The development of Peking Opera and Crosstalk is not easy. Why are they tit for tat now?

The development of Peking Opera and Crosstalk is very difficult. The gentleman is obviously promoting the quintessence of the country, but he is said by the world that he does not respect traditional culture.

Beijing Opera Crosstalk and Huangmei Opera are traditional cultures left by our ancestors, and fewer and fewer people are learning these traditional crafts, and it is not far from disappearing completely. Now some people are spreading development for them, but they are suppressed by some inaction people with big hats of disrespect for culture. How disappointed they are.

A drama is bigger than how much they bear alone. Your disrespect for culture made Brother Bian even, and the audience stopped Xianxiang 2 1 day. They began to talk about traditional cross talk, saying that people were decadent and not innovative. Now people gradually add new things to the traditional crosstalk, and finally bring this almost lost crosstalk art back to the stage, and begin to say that people don't respect traditional art.

Zhang Yunlei can be said to have played a great role in phonology. He himself likes crosstalk and Peking Opera very much, and has been trying to carry forward this traditional culture. Without Zhang Yunlei, how many people would know about Peking Opera? Zhang Yunlei sang Suolinnang, Chunqiu Pavilion, and Exploring Qingshui River, which made many audiences sing with glow sticks on the stage of cross talk. This is a picture that no one can imagine.

On the cross talk stage, Yun-peng Yue's father died, but he still wanted to finish the performance on the stage. Zhang Yunlei was moved to tears because his fans sang Qingshui River. There are too many touching moments in Deyun Society, saying that it was a fire overnight, but no one really said which night, but this group of people have been working hard and struggling, but it just happened to shine that day.