What are the aesthetic characteristics of "gentleness and gentleness" in Jiaxu?

The theme of Jiaxu is "beautiful grass and beautiful wood", which constitutes the living environment of human beings and is also the source of philosophical thinking and inspiration. Numerous excellent works of vanilla Jiahui, sung in poetry and Sao style, are intoxicating and thought-provoking. "However, the theme of building a foundation almost involves the above four aspects. "Notes" is a famous article in the Book of Songs, which gives people a very rich sense of beauty. The first is implicit beauty. The work is not directly lyrical, but implicitly expresses the poet's passion, infatuation, anxiety and disappointment through the poet's action of looking for Iraqis. At the same time, the poem only describes the "Wan Chai" of the Iraqi people, which is hard to find and elusive, and then comes to an abrupt end, leaving readers with room for imagination. This is the so-called "endless words, endless meaning." Secondly, the artistic conception is beautiful. The poet's infatuation, dream and trance for the Iraqi people are integrated with the misty scenery in the early morning of autumn; The poet's melancholy and frustrated mood of pursuing nothingness is integrated with the bleak scene in late autumn. After reading this scene, I only feel sad, quiet and endless images. The third is hazy beauty. The whole poem of Jiaxu is confusing and foggy, presenting a mysterious and hazy beauty in vague images.

The second and third chapters of the poem have only changed a few words, and the content is basically the same as the first chapter. But it embodies the musical characteristics of poetry singing, enhances the melodious and harmonious beauty of rhythm, and makes the feelings expressed stronger and stronger. The first chapter's "grey", the second chapter's "sadness" and the last chapter's "picking" show that the color of reed is from light green to sad green and then to white, which makes the bleak atmosphere in late autumn more and more rich, and sets off the poet's cold environment and lonely mood at that time. The transformation of "white dew is frost", "not wet" and "not already" depicts the scene and process of the morning dew gradually turning into autumn water, and vividly depicts the track of time development, indicating that the poet came to the river at dawn and stayed until the sun rose. Imagine that he wandered alone in the cold and lonely wilderness for a long time, facing endless autumn waters, waiting for people to disappear, thinking about people, how anxious and melancholy he was! When describing the position of the Iraqi people, due to the change of words such as "square", "beauty" and "joy", it truly describes the activities and psychological images of the Iraqi people waiting for poets and poets to meet them on the other side, which greatly broadens the artistic conception of the poem. In addition, the changes of "long", "leap", "right", "middle", "sweet" and "sweet" also describe his difficulty in meeting Iraqis and his desire to meet friends from different roads and directions. If we relate several groups of deformed words used in the three chapters to taste, we can better appreciate the meaningful and honest meaning of this poem.

At the beginning of each chapter of the poem, the brushwork of seeing interest in fu is adopted. Through the description and admiration of the real scene in front of me, I drew an ethereal artistic conception that enveloped the whole article. The poet grasps the uniqueness of autumn colors, and repeatedly depicts and renders the empty and sad atmosphere in late autumn, so as to express the poet's disappointment but ardent yearning for his friends. Just as "Words on Earth" said, "Jia Jian's poem impressed me the most." It has the characteristics of "seeing things by myself, so everything is my color" and "its feeling will be refreshing; Its landscape writing will also attract attention; His words blurted out without any makeup. "