This paper discusses the category, universality and unique form of the research on the style of traditional utensils in China.

This paper discusses the categories, commonness and unique forms formed in the study of China's traditional vessel style. The answer is as follows:

(1) Virtual and real: Virtual and real or being and not being are a pair of important categories to grasp the aesthetic characteristics of modeling.

(2) Cleverness and clumsiness: As a category of style, cleverness refers to the beauty of artificial decoration, while clumsiness refers to the beauty of natural simplicity?

(3) elegance and vulgarity: as a pair of categories of aesthetic forms, people have different understandings of them?

(4) Density: These are two different artistic styles. Dense generally means dense, thick or rich. Light means dull, light or sparse.

Decoration change can be the pioneer of style change. The novel decorative forms and patterns consciously displayed in architecture, furniture and fabrics are completely different from all traditional forms in Europe, which directly makes decoration a pioneer of change.

At the same time, decoration enhances the designer's self-awareness. It is from the change of product decoration that the modernist product style develops, and the change of decoration becomes the forerunner of new style.

Successful design will give people artistic beauty and functional beauty with its unique decorative methods and style characteristics. With the development of the times and the progress of science and technology, the aesthetic concept changes constantly, and the styles and products of the times will be constantly introduced, which will become a mirror of the development of the times and show people's lifestyle and psychological characteristics.