymes", "folk songs", "folk songs" and "love songs". They can be read and appreciated like poetry, and they can also be sung in music.
Fu is a style with the characteristics of both poetry and prose. It is characterized by laying out things, emphasizing literary color and using flowery words. The title of "Fu", known as "Ancient Fu" in Han Dynasty, is long, and questions and answers are often used to express the contents of the article. In the Six Dynasties, the names of "Pai Fu" and "Parallel Fu" emphasized parallel couples; The word "law fu" in Tang and Song Dynasties is imperial examination, which pays attention to format and is neat in confrontation.
Question 2: What is the meaning of' Fu' in poetry and songs? Fu, an ancient style, originated in the Warring States period. The Fu written by Qu Yuan and others in Han Dynasty is called Chu Ci, so later generations generally call Fu-style literature Ci Fu. In the Han Dynasty, it finally became an independent style. Fu style refers to the system or genre of Ci and Fu, and the creation of Ci and Fu has its corresponding creation norms. Different styles of ci fu will also change accordingly. According to the different creative methods and expressive techniques of Ci and Fu, the genre of Ci and Fu can be divided into several types. Qu Yuan's Lisao initiated the history of Ci and Fu. Through the development and evolution of the past dynasties, it has formed different development periods such as Sao Style Fu, Handa Fu, Parallel Prose Fu, Parallel Prose Fu and Vernacular Fu. There are three basic forms of ci fu in Han Dynasty: poetry fu, prose fu and prose fu. Poetic prose is mainly composed of four words, every other sentence rhymes, and the length is small. It evolved from the Book of Songs and tends to be scattered compared with poetry. The form of Sao Style Fu is basically the same as that of Chu Ci, which evolved from Chu folk songs and is lyrical. The sentence patterns of Santi Fu vary from three or four sentences to ninety sentences, with a combination of rhyme and prose, and the main thing is things. Generally speaking, Santi Fu is written directly, arranged in parallel, described in the form of questions and answers, with rich rhetoric and huge space, which mainly evolved from hundred schools of thought's questions and answers, lobbying articles and Chu Ci during the Warring States Period. After in-depth investigation on the classification and development of Fu style, some scholars put forward that Fu style can be divided into four genres, namely, Sao style Fu, Wen Fu, Parallel prose Fu and Rhythm Fu. Among them, the content of Sao style fu is mainly about chanting things and expressing feelings, and more about expressing sadness. It is also close to Chu Ci in form, and the word "Xi" is often used to make sentences. Prose is natural and argumentative, pays attention to drawing lessons from articles in Qin and Han dynasties, is closely related to the ancient prose movement, and is deeply influenced by the creative atmosphere of "breaking the body for writing". Parallel prose is characterized by the basic antithesis throughout, and the two sentences are connected, but the sentence pattern is flexible, the function words are used more, the writing style is fluent, the words are fluent, the rhyme is natural and harmonious, the four tones and eight diseases are not mentioned, and the rhyme at the end of the sentence is different from parallel prose. On the basis of parallel prose, rhyme fu pays more attention to the neatness of antithesis and melody, and strictly limits the number of words and rhyme in the whole article. There are four stages in the development of Fu: Han Fu, Parallel Prose, Lu Fu, Wen Fu I, and Han Fu from the Han Dynasty to the Western Jin Dynasty. Its greatest feature is that it exaggerates things by "using the canon to write the discipline", and it is nonsense in the Heavenly Palace. This exaggeration obviously originated from Chu Ci. Another feature of Han Fu, which is also the most important feature, is satire and exhortation, which plays a moderate role in persuading emperors and generals in extreme exaggeration. This feature obviously comes from the Book of Songs. This point should obviously be inherited and carried forward. Liu Xie separated Fu from praise and praise. Fu was about irony, while praise was just praise. According to Liu Xie's point of view, many today's fu should be classified as praise and praise, not fu. The greatest feature of Han and Jin Fu is that it is mainly composed of four words and six words, including three words, five words, seven words and even long sentences, with traces of prose. Second, the Six Dynasties Fu developed into Nuo Fu. At this time, the fu is almost four or six sentences, and it pays attention to antithesis. People call the fu at this time parallel prose. In the late Six Dynasties, there was an obvious poetic tendency, which opened a precedent for the legal fu in the Tang Dynasty. Thirdly, in the Tang Dynasty, due to the strong national strength, the rulers made great contributions to literature and poetry, and poetry and songs became popular. In the Tang Dynasty, many beautiful articles praised by later generations appeared. But later, Fu paid more attention to the level tone, and also stipulated the rhyme. Rhyme appeared. Rhyme is too strict with writing, almost like a word game, and soon it comes to a dead end. Of course, the eight rhymes required by rhyming have not become a rule. Fourth, Wen Fu. After the middle Tang Dynasty, Han Yu, who had declined for eight generations, launched the ancient prose movement, and Fu began to tend to be prosaic, which was called "prose". The rhyme of this essay is not very particular, and the sentence patterns are not neat. In addition to four or six sentences, there are often scattered sentences. Du Mu's "Epanggong Fu" should be a pioneering work of literary prose, and Su Shi's "Qianchibi Fu" should be a masterpiece. Prose seems to be similar to Han Fu in form, but it is by no means as exaggerated and ostentatious as Han Fu, and there are no cold and dangerous words. On the contrary, the style is fresh and natural, eloquent and friendly to read.
Question 3: What are the meanings of "Song" and "Fu" in "Poetry"? What is the style of poetry? In people's usual thinking, there are two kinds of poetic styles (the level of classical poetry is slightly loose) with strict rules (mainly the strict requirements of parallelism, rhyme and duality), so we can't rhyme and misuse parallelism; In fact, the so-called Fu actually has very strict antithesis rules and requirements for leveling, but today some writers write it because they don't know it.
Question 4: What do poems and songs mean? I'm interested in this question. I'm in a high mood recently. I write poems and lyrics almost every day. The so-called poems and songs are a general description of China traditional literature; Nevertheless, this title almost sums up the essence and culture of China traditional culture, especially the achievements of traditional literature.
Poetry is poetry. It is easy to understand that the poems in poetry and songs do not include modern poems, but mainly refer to metrical poems.
Words are lyrics written in a certain rhythm. For example, I sometimes fill in Qinyuanchun, Liangzhu, Xijiangyue and Mink Song for fun. Songs can be associated with poems, and old poems and aphorisms can be sung after they are filled in.
Fu is a style with the characteristics of combining poetry and prose, that is, it can't be sung like poems, words and songs. Fu can't sing, only recite. Although it looks like prose in appearance, it has poetic rhythm inside, which is a style between poetry and prose.
I don't agree with the traditional saying that Fu is similar to prose. Actually, this statement is wrong. It makes sense for me to call Fu a classical Chinese prose poem, because although prose poetry is out of the scope of poetry, it can't be out of rhythm.
Question 5: The meaning of words in poems and songs is a literary genre, which originated in the Tang Dynasty in the Five Dynasties and was popular in the Song Dynasty.
It is a verse form of poetry, developed from five-character poems, seven-character poems or folk songs.
It originated in the Tang Dynasty and flourished in the Song Dynasty. Originally, it was a poetic style sung by music, and the length of the sentence changed with the tune of the song.
So it is also called long and short sentences. Poetry and slow words are generally divided into two parts. Some words have some restrictions, that is, some words can rhyme.
Question 6: What do songs and fu in poetry and songs mean? It is a genre with two different expressions. Song is a genre, generally a folk song that advocates singing; Fu belongs to parallel prose and pays attention to the unity of brushwork structure.
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