Saziran's musical profile

"Pastoral"

01Overture

02Pastoral

03Sarirang's Date

04Happy Hometown

05Ocean of Flowers

06Whispers in the Felt Room

07Return

08The Sad Mongolian Horse

09Silence in the Birch Tree<

10 Epilogue

Nostalgia or Longing Dream or Nostalgia

Spring 2006 The Pastoral Wilderness is Full of Life

Sa Rilang, the Italian name for the grassland's santalums, is a colorful and tenacious flower with a reddish hue, the color of which is a dream on fire.

2006. Sing my dreams and nostalgia in the springtime grassland!

"Green"

This is the country's first Mongolian music as the main line of world music this is also a call for environmental protection of the world music, Sa Rilang also through in this "Green. In this "Green." as the arrangement, rewriting, lyrics, and thus become a good musician, and become the first domestic musician to Mongolia music world.

The color green is the favorite color of Mongolians. Since ancient times, Mongolians worshiped the Everlasting Sky and believed that the grassland was given by the Everlasting Sky for the fatness of cattle and sheep and the good weather, and this sacred and intimate Everlasting Sky was green. The Mongolian people have made themselves the green Mongolian, and take the green color as a kind of auspicious color, thus they have the green hatha, which is offered to the green hatha representing the auspiciousness and blessing every festive season or when the relatives are far away or when the friends from faraway places get together, and it has become a kind of habit or a way of life for many years.

The world

People have always been talking about the phrase "the national is the world", which from the simplest understanding of this sentence, the formation of each ethnic minority and the way of life has its own characteristics and at the time of the formation of their own unique way of life must be and the social background, the natural environment has a close connection, and thus in a certain way, the formation of a minority of the world, and the way of life has its own characteristics. In a particular historical background and natural environment, they naturally form their own unique characteristics, which will be reflected in every bit of life, such as eating habits, clothing, songs and dances, etc., and these national characteristics are exactly what people around the world are interested in, maybe they will like it, maybe they won't like it, but this colorful national characteristics of culture decorates and composes the The world is not a monotonous and boring place.

Saerilang's "Green" several songs are adapted from horqin narrative folk songs, so if you want to understand the culture of the Mongolian people living in horqin steppe, you can find the answer you want through the sadness of those horqin folk songs with tears and smiles, and the sorrow of the modern Mongolian people's heart in the sadness of the grassland sand, which is closely related to the whole human race, is supposed to be the "Green" of another world. " of yet another world.

Warmth

Music comes from life, but higher than life, in this fast food era, people's lives are becoming more and more simple and monotonous, and because of the pressure of life and the accelerated pace of life, not many people can pay attention to their own side of the work of the outside of all kinds of things, perhaps busy section of the festival so that people do not have time to sadness and thinking, and also do not have time to express their own feelings, not these fast-paced people do not have sadness in their hearts, and more importantly, the fast-paced people do not have a sense of sadness in their hearts. It's not that these fast-paced people don't have sadness in their hearts, and it's not that these fast-paced people don't need care and warmth. Saerilang believes that as a musician, he should use music to care for and warm up these hearts that are going to be numb or unconscious, and to use the deep feelings and sorrows in the bones of Mongolian music with the hearts of these people that have forgotten their sorrows and have buried them deep down. And to arouse people's innate, instinctive goodness, so that people pay more attention to environmental protection.

Consistent wish, young team

Sa Rilang this "green" inside the team members are after eighty, and even after ninety, the music director Saqi Lattu is the Chengdu Municipal Art Theater Ethnic Orchestra of the young Ma Touqin player, as a musician after eighty, and he did not intoxicated and follow those like a gust of wind like a burst of popularity of a period of time was replaced by the popular music, and devote yourself to He also thinks that Mongolian songs are very nice and sad, which make people feel comfortable after listening to them, and that Mongolian music should be used to warm up and care for those people whose lives are full of work and who have forgotten their sadness, to awaken their instinctive goodness, and to let people find the light of their own souls.

African drums Ma Jun is the chief percussionist of the Chengdu Philharmonic Orchestra, the young man has a profound study and love of percussion, and the love and understanding of the African drums is more than enough to make you listen to the dumbfounded, no matter what kind of repertoire, he has his own understanding, and immediately struck a rhythm that makes you move your heart, perhaps because Ma Jun is a Hui ethnic group, a cool love of minority songs, he feels that a good combination of minority songs and various kinds of percussion. The combination of songs and percussion is a new form of music that people all over the world will love, so in "Green" Ma Jun uses his own drum language to beat and touch the deep sadness in people's hearts.

Fan Tiangu, cello, is also a freshman student, has been playing the cello since he was six years old. Although he is a Han Chinese, he has listened to a lot of good music, including all kinds of new forms of music and world music since he was young under his father's request and instillation, and when we ask him about his feeling and understanding of world music, he can still say a lot at a young age, and in the "Green", the cello is heavy and sad. In this "Green", the cello is heavy and sad, which is also in line with the sound and characteristics of the cello itself, Fan Tiangu is very young, just eighteen years old, a small age to consciously use the cello to play a variety of ethnic minority melodies, which must be a kind of natural music inculcation, the next time we will be able to hear in the ethnic minority in the joys and sorrows in the soaked cello's tone and emotion must have a kind of indescribable touch, perhaps this is the cello itself.

Multi-ethnic fusion

The musicians and singers in "Green" are all from different ethnic groups, the Mongolian beautiful and deep long tone and the sadness of the horse-head fiddle is a natural combination of Tibetan songs and Mongolian long tone, and the horse-head fiddle, and cello and African drums, to add new blood to the album, and the hearing is more a freshness, and for the heart, a cleansing of the soul and mind.

The struggle between strings and folk styles

During the recording of "Green", in order to reflect the local color of the horqin folk songs, but added a lot of trouble to the cello and the horse-head zither, Saqilatu has been shaking his head, said, "ha! This kind of way of walking is the old folk's way of playing, in the string music is not allowed to appear this kind of so-called big belly sound". Hear here cello also frequently nodded, as if very sad to finally find *** Ming look,, especially in the recording of "drunk" when this phenomenon is more everywhere, because "drunk" inside the four melodies are "Andai" in the melody of "Andai" is a traditional Mongolian folk songs and dances. In horqin grassland has been circulating for more than 200 years, is the ancient step song foot, even arm and dance, dance around the tree and other forms of collective dance evolution and development as the intangible cultural heritage of the Mongolian nation, is the traditional wealth of Mongolian folk art and cultural carriers. Traditional Anday retains the original cultural characteristics of the ancient Mongolian devil, Chagan Erle (white kite), marriage, religion, medicine and other aspects, and contains music, poetry, dance. It also contains music, poetry, dance and other forms of expression. In this "Qing", in order to be able to call this intangible cultural heritage of the Andean melody with the horse-head qin and cello to complete so it changes or breaks a lot of rules of the string music....

"Karma" and dreams

Talking about the original idea of Sa Rilang to introduce the horqin folk songs to the world, or to mention the birth experience of Sa Rilang, she was born in the beautiful horqin prairie, when she was three and a half years old, she went to the faraway aunt's house to stay for fifty days, the aunt is an elementary school teacher, and loves to sing, so in her spare time, she was able to sing. Singing, so in the spare time to teach Sa Rilang singing horqin folk songs, and aunt did not expect is Sa Rilang not only learn fast, but also remember, so in the aunt's home during this time to learn two horqin folk songs every day, sung to the surrounding friends and relatives to listen to, at that time of the sa Rilang is not yet to remember time, the impression of the only remember a lot of people around her, what exactly, for what do not remember, but the village has heard Sa Rilang singing, but the village has heard Sa Rilang singing, but the village has heard Sa Rilang singing. The old people in the village who have heard Sa Rilang's singing have remembered this little bit of singing, and then Sa Rilang's memories of the singing and the scene are all from the mouth of the people in her aunt's village.

Saerilang, who signed with Tianzhong in 2004, was chatting with Mr. Li about his dream of music, and the question of "what is the highest ideal of music" made Saerilang come up with the present "Green". To say that is fate, in fact, 05 years before the release of the first album "pastoral", Mr. Lee's production team would like to do a Mongolian music elements of the main lines of the "world music", however, up to a year of communication with the production team and did not produce **** Ming, so did that pop music "pastoral". But Sa Rilang feel a sense of responsibility and sense of indebtedness, feel that he said "the biggest wish is to stand on the world stage to sing their own national songs", said after the feeling can not go back on their word, it should realize their promise, so do the world of music this seed buried in the heart of Sa Rilang.

With the dream of doing world music, Sa Rilang came to the beautiful Chengdu, to this strange city, everything is new, everything is strange, Sa Rilang did not have time to contact more than music, there is time to talk about music, music, listen to music, every day in the music, to Chengdu half a year of time has passed, and also did a few songs in the imaginary The first half of the year passed in Chengdu, and he made a few imaginary things, but did not achieve the effect he wanted, Sa Rilang began to be confused, do not know what to do, want to go back, back to Beijing, do not want to stay here, everything is so unfamiliar, everything has no sense of intimacy, no achievement, so go back and unwilling to know how to do, Sa Rilang began to feel depressed and want to give up the dream of doing world music, think popular, popular, familiar, people can accept the music better, more shortcuts. He felt that popular, popular, familiar and acceptable to the common people would be a better way to make music, so why did he have to turn a corner to make world music, which was difficult to make? Sa Ri Lang could not give herself a satisfactory answer, began to doubt everything, do not contact with anyone, feel no achievement, but the reality is so difficult for her to make a decision, the dream has always been in the heart 。。。。。。。。。。。 A chance opportunity to participate in the performance of the Sixth Minority Arts Festival in Sichuan Province, a Mongolian robes pulling the Mongolian young man with a horse-head qin attracted the eyeballs of Sa Rilang, to Chengdu for such a long time, did not see their own ethnic compatriots, but also did not hear the scene to pull the horse-head qin, Sa Rilang is very excited to get to know the Mongolian young man ------- Sachilatu,

He is the Chengdu City Song and Dance Troupe of the horse-head qin player, horse-head qin play great, is a passionate Mongolian young man, Saqilatu know Sa Rilang came to Chengdu's purpose, and found that she is very anxious, chatting a lot of topics about music Saqilatu said, do music can be done slowly, life should be adjusted to know more friends, the mood will be happier, so that there will be a good mood and a good state of affairs, so that introduces a lot of their own Good friends, although the dream did not come true, but after contact with more friends, the mood is much better, but also full, nothing to the bar to sing and play, and then talk about other different music, singing and playing in the bar to meet a music lover, very much like Mongolian music, more like Mongolia long tune, when he knew Sa Ri Lang do world music dream, it is felt that in the current fast-paced era, there can be such a music dream really should support. So he went around looking for producers to get in touch with Sa Ri Lang, talking about his music dream, and kept saying "don't give up, be sure to stick with it, you will find like-minded people" and copied a lot of different styles of world music to Sa Ri Lang, while listening to different world music, Sa Ri Lang started to compare and analyze, and found their ****s. While listening to different styles of world music, Saerilang began to compare and analyze them and found their ****ness, and decided to make a simple and pure Mongolian music as the element of world music. In this way, with these musicians who have the same destiny and dream together, this "Green" in Saeriland's words, this is the destiny to pile up the dream.

The sad Saerilang

The green color is the Mongolian people's favorite color, maybe it is because the Mongolian people worship the everlasting sky, and the color of the everlasting sky is green, maybe it is because the Mongolian people think that the grassland's wind and rain and the fatness of the cows and sheep are all given by the everlasting sky for thousands of years. The Mongolian people have their own interpretation of the color blue, so they call the Mongolian plateau (the earth) the Mongolian plateau (the plateau).

"Green" is full of the sorrow of green Mongolia: for many years, the grassland has given these Mongolians, who are close to nature, an open heart and a warm and unrestrained character, and at the same time, it has also given the Mongolians their own unique sorrow, which Sarelang called the sorrow of green Mongolia. This sadness soaked the Mongolian heart: perhaps because in the green dome can only talk with the sky and the earth and all living things and sadness, perhaps because of the penetration of nomadic life on the steppe, in people's hearts and produce a complex, human instinctive inexplicable sadness. It is this kind of sadness that nurtures and creates the Mongolian unique wide, vast, deep, affectionate, long and sad long tunes and folk songs with the characteristics of each tribe. A sad melody will let people cleanse the soul, but also will evoke all kinds of sadness in people's hearts, maybe hear this sad melody, each person's deep sadness for different reasons, but feel the pain in the heart of the feeling is the same, which is what people say **** Ming right?

The culture of each era has the characteristics of each era, the ancient Mongolians kneeling and praying to the immortal sky at the same time will also be on the immortal sky sadness, sadness will be used to express their emotions in song. Nowadays, Mongolians have a piece of sadness in their "sadness", which is a piece of sadness that the development of reality and the desire of human beings have brought the Mongolians and the people of the earth to the same catastrophe - the grassland sanding, the rivers drying up, the danger of sand and dust, and the pollution of the air, which have made the steppe people live in the closest way to the nature for thousands of years. These phenomena have made the grassland people, who have been living in the closest way to nature for thousands of years, feel great sorrow, worry and sadness ......, which means that the Mongolians will lose their homeland, and at the same time, those who are forced to lose their homeland due to the destruction of the environment will not only be Mongolians, but also there will be more people in the world who will lose their homeland, and this is the sorrow of the whole modern mankind.

As a Mongolian musician, Saerilang wanted to use her music, which is long, deep, profound and y sad, to awaken people's innate goodness, to give up their endless desires, and to warm up people's wounded hearts. For this reason, she adapted these Horqin folk songs, globalizing them, and at the same time, letting "Green" run through the whole with the melancholy of green Mongolia.

In this fast-food pace of life, the form of music is also inevitably fast-food, but I believe that Saerilang's EP "Green" in the city's hustle and bustle, will be able to warm and touch people's deepest heart of the most fragile piece of the "pure land", because the "Green" in the joy and sorrow is also everyone's, which is the "Green" of the world. The world.

The Philosophy of "Qing"

Zhu Zheqin's "A Sister's Drum" realizes the dream of Chinese music to go to the world. The ancient and mysterious culture of the East, together with the mysterious religious meaning and the novelty of the tune arrangement, also let the Chinese people realize the direction of the world's music.

The attraction of the ancient Eastern culture to the outside world is not only limited to the snowy plateau and the mystery of Tibetan Buddhism, but also the culture of the northern nomads and the Mongolian culture, which has become the model of nomadic culture and has established a great empire in the history of China, has also created its own splendor, and at the same time, it also nurtured its own culture ------- sad, introverted, and accustomed to the depth of the .... The company's website is a great source of information about the company's products and services.

Sa Rilang's "Qing" and Zhu Zheqin's "A Sister's Drum" both combine the mystery and antiquity of the national culture with cosmopolitan forms of music, thus making it easier for people to understand Eastern culture.

The sadness, far-reaching and deep feeling inside "Qing" is the unique green sorrow of the Mongolian nation itself, and Saerilang wants to let more people in the world understand the grassland culture, nomadic culture and Mongolian culture.

The use of cello to play Mongolian melodies adds the low, deep and heavy sound of cello to the inherently sad Mongolian melodies, and the dialog between the horse-head fiddle-perhaps the only instrument in the world today that can cry-and the cello and Mongolian long tunes will touch and warm the deepest sadness of people's hearts. The dialog between Mongolian long tunes and Tibetan songs, and the clever dialog between Tibetan songs and the horse-head fiddle, cello, and African drums are all new ideas and creativity, and are also novel and unique from an audiovisual point of view.

"Green" because of the Mongolian ancestors to the worship of the everlasting sky and call themselves Green Mongolia, it is noble and sacred in the hearts of the Mongolians, for thousands of years the Mongolians have been writing their own history of green ......

The twilight in the morning when the sun comes out, is the color between the black and blue, and that's the so-called Cyan, when the darkness is about to recede, the light is about to come, everything is about to wake up, the world is still in silence, it is contemplative, sad, and mesmerizing, so that people can talk to their own hearts and minds, and also ....... Sorrow in the Mongolian people on the loss of the former glory, but also in the green dome with the sky and the earth and the dialogue of all living things, as well as with the grassland nomadic life soaked in the hearts of the people of that inexplicable, intricate and wonderful human instinctive sadness. This kind of sorrow nurtures and creates the wide, vast, deep, affectionate, far-reaching, sorrowful long tunes and folk songs with the characteristics of various tribes unique to the grassland people, and Sa Rilang believes that the sorrow of the grassland people, the sorrow of the Mongolian people is and the sorrow of other nationalities have **** nature.

Beautiful Horqin is the place where the descendants of Hassal live and live, and the sadness in Horqin folk songs is a kind of sadness that cries with a smile, which uses the unique humor in the bones of the Mongolian people to tell, expose, and accuse all kinds of unfair phenomena in the society at that time, and embodies the unique musical characteristics of the people of Horqin. There, "Anday" has a mysterious religious color, but also has a romantic storyline, and Saerilang's "Drunk" has once again sublimated "Anday".

Sa Rilang was born in horqin grassland, at the age of three and a half she could sing more than a hundred horqin folk songs, in this EP "green", let horqin folk songs globalization at the same time can maintain its unique and pure style, it is not difficult for Sa Rilang, because the horqin folk songs have been with Sa Rilang's breath side by side. As a musician, Sa Ri Lang feels that it is her ideal and duty to globalize her favorite horqin folk songs in a new way and introduce them to people all over the world.

Each era's culture has its own characteristics, and the "sorrow" of modern Mongolians has added a piece of sorrow that the development of reality and human desires have brought the same disaster to the grassland people and the people of the earth - sandy steppe, dry rivers, dust, air pollution, and so on. These phenomena have made the grassland people, who have been living in the closest way to nature for thousands of years, feel great sorrow, worry and sadness. ...... Sentimental Saerilang hopes to awaken the innate goodness of the people in "Calling", and hopes that the people will give up their own never-ending desires. .......

In this fast-food pace of life, the form of music is inevitably fast-food, but I believe that Sa Rilang's EP "Green" in the hustle and bustle of the city, will be able to warm and touch people's deepest heart of the most fragile piece of the "pure land", because the "Green" in the joys and sorrows of each person, which is the "Green" of the This is also the worldliness of "Qing"!

Listening to the girl of horqin

"Listening to horqin" (girl) this album is a light ballad Mongolian music album, this is also Saerilang in March last year after the release of that strong horqin elements of the world music EP "green" another sigh and return to return to the soul of horqin narrative folk songs, put aside all of the frame of their own design of the singing, not with the method, but with the heart to tell the story of the "green", and the "green" is the most important thing to do. The method, but with the heart to tell hundreds of years in the horqin grassland people living in the heart of the thought, so Sa Rilang here boldly only use a guitar, guitar is only rendering the atmosphere, rather than we often hear the form of accompaniment, Sa Rilang that this will not be the main event, will be real, the original flavor of let you listen to horqin:

Reproducing the folk artist's singing voice, really sing from the heart:

Sa Rilang grew up three and a half years old to listen to the radio to listen to the old artist Chaganbala and other people's songs, and will sing nearly a hundred, the combination of folk songs and popular music naturally has its market, which is undoubtedly, but Sa Rilang still want to restore the horqin folk songs of the "original face"! "No matter whether she can be popular or not, no matter how many people accept it, but Sa Ri Lang believes that only the original flavor of its old, coupled with the rendering of the atmosphere, there will be more people will be interested in it, so as not to lose the original face of the circulation and facilitate the combination of music with more elements, Sa Ri Lang believes that this is the promotion of the old folk songs. So Sa Rilang try to sing in the style of the academy inside the unattainable professional singing method learned from the people far away to the side, back to nature and the old artists to learn to sing, that is the real heart singing.

If you have ever listened to a horqin folk song, you will know that its most important feature is "narrative", which is to use a melody to tell a story. Saerilang chose thirteen classic and popular songs named after girls and telling their stories to be the beginning of the "Listen to the Grassland Series" because the songs of the girl's love story and that of the love brother occupy the most important part of the horqin folk songs. The songs of the story take up a large part of the horqin folk songs, Sa Rilang with this as a start will present a batch of clear listening series of horqin folk songs, which is also Sa Rilang's a determination and planning.

Sa Rilang

Daughter is the source of the world, in ancient times, because there is the mother of Mencius will have Mengzi this sage figure, because there is the mother of Temujin will have Genghis Khan this historical figure, from ancient times to the present day there are many mothers to cultivate how many times and sage figures, and from ancient times to the present day there are how many songs singing mothers have been widely circulated, singing mothers have become an important part of the people to express their feelings, and the mother has become an important part of the people to sing. The song has also become an important part of people's emotional expression.

Mongolians have a lot of songs about their mothers, perhaps the ancient nomadic life of the grassland people must be male dominated by female dominated by male, the main outside of the father may be guarding the herd of cattle and sheep will leave their children in the distant pasture for a few days, and thus most of the time in each person's childhood and the mother's close contact with the mother, and let everyone's growing up and the mother's emotions closer to the eyes of a young child, and a mother's love and affection, and in addition to feeling the tenderness and love of the mother. In the eyes of a young child, in addition to feeling the tenderness and love of his mother, what he can see is his mother's busyness from morning to night, taking care of the daily chores while sewing and mending clothes for himself, and this is the Mongolian child's eyes to see his mother ------------- hard-working, i.e., kind and tolerant, and fraternal, the steppe Eggy. For many years, the prairie Egil has raised a strong Mongolian heroes and gentle and virtuous daughters of the prairie.

From the Mongolian cultural tradition, in the eyes of the steppe people, "mom" meaning more broadly, each steppe children see and their own mothers of the same age of women and older grandmothers, will be very natural to call a "mom". Because each grassland Eji in the eyes of the children is the same "code name" ---------- "hard-working", "kind and kind", "gentle and broad".

And the Mongolian people have a proverb "mother's heart in the children's body, and children's heart should be in the distant mountains" However, these "code words" and these sayings, had to let a child growing in the steppe heartache and can not help but to have love, thus Lament, feel how they can not repay the mother's love, lamented the prairie children to create so many songs singing mom's songs let a person heartbreaking lament. 。。。。

Sa Rilang is telling....

Speaking of mother's heart

The Ma Touqin is sad.... ....

Sentimental mom will grow old 。。。。。

"Listening to Sazirang" (Eji) Singer

Gift for Mom: "Sazirang Listening to the Grassland" Series "Listening to Sazirang" (Eji)