Traditional Culture Encyclopedia - Traditional festivals - Li Bai Personal Information
Li Bai Personal Information
Li Hao Hao (李暠), King Wu Zhao of the Western Liang Kingdom (西凉国武昭王暠) -Li Xin (李歆), the later lord of Western Liang -Li Chong Er (李重耳) was the governor of Hongnong in the Northern Wei Dynasty (北魏)-Li Xie (李熙), (the high grandfather of Emperor Gaozu of the Tang Dynasty (唐高祖)-一一李天锡一一一Li Hu (李虎)-Li Han, a hussar general of the Northern Zhou Dynasty (married to a daughter of Dokdo) Li Yuan - Li Shimin, Emperor of the Tang Dynasty - Li Ke - Li Bai
Editor's Introduction
Li Bai (701-762), known as Taibai, the Green Lotus Dweller, and also known as "The Exiled Immortal", was one of the most outstanding figures of the Tang Dynasty. "Li Bai (701-762) was one of the most outstanding poets of the Tang Dynasty, and another great Romantic poet after Qu Yuan in the history of Chinese literature. He was born in Shattered Leaves, Central Asia, and was born in the late Sui Dynasty. He was born in Shattered Leaves in Central Asia, and when he was five years old, he moved with his father to Qinglian Township in Changming County, Sichuan Province, and so he called himself Qinglian Jushi." (People's Literature Publishing House Li Bai
1963 edition, p. 71). Li Bai himself wrote in one of his poems, "My family is from Longxi, and I was first a Han general on the border; I have made great achievements and strategies, and my name has flown on the green clouds." Longxi people in the poem refers to Li Bai's ancestral home, that is, today's Gansu Province, Qin'an East, his ancestors in the Han Dynasty is the defense of the frontier generals, some scholars use this sentence that Li Bai is the "Flying General" Li Guang's 25th generation of grandchildren, belonging to the Western Han Dynasty, Li Ling, the Northern Zhou Dynasty, Li Xian, Sui Dynasty, Li Mu's lineage of descendants, Li Bai during his lifetime, he also acknowledged that his distant ancestor is Li Guang! Li Bai did recognize his distant ancestor as Li Guang during his lifetime. When Li Bai was about five years old, he moved with his father to Qinglian Township, Changming County, Mianzhou (present-day Jiangyou City, Sichuan Province), where he grew up, and where he called himself the Green Lotus Dweller. Li Bai spent more than a dozen years in Jiangyou, and then traveled around the country and worked as an official. Li Bai's poems are majestic and elegant, and his artistic achievements are extremely high. He eulogized the mountains and rivers of his motherland and the beautiful natural scenery, and his style was exuberant, handsome and fresh, rich in the spirit of romanticism, achieving the perfect unity of content and art. He was called "Poetry Immortal" by He Zhizhang, and most of his poems are mainly about landscapes and expressing his inner feelings. Li Bai's poems are characterized by the artistic charm of "the stroke of the pen startles the wind and rain, and the poem becomes a cry of ghosts and gods", which is also the most distinctive artistic feature of his poems. Li Bai's poems are rich in self-expression of subjective lyricism is very strong, the expression of feelings with a kind of mountains and seas, a torrent of momentum. He and Du Fu are known as the "Great Li and Du" (Li Shangyin and Du Mu are known as the "Small Li and Du"). Li Bai's poems often use imagination, exaggeration, simile, anthropomorphism and other techniques to create a strange, magnificent and touching mood, which is why Li Bai's romantic poems are so bold and unrestrained, as if they were immortal. Li Bai's poetry has had a profound influence on his descendants. Famous poets such as Han Yu, Meng Jiao, and Li He in the Middle Tang Dynasty, Su Shi, Lu You, and Xin Qiji in the Song Dynasty, and Gao Qi, Yang Shen, and Gong Zizhen in the Ming and Qing Dynasties were all greatly influenced by Li Bai's poetry. Li Bai was born in the first year of Chang'an of the Empress Wu (701) in Changlong County (renamed Changming County in 712, now Qinglian Township, Jiangyou City, Mianyang City, Sichuan Province), which is part of Mianzhou (Basi County) in the Jiannan Province. Another theory is that his father was born in the city of Shiba (present-day Tokmak, Kyrgyzstan), which was relegated from the Central Plains to the Western Regions, and then moved back to Changlong County, Mian Prefecture, Jiannan Road (present-day Jiangyou City, Sichuan Province) at the age of four. His father, Li Ke, is unknown. Li Bai was born in the Sheng Tang period, Li Bai's handwriting inscriptions
The vast majority of his life was spent in wandering, traveling through half of China. At the age of twenty-five, he left Shu alone and began to roam extensively, traveling as far south as the Dongting Xiangjiang River and as far east as Yuezhou, living in Anlu (present-day Anlu City, Hubei Province) and Yingshan (present-day Guangshui City, Hubei Province). He traveled everywhere, hoping to make friends and visit social celebrities, so that he could be introduced to a high position to realize his political ideals and aspirations. However, after ten years of traveling, nothing was accomplished. He continued to travel north to Taiyuan and Chang'an (present-day Xi'an City, Shaanxi Province), east to Qi and Lu, and resided in Rencheng, Shandong Province (present-day Jining City, Shandong Province). By this time, he had made friends with many famous people and composed a large number of excellent poems. Li Bai did not want to take the examination to become an official, and hoped to rely on his own talent, through the recommendation of others to the career, but has not been appreciated. He wrote a letter to Han Jingzhou, a famous scholar of the current dynasty, to recommend himself, but he did not receive a reply. It was not until the first year of Tianbao (742), on the recommendation of the Taoist priest Wu Yun, that Li Bai was summoned to Chang'an to serve as a minister of the Hanlin, and his writings became so famous that he became known all over the world. Li Bai was first recognized by Emperor Xuanzong of the Tang Dynasty for his talent, but because he could not be tolerated by the rich and powerful, he abandoned his post after only three years in the capital, and continued his wandering life in all directions. In the second year of the Anshi Rebellion (756), he was angry at the difficulties of the times and joined the staff of King Yong Li Lin. Unfortunately, Yong Wang and Su Zong had a struggle for the throne, and after the defeat, Li Bai was implicated and exiled to Yelang (in present-day Guizhou), and on the way, he was pardoned and wrote "Early Hair of Baidicheng". In his later years, he drifted around the southeastern part of the country and joined his clan's uncle, Li Yangbing, the magistrate of Dangtu County, who died soon afterward.
Editing Personality Characteristics
Li Bai's life was not distinguished by his merits and fame, but by his high self-expectations, defying the powerful and the noble with his body of cloth, ridiculing recklessly the hierarchical order centered on political power, criticizing the corrupt political phenomena, and advancing the spirit of heroism in the culture of the Shengtang with his bold defiance. Li Bai's ideology of opposing the powerful and the noble became more and more conscious and mature with the richness of his life practice. In the early days, the main manifestation of "do not bend yourself, do not interfere with people", "equalization of the princes and lords," as he said in his poem: "In the past, in Chang'an drunken flowers and willows, the five lords and seven nobles with a cup of wine. The air bank was far away from the front of the great men, and the style was willing to fall behind others!" ("The Night of the Flowers" by Judge Xin) "publicizing the master of the Nine Heavens and Ten Thousand Vehicles, and bantering with the wise men of the Red Court and the Green Zoan." ("Yuhu Yin") he sometimes also issued contempt for the rich and powerful bold words, such as "gold and white jewelry to buy songs and smiles, a drunken light of the king's vassals" ("Memories of the old trip to send Qiao County, Yuan Senjun") and so on, but the main is still to show the inner arrogance. And with the understanding of the actual situation of the high-level power group, he further reveals the antagonism between the cloth and the power and nobility: "Pearls and jades buy songs and smiles, and chaff feeds the virtuous and talented." (Ancient Winds, 15th) "The sycamore tree nests swallows and sparrows, and the hedgerow thorns harbor mandarin ducks." Li Bai picture
(Ancient Winds, Thirty-ninth) and on the flattering of the emperor and steal the power of the scandalous situation of the person to the fullest extent of ridicule, such as: "The big car to raise the flying dust, the pavilion of the afternoon dark pathway. The middle-guy is full of gold, and even the clouds open up to the A house. When I met the cockfighter on the road, his crown was so brilliant. The Japanese cicada's nostrils were dry, and the pedestrians were terrified. There are no ear-washers in the world, who knows Yao and Metatarsal!" And in "Dreaming of Traveling to Tianmu Yin Liufei," he utters the loudest cry of all: "Can I break my eyebrows and bend my back to serve the rich and powerful, so that I may not have a happy face?" This artistic summary is as important in Li Bai's poetry as Du Fu's famous line, "Vermilion door stinks of wine and meat, and there are frozen bones on the road" ("From Beijing to Fengxian: 500 Words") is in Du Poetry. In the deteriorating political situation at the end of the Tianbao period, Li Bai also linked his opposition to the rich and powerful with broad social criticism. For example, "Answer to Wang XII's Reminiscences of Drinking Alone on a Cold Night" not only fights for the virtuous scholars who succumbed to their deaths, but also expresses his disappointment with and contempt for the imperial court: "Do you not see Li Beihai, where is his heroic spirit? Do you see Pei Shangshu, living in a three-foot artemisia grave? Young people want to go to the five lakes, see this will be the bells and tripods sparse. In the "book of love to Cai Sheren Xiong", "Ancient Winds" 51, "Ascending the high hill to look at the distant sea" and other poems, Li Bai even borrowed from the past to satirize the present, Xuanzong himself put forward a sharp rebuke. In short, it can be said that he brought the theme of opposing the rich and powerful in Tang poetry into full play. Ren Hua said that Li Bai had been a guest for decades and had never lowered his color for a single day (Miscellaneous Words Sent to Li Bai), and that this sense of not yielding in front of the rich and powerful and resisting courageously in order to maintain his dignity was an important part of the tradition of attaching importance to the value of the individual and emphasizing the spirit and backbone since the Wei and Jin dynasties, and it was in the new historical conditions that Li Bai inherited and carried forward this excellent tradition and became a superstar of poetry. Li Bai inherited and carried forward this excellent tradition under the new historical conditions and became a superstar of poetry. Li Bai's poems are full of passionate love of life. His poems are often overflowing with childlike interest in the openness, such as: "The two of them are drinking mountain flowers, a cup and a cup and a cup. I am drunk and want to go to sleep, but tomorrow I intend to come with my qin." ("Drinking in the Mountain with a Ghostly Man") "The long sleeves and pipes urge me to lift up lightly, and the governor of Hanzhong dances in a drunken stupor. With a brocade robe in his hand, he covered me, and I slept drunkenly on his pillow." ("Remembering Old Travels and Sending Qiao County Senator Yuan") Life is like a rich and strong wine that intoxicates the poet's heart. Of course, this does not mean that there is no sorrow and pain in life, but the poet's optimism is enough to enable him to transcend and overcome the sense of sorrow, so to speak, "How can a man reach his life with no time to be sad? The so-called "How can a man's life be full of sorrows? Drinking fine wine and climbing up a high building" (Liang Yuan Yin) and "Drinking in the Xijia Pond and not looking at the Monument of Tears" (Xiangyang Qu Qu, No. 4) are a portrayal of his open-mindedness. He never rested on loneliness and solitude, as one of his "Drinking Alone Under the Moon" shows that only a poet overflowing with vitality can emit such whimsical thoughts. He has a poem called "Short Songs", in which he conceived the following: "I want to take hold of the six dragons, and go back to my car to hang Fusang. The Big Dipper drinks wine and advises the dragons to drink one goblet each. Wealth and riches are not what we wish for, but for people to stay in the decadent light." Here, there is no lamentation of old age and sighing, but the naive imagination of "persuading wine" expresses the infinite attachment to life. These poems, with their innocent interest, appeal to the beautiful human nature that has been drowned by the vulgar life, and thus gained permanent charm. Li Bai has a strong sense of nature, he is good at melting his personality into the natural scenery, so that his landscape and gullies also have an idealized color. He said in the poem "Riqiu Xing": "I will encompass the big block, the vastness and dim watery water with the same section." He also said, "Yangchun summons me to the smoky landscape, and the big block assumes me to write articles." ("Spring Banquet from the younger brother Peach Blossom Garden Preface") Li Bai has a heroic spirit, and the pursuit of simple and pure state of mind, these different sides of the character also formed his landscape mood of two major types: one is in the majestic mountains and rivers to highlight the beauty of the force of the United States, the beauty of the movement, in the magnificent mood to express the magnificent thoughts; the other is the pursuit of the beauty of the brightness and clarity of the beauty of the performance of the immaculate naivety in the beautiful mood. The other type is to pursue the beauty of brightness and clarity, and to express the innocence of immaculacy in a beautiful setting. For example, the Yellow River and Yangtze River in his writing, rushing and roaring, a cascade of thousands of miles: "The waters of the Yellow River come from the sky, flowing to the sea never to return" ("Will Enter the Wine"); "The Yellow River touches the mountains for miles and miles, and the discs swirl and turn the mines of Qin Mines ...... giant spirit roars and breaks the mountains. The two mountains, the torrential jet shoots to the East China Sea" ("Song of Xiyue Yuntai Sending Danqiu Zi"); "Climbing up to the heights of the spectacular heaven and earth, the great river is vast and goes away never to return. The yellow clouds move the wind color, the white wave of nine channels flow snow mountain" ("Mount Lu ballad sent Lu Squire Void Boat"); "Sea God came through the evil wind back, the wave hit the stone wall of the Heavenly Gate open. Zhejiang in August, the waves like Lianshan snow spray" ("Hengjiang words"). The mountains under his pen are towering and precipitous, lofty and strange: "The peaks are not more than a foot from the sky, and the withered pines are hanging upside down against the wall" ("The Road to Shu"); "The Tianmu Mountain is horizontal to the sky, and its potential is as high as the five mountains to cover the red city; the Tiantai Mountain is eighteen thousand zhang, and it wants to fall down to the south-east" ("Dreaming of Traveling to the Tianmu Mountain"). (Dream Journey to Tianmu Yin Farewell). He gave the landscape with the lofty beauty of his chest, his eulogy to the greatness of nature, but also to the far-sightedness, the struggle for the ideal of life's salute, extraordinary natural imagery and the heroic character of the proud of a blending of one. At the same time, Li Bai wrote a lot of landscape poems with crystal clear and beautiful mood. For example, "A man swims by the moon, a boat travels in the air" ("Sending Wei Wan, a mountain man from Wangwu, back to Wangwu"); "A man rides the moon on the sea, a sail falls in the sky in the lake" ("Seeking the sun to send my brother Chang Chang to die at Poyang"); "The moon follows the blue mountains, the water flows together with the green mountains. The moon turns with the blue mountains, the water flows with the green mountains. The moon follows the blue mountains, and the water flows with the green mountains. It is as far away as the starry river, but I feel the ghost of the cloud forest" ("Sending Cui Zongzhi to Cui Zongzhi on a Moonlit Night River Journey"); "The night of Jinling is quiet and cool, and I go up to the west tower alone to look at Wuyue. The white clouds reflect the water and shake the empty city, and the white dew drops the autumn moon" ("Reciting under the Moon on the West Tower of Jinling City"), etc. These poems are characterized by clarity and purity. These poems are characterized by clarity and purity. Li Bai's landscape poetry is not so much a realistic portrayal of the natural landscape as it is a transformed and idealized picture of the poet's personality. He only seeks to grasp the overall momentum or atmosphere, based on the swiftly soaring sensation of ink writing, while skipping the specific details, and even the order of the visual transfer of the scenery often do not care. Li Bai's landscape poems are always lyrical, and he is good at penetrating and intermingling landscapes with specific emotions, and there is a subtle echo of "isomorphism and mutual sensation" between the situation of the "scenery" and the characteristics of the "emotions". There is a subtle echoing relationship between the situation of "scenery" and the characteristics of "emotion". For example, "Sending a Friend Away": The green mountains stretch across the northern part of the country, and the white water surrounds the eastern part of the city. This place is a farewell, and the lone boat has traveled ten thousand miles. The floating clouds and the setting sun are the feelings of a traveler. Waving my hand, I will leave this place, and my horse will be singing. The "floating clouds" and "setting sun" in the poem are not only eye prospects, but also the metaphorical images with specific emotional content in ancient poems, meaning that the traveler goes as a floating cloud without end, and the old man's farewell is like the setting sun, which leaves no chisel traces on the scene. Another example is "The clouds return to the blue sea at night, and the geese are not in the blue sky. The clouds return to the blue sea at night, and the geese are not in the blue sky. Each of them is 10,000 miles away from the other, and I am at a loss as to what I am thinking of" ("Farewell to Du Patch Que Fan, Servant of the Imperial Household, on the Autumn Day at the Pavilion of Yao Temple, Lu County"). The first two lines not only point out the season and the hour, but also use the images of "clouds" and "geese" as metaphors for parting and traveling far away. In addition, "Sometimes white clouds rise, and the sky rolls away. The heart is with them, and they are not shallow" ("Looking at Zhongnan Mountain and Sending to the Hermit of the Purple Pavilion"), "Please try to ask the East Flowing Water, who is the short and long term of the parting intention" ("Leaving a Farewell at a Wine Shop in Jinling"), "The West Glory is running by the flowing water, and it is swirling with the feelings of a traveler" ("Traveling to the Qingling Spring in Nanyang"), etc. Qingling Spring in Nanyang") and so on. Li Bai's free and emancipated ideological sentiments and personality with civilian tendencies also enabled him to explore more y the beauty of various human feelings in social life. Here are the feelings of longing for a peaceful life, such as the third part of the Song of Wu at Night: A moon in Chang'an, the sound of ten thousand households pounding clothes. Autumn winds can't be blown out, but it's always the Jade Gate. When will the hu captives be pacified, and the good people stop their expedition? There are also praises for the labor life, such as the 14th song of Qiupu: "The fire shines on heaven and earth, and the red stars mess up the purple smoke. The night of the blushing moon, the song moves the cold river." All of these poems, all of them are the ideal wheel of light to make the daily life subject matter glowing with poetic richness. Pictures of Li Bai
Li Bai is really the wanderer of Chinese poets. The great wanderer enriched the landscape of the Tang Dynasty with his feet and his poetic brush. His brush swept across the landscape, so that the smoke and waves of the Cave Garden, the wind and clouds of the Red Cliffs, the cries of the apes on the Shu Road, and the mighty river, all soared up at once. In the poem, the poet's spirit soaring, bold and unrestrained, like the clouds in the sky; he traveled to the eight extremes, free galloping, like a running horse in the wilderness. In the poem, the poet sweeps away the dust of the world and completely restores his immortal posture: going up to the Yellow Spring. His romance, madness, love and hate, loneliness and pain, dreams and awakenings, his righteousness, his wanderings, all reach the extremes. His poetry has a strong subjective coloring, which is mainly manifested in his focus on writing heroic and impassioned feelings, and seldom describes the objective things and specific time in detail. Free and unrestrained temperament, proud and independent personality, easy to touch and easy to burst of strong emotions, formed the distinctive characteristics of Li Bai's poetry lyricism. He is often eruptive, once the feelings rise, there is no restraint in the outpouring, like the sky and overflowing volcano. His imagination is peculiar, often with unusual articulation, with the flow of feelings and changes. (Note: Li Bai's poems "Sending a Friend" and "Drinking Alone Under the Moon" were selected for the seventeenth lesson in the second semester of Shanghai's sixth-grade language textbook)
Editing Family Members
Parents
According to the Old Book of the Tang Dynasty, Li Bai's father's name was Li Ke, who was a captain of Rencheng. Mother, no record.
Wives
Li Bai had four wives in his life. 1 Xu's, married wife, the granddaughter of Xu Maushi 2 Liu's, cohabitation after the breakup 3 Donglu a certain 4. Zong's, the last wife, Zong Chukai's granddaughter The first wife, is in 727 AD in Xiangyang, Hubei through the friends of Meng Haoran's handful of Li Bai
Harmony, married to the former prime minister Xu Maushi's granddaughter, in fact, can not talk about marrying, that is, as a son-in-law inverted door. As in the marriage of up to ten years time, Li Bai are living in his old man's home, the taste of the fence would have made him very depressed, where there is mind to think of other things. This is Li Bai's first marriage, he may still hold a very responsible mentality to deal with, and from the marriage after the birth of a man and a woman and two sons this situation, the two sides of the marriage life is still very harmonious. His son's name: Bo Gui, (small character Ming Yue Nu); female name: Ping Yang. Xu died in 738 AD. For his second wife, in 739 A.D., twelve years after his first marriage and one year after the death of his first wife, Li Bai married a woman named Liu. Soon after, because Liu somewhat looked down on Li Bai, Li Bai left in anger. For his third wife, Li Bai married a local woman in Rencheng, Shandong Province, in 745 AD. At this time, Li Bai had just come out from the capital Chang'an, carrying a big bag of gold and silver treasures, and Du Fu and Gao Shi took the way to Shangqiu in Henan Province, where he stayed for a long time. After parting with them, Li Bai traveled to Taishan to take the Taoist examination and passed through Rencheng, where he met this woman, and the two of them fell in love with each other. Li Bai's wife gave birth to a son, and Li Bai purchased a large amount of land in Yanzhou, Shandong Province, which he gave to his wife during his travels. Li Bai trusted this wife, but unfortunately she died five years after their marriage. The fourth wife, 744 AD, Li Bai in Kaifeng, Henan Province, met Wu Zetian when the prime minister Zong Chukai's granddaughter Zong's, to talk about their acquaintance is also a bit of a romantic flavor, said Li Bai drunken Liang Yuan, poetry, then waved his pen on the wall and wrote the famous "Liang Yuan Yin", writing may also find a corner to pee, and then lifted up the long shirt crookedly went away. Soon after he left, Zong came here with his servant, saw the poem, and couldn't get over it for a long time. When the people of Liang Yuan saw it, they wanted to erase it, but Zong asked not to erase it and bought the wall for a thousand dollars. Thus, the story of "buying a wall for a thousand dollars" was left behind. In many historical records, all describe this Zong's is a talented and beautiful lady, and Zong's beauty is also a faithful believer in Taoism, can be said and Li Bai is like-minded. When Li Bai was imprisoned for Li Lin's case and sent to Yelang, Zong's wife saved him many times, but they never met again. Li Bai was very fond of his last wife, Zong, and once composed a poem "since the generation within the gift" to express his thoughts about his wife.
Children
The eldest son, Bo Biao, born to Xu, died 30 years after Li Bai's death. His eldest daughter, Pingyang, born to Xu, died after her marriage. His second son, Natural, was born to a woman when Li Bai was in Donglu, and is unknown.
The Chronology of Events
Li Bai was born in 701 (the first year of Wu Zetian's Chang'an reign). Li Bai was five years old in 705 (the first year of the Shenlong reign of Emperor Zhongzong). His reading began in this year
Li Bai's Atlas (8 pictures) In 711 (the first year of Emperor Ruizong's Jingyun reign), Li Bai was ten years old. He studied Poetry, Books and the Hundred Schools of Thought. In 715 (the third year of Kaiyuan), Li Bai was fifteen years old. He had already composed many poems, and was honored and rewarded by some social celebrities, and began to engage in social visit activities. Also began to accept the influence of Taoist thinking, good swordplay, like chivalry. Li Bai was eighteen years old in 718 (the sixth year of Kaiyuan). He lived in Daitian Dakuang Mountain (in present-day Jiangyou County, Sichuan Province) to study. Li Bai traveled to and from the counties, successively traveling to Jiangyou, Jiange, and Zizhou (the state capital in present-day Sichuan Province). In 720 (the eighth year of Kaiyuan), Li Bai was twenty years old. Travels to Chengdu and Emei Mountain. Sorry, this entry is only available in 中文. Sorry, this entry is only available in 中文. In 721, Li Bai was 21 years old. He returns home to Changming in spring. He spent the next three years studying at Kuangshan Mountain. In 724, Li Bai was twenty-four years old. He left his hometown and embarked on a long journey. He traveled to Chengdu and Mount Emei, and then traveled by boat eastward to Yuzhou (present-day Chongqing Municipality). 725 (13th year of the reign of Li Bai) Li Bai is twenty-five years old. He traveled east from the Three Gorges in March of spring. He traveled to Jiangling (present-day Jiangling County, Hubei Province) via Jingmen Mountain. In Jiangling, he meets Sima Chengzhen, a famous Taoist priest at that time. In summer, he traveled to Dongting (in present-day Hunan Province) and Mount Lu (in present-day Jiangxi Province). In the fall, he traveled to Jinling (in present-day Nanjing, Jiangsu Province). Li Bai was twenty-six years old in 726 (the fourteenth year of the Kaiyuan era). Spring to Yuezhou. In the fall, he fell ill in Yangzhou. In winter, he traveled north to Ruzhou (present-day Linru County, Henan Province), and then to Anlu (present-day Anlu County, Hubei Province). When he passed through Chenzhou, he met Li Yong. Became acquainted with Meng Haoran. In 727 (the fifteenth year of Kaiyuan), Li Bai was twenty-seven years old. He lives in Shoushan, Anlu, marries the granddaughter of the late prime minister Xu Manshi, and leaves his home in Anlu. In 728 (the 16th year of the reign of Emperor Kaiyuan), Li Bai was 28 years old. In early spring, he traveled to Jiangxia (present-day Wuhan, Hubei Province), where he met Meng Haoran. In 730 (the 18th year of the reign of Emperor Kaiyuan), Li Bai was thirty years old. Spring in Anlu. Before this had visited Pei Changshi of this state many times, because of slander, in recent days to write a letter of confession, finally rejected. Early summer, to Chang'an, thirsty prime minister said, and met his son Zhang Xiang. Residence in Zhongnan Mountain, Princess Yu Zhen (Xuanzong imperial sister) Hall. And had visited other princes and ministers, all fruitless. In the late fall, he traveled to Xingzhou (west of Chang'an). In winter, he traveled to Fangzhou (north of Chang'an). In 731 (the 19th year of the reign of Li Bai), Li Bai was thirty-one years old. In early summer, Li Bai left Chang'an and traveled to Songcheng (present-day Shangqiu County, Henan Province) via Kaifeng (present-day Kaifeng City, Henan Province). In the fall, he went to Penny Hill, where he loved his former friend Yuan Danqiu's mountain residence, and had the intention of living in seclusion. In the late fall, he stayed in Luoyang. Li Bai was thirty-two years old in 732 (the twentieth year of Kaiyuan). Since spring and summer in Luoyang, he became acquainted with Yuan Yan and Cui Chengfu. In the fall, he returned to Anlu from Luoyang. In the fall, he returned to Anlu from Luoyang, passing through Nanyang (present-day Nanyang City, Henan Province), where he became acquainted with Cui Zongzhi. In winter, Yuan Yan visited Anlu from Luoyang, and they traveled to Suizhou (present-day Suizhou County, Hubei Province) together. They traveled together to Suizhou (present-day Suizhou County, Hubei Province). They returned home to Anlu before the end of the year. In 733 (the twenty-first year of the reign of Li Bai), Li Bai was thirty-three years old. He constructed a stone room at Peach Blossom Rock on Baizhao Mountain in Anlu. He opens a mountain field and lives by farming and reading. In 735 (the 23rd year of the reign of Li Bai), Li Bai was thirty-five years old. In May, Li Bai was invited by his friend Yuan Yan to visit Taiyuan. In the fall, he stayed in Taiyuan. In 736 (the 24th year of the reign of Li Bai), Li Bai was thirty-six years old. In spring in Taiyuan, he traveled north to Yanmen Pass (present-day Daixian County, Shanxi Province). He traveled south to Luoyang and met Yuan Danqiu. In the fall, he went to Yuanqiu's place in Penny Mountain and met Cen Xun. In the fall, he met Cen Xun at Yuanqiu's place in Penny Hill. When he returned southward and passed through Xiangyang, he met Meng Haoran again. Du Fu was twenty-five years old. He traveled in the area of Qilu, Yan and Zhao. In 738 (the twenty-sixth year of the reign of Li Bai), Li Bai was thirty-eight years old. In the spring, he traveled to Nanyang, Penny Hill (Yuanqiu's residence), Chenzhou, and Chuzhou (present-day Huai'an County, Jiangsu Province). In 739 (the 27th year of the Kaiyuan era) Li Bai was thirty-nine years old. From spring to early summer, he was in Anyi (present-day Baoying County, Jiangsu Province). In summer, he roamed around the area of Wu Di (present-day Suzhou City, Jiangsu Province). In the fall, he traveled westward against the Yangtze River, passing through Dangtu (present-day Dangtu County, Anhui Province) to Baling (present-day Yueyang County, Hunan Province), where he met with Wang Changling, who had been relegated to Lingnan (present-day Guangdong Province and the Guangxi Zhuang Autonomous Region). In the winter, he returned to Anlu from Baling. In 741 (the twenty-ninth year of the reign) Li Bai was forty-one years old. He resided in Donglu, where he and Han Huai, Pei Zheng, Kong Chaofu, Zhang Shuming, Tao He, and others hid in Zulai Mountain (in the northern part of present-day Shandong Province), indulging in drinking and singing, and were known as the "Six Yis of Zhuxi". He also studied Taoism and intended to travel to Vietnam. Li Bai was forty-two years old in July 42 (the first year of Emperor Xuanzong's Tianbao reign). In April, he traveled to Mount Tai. In summer, together with his children, he went to Nanling (present-day Nanling County, An Province) and wanted to travel to Yuezhong. Emperor Xuanzong enlisted in the capital, returned to Nanling. In the fall, went to Chang'an. Met with the Prince guests, He called "banished immortal", recommended to the court, Xuanzong preferential treatment, Hanlin Academy enshrined. In 743 (Tianbao two years) Li Bai was forty-three years old. The imperial edict of the Hanlin Academy. Early spring, Emperor Xuanzong in the palace music, Li Bai was ordered to write "official music words", given the palace brocade robe. In late spring, the peonies bloomed in Xingqing Pond, Emperor Xuanzong and Yang Yuhuan enjoyed the peonies together, and Li Bai was also ordered to write Qingpingxiang. Li Bai became increasingly tired of the life of the imperial literati and began to indulge in alcohol in order to self-indulge in obscenity. He Zhizhang and other people with "wine in the people immortal" tour, Xuanzong call not dynasty. Tried to draft the imperial edict in drunkenness, cited feet to make Gao Li Si take off the boots, people in the palace hate, slander in Xuanzong, Xuanzong sparse. In 744 (Tianbao three years) Li Bai was forty-four years old. In the first month of spring, he sent He Zhizhang back to Vietnam. In March, knowing that he would not be used by the court, he wrote a letter to the court asking him to return to the mountains, giving him gold and leaving Chang'an. In early summer, he met Du Fu in Luoyang. He went to Kaifeng and asked Gao Tianshi of the North Sea to teach him the way of Taoism, and resolved to disappear into the outside world. In the fall, he traveled with Gao Shi and Du Fu*** to Liang and Song (in present-day Henan Province). Winter, north to Anling (Tang belongs to Pingyuan County, in present-day Hebei Province, Wuqiao County, north), begging Gai Huan for the creation of true (the secret of Taoism), by the Gao Tianshi Ru Gui Taoist priests authorized record Jinan (in present-day Jinan City, Shandong Province, the Taoist temple of the Purple Jigu Palace. He became a real Taoist priest and returned to Rencheng. In 745 (Tianbao four years) Li Bai was forty-five years old. Spring in Rencheng. Du Fu came to East Xiangfang. The two traveled together in the Rencheng area. In summer, Li Bai thirsted for Li Yong, the governor of Beihai, with Gao Shi and Du Fu in Jinan. In the fall, and Du Fu will meet again in the county (present-day Qufu City, Shandong Province), the two traveled together very closely. In the fall and winter, he left Du Fu in Lu County and traveled to Jinxiang (present-day Jinxiang County, Shandong Province) and Shanfu (present-day Shanxian County, Shandong Province). Li Bai was forty-six years old in 746 (the fifth year of Tianbao). In the spring, he traveled to Lu County. In the spring, Li Bai traveled to Lu County. In the fall, recovered from the disease, and traveled to Lu County. Since the spring of this year, he had the idea of traveling to the south, and finally set off at the end of the fall. To Songcheng, and traveled to Liang Yuan (Han Liang Xiao Wang built an imperial garden, also known as the Rabbit Garden), and then to Yangzhou. Li Bai was forty-seven years old in 747 (the sixth year of Tianbao). Spring in Yangzhou. He traveled to Jinling and met Cui Chengfu. On his way south, he passed through Danyang (present-day Zhenjiang City, Jiangsu Province) and Wu County (present-day Suzhou City, Jiangsu Province). In the fall, he arrived in Yuezhong and went to Huiji to hang He Zhizhang. Climbed Tiantai Mountain (in present-day Taizhou, Zhejiang Province, west of Tiantai County). Returned to Jinling in winter, and stayed in Jinling for the next two years. In 748 (the seventh year of Tianbao) Li Bai was forty-eight years old. Spring in jinling, summer to yangzhou, fall tour hoshan (present day anhui province liuan county south), winter to lujiang (present day anhui lujiang county), visit the river governor hao king li dai. In 751 (ten years of Tianbao) Li Bai was fifty-one years old. Spring in Rencheng. Autumn stayed in Gao Feng (hermit of the later Han Dynasty) Shimenshan (also known as Xitang Mountain, in the southwest of present-day Ye County, Henan Province) Yuan Danqiu residence. At the end of the fall, he traveled north from Kaifeng to Youzhou (present-day Beijing), passing through Hebei Province and Yecheng County (present-day Anyang City, Henan Province). In 752 (the eleventh year of Tianbao) Li Bai was fifty-two years old. On his way north, he traveled to Guangping County (present-day southern Hebei Province), staying along the way. In October, he arrived at Fanyang County (i.e. Youzhou, present-day Beijing). When he first realized the truth of An Lushan's trekking and the war in the border area, he felt the danger and left Fanyang. In 753 (the 12th year of Tianbao), Li Bai was fifty-three years old. In the early spring, from Fanyang south to Wei County (present-day Wei County, Hebei Province, east), traveled to the West River County (present-day Fenyang County, Shanxi Province), continued along the Fen River south, into the Tongguan Pass (Guan is located in present-day Shaanxi Province, for the key point of the question of Luoyang and Chang'an), climbed Mount Huashan in the Western Mountains. To liyang (now and county in anhui province) cross the Yangtze river. In the fall, and the south downstream Xuancheng (present-day Xuancheng City, Anhui Province), Juxi, Jingting Mountain and other places. 755 years (Tianbao fourteen years) Li Bai fifty-five years old. Summer tour of dangtu. Autumn tour of Qiu Pu (now Guichi County, Anhui Province), return to Xuancheng in winter. Spinning to Jinling, was An Lushan chaos. The disciple Wu Dinh Xu went to Luzhong (present-day Shandong Province) to pick up his children to the south. After parting, he went to Songcheng to pick up his wife Zong. Li Bai was fifty-six years old in 756 (the first year of Su Zong's reign). At the beginning of the year, he ran south with his wife Zong to seek refuge. In the spring, he was in Dangtu. After hearing about the fall of Luoyang and the collapse of the Central Plains, Li Bai returned to Xuancheng from Dangtu and took refuge in Qizhong (present-day Knee County, Zhejiang Province). To Bleaching Yang (present-day Luanyang County, Jiangsu Province), met with Zhang Xu. Summer to Yuezhong. Heard Guo Ziyi, Li Guangbi victory in Hebei, and returned to Jinling. In the fall, heard Xuanzong ran to Shu, so along the Yangtze River to the west, into the Lushan Pingfeng stacks of seclusion, Yong Wang several times under the offer of employment, after several hesitations, finally decided to go down the mountain into his tent. In 757 (Zhide two years) Li Bai fifty-seven years old. In the first month of the year, he composed a poem "Song of the Yong King's Eastern Tour" in the Yong King's military camp. When King Yong's army was defeated in Danyang, Li Bai fled south from Danyang. Li Bai was sentenced to imprisonment in Xunyang. His wife, Zong, ran around to save him. Cui Lux, the ambassador of Jiangnan, and Song Ruosi, the prime minister of the royal historian, tried their best to save him, and he was released. Song Ruosi made Bai a counselor of the military, and he was in charge of the military affairs. He went with Song Ruosi to Wuchang (present-day Echeng County, Hubei Province). In September, he fell ill in Susong (present-day Susong County, Anhui Province). He twice wrote poems to Zhang Hao, the prime minister, asking for help. In the end, he was sentenced to long exile in Yelang for taking part in King Yong's eastern tour. Li Bai was fifty-eight years old in 758 (the first year of Qianyuan of Suzong). Li Bai departed from Xunyang and began the long stream of Yelang, accompanied by his wife and brother, Zongxiao. Late spring and early summer. Passing through the Xisai stage (now east of Wuchang County), to Jiangxia, visit the former residence of Li Yong, climbed the Yellow Crane Tower, looking out over the Parrot Island. Autumn to Jiangling, winter into the Three Gorges. Li Bai was sixty years old in 760 (the first year of Suzong's reign). In spring, he returned to Jiangxia from Dongting. In the fall, he went to Xunyang, and then climbed Mount Lu. Determined to spend the rest of his life traveling to the Immortals to study Taoism. Winter in Jianchang (now northwest of Xiushui County, Jiangxi Province). At the end of the year to yuzhang (now nanchang city, jiangxi province). In 761 (the second year of Shangyuan), Li Bai was sixty-one years old. Li Bai was sixty-one years old. He was living in the area of Jinling in the south of the Yangtze River. When he heard that Shi Chaoyi had regained his power and that Li Guangbi had sent troops to suppress him, he once again asked for help to join his army, but he returned halfway due to illness. At the beginning of winter, he stayed with Li Yangbing, the magistrate of Dangtu County. He traveled to Riyang and returned to Dangtu, where he fell ill. In 762 (the first year of Emperor Daizong Baoying's reign), Li Bai was sixty-two years old. In early spring, he fell ill in Dangtu. In March of late spring, he made his last trip to Xuancheng and Nanling. Returning to Dangtu in the fall, Li Bai became increasingly ill and knew that there was no hope for him. And Li Yang Bing and retired soon, want to go nowhere, mental disorder. On his deathbed, he entrusted his writings to Li Yangbing. In November, he died in Dangtu, with a poem entitled "Song of the Dying". According to Shao Kangjie's "Zi Wei Dou Shu", Li Bai was born at noon on the 10th day of the 11th month in the year of C Chen, not in the year of Xin Chou, so please verify it.
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