Knowledge and understanding of ancient wooden buildings in China

The foreign wind has blown up in the field of architectural design, and the architecture pursues novelty, strangeness and strangeness, with chaotic functions, amazing cost and absurd structure. There are endless debates about modern architecture and traditional architectural culture in China, and many people worry that we are losing our urban culture and architectural culture. There are also many people who are optimistic: I believe that people's preferences and judgment can accept the impact and stimulation of foreign cultures. In a recent discussion, Dr. Xiao Mo, editor-in-chief of Architectural Intention, said: "What is terrible is that there are admirers and admirers of this foreign style from the decision-making level down to young students, including some owners, architects, young teachers and even famous professors and scholars. But they are dismissive of China's excellent traditional architectural culture. At the same time, cultural relics are still being destroyed. Some people say that the destruction of cultural relics in these 20 years has exceeded the past 200 years. " Lack of understanding of traditional architectural culture is becoming an important problem to be solved urgently in the field of architectural design in China. Traditional architectural culture expects recognition. After the founding of New China, in order to inherit and carry forward the national traditions and create new buildings with China characteristics, it has gone through a tortuous and arduous road. Advocate "socialist content and national form" in the early 1950s; Advocating "China and Innovation" in 1960s; In the 1970s, we advocated "national style, local characteristics and spirit of the times". In 1980s, from the discussion of "similarity in form and spirit" to advocating "carrying forward the traditional architectural culture concept"; By the end of 1990s, "regionalization of modern architecture, modernization of regional architecture" and "localization" advocated in recent years have basically become common sense. Zhang Jinqiu, a master designer, believes that in this process, there is a problem that has existed for 50 years and cannot be avoided, that is, the value of traditional architectural culture in China and the traditional ontology of national architectural culture need to be reinterpreted theoretically in order to realize the self-identity of traditional architectural culture. The combination of tradition and modernity is an eternal topic that architects will face in various historical periods. Chen Shimin, a master designer, also pointed out in an interview that it is easy to understand the problem of architectural beauty from the cultural level. Different nationalities and different times will have different cultural requirements. Worshipping foreigners and obsessing over foreigners is digging your own grave. In a discussion, the chief architect of Beijing Jintian Architectural Design Company conveyed Mr. Luo's three views: First, love my China and save the crisis of architectural culture. Architectural culture is also a part of China culture, a very important part. This architectural culture that has never been lost can be preserved, and its outstanding parts can be inherited in new creations. This is the specific content of loving China. Second, the key to protection and development lies in leadership. In fact, China culture is not exclusive, but absorption is not imitation, let alone substitution, so there is a process of transformation. So there must be fair competition. Worship foreign things and flatter foreign countries is to dig your own grave. The third is to strengthen publicity and education. European style did not appear naturally, but was incited by various propaganda. Therefore, society should not blame young people for having such inappropriate views. The key is to promote something right. The development of other industries inspires us that culture is an intangible thing, but it is reflected in all aspects of food, clothing, housing and transportation closely related to people's lives. "Residence" is a topic that architects should pay attention to. However, other industries, such as automobiles, changed from simple introduction to active absorption, and finally the whole industry embarked on the road of independent research and development, attaching importance to independent brands, which greatly inspired the architectural design industry. Dr. Wang Qijun, a professor at the Central Academy of Fine Arts, said that the architectural forms and cultural connotations of traditional houses in China are very rich, but the forms of houses conform to the society, economy, environment and culture at that time. 2 1 century today, the society, economy, environment and culture have changed considerably compared with those of a hundred years ago. It is not enlightened enough to choose the works of China architects in the design of major national projects. At the present stage in China, the works of famous foreign architects can win the bid and be adopted under heavy resistance, which represents the improvement of China people's national self-confidence. If the plan of choosing only China people is regarded as the standard of patriotism, then the architectural design of our country has not even reached the primary stage of our automobile industry. With the continuous improvement of social demand and cost, the artistic level of China architects' works is also constantly improving. The works of China architects will also be selected in major foreign tenders in the future. It is understood that the "Three Tang Buildings" around the Big Wild Goose Pagoda in Xi were invested by Japanese, and the original plan was also put forward by Japanese architects. The leaders of Shaanxi province and xi city believe that this group of buildings is enough to influence the whole ancient times. ......