What does the word qin mean? What does it give?

琹

qín

<名>

(本作 "珡". The Chinese character for "象形". In the Small Seal Character Form, it resembles the shape of a musical instrument, with the upper part of the character Jue resembling the strings and strings, and the lower part resembling the body of a zither. Original meaning: plucked stringed instrument. (commonly known as guqin)

The same meaning as [qin, a seven-stringed plucked instrument]

Qin, stringed music. The qin was made by Shennong, with five strings in Dongyue and two strings in Zhou. In ancient Chinese, it was derived from the sound of "瑟金". -- "Shuowen"

Shennong's zither is three feet six inches six minutes long, on the five strings, said Gong Shang Angle Chanting Yu, King Wen added two strings, said less Gong, less Shang.

The music book to eliminate worry. --Jin - Tao Yuanming "return to the Ruoxi rhetoric"

And such as: qin history (qin and history); qin book (qin and book; talking about the qin art of the canonical books); qin bed (qin case; qin a few); qin column (qin used to tie the strings of the column)

Some of the musical instruments of the general name for [a general name for certain musical instruments]. e.g., fiddle; huqin; piano; harmonica

hammer

qínchuí

[hamlet] a mallet used to play a percussion instrument with a fixed pitch (e.g., a xylophone or a xylophone)

key

qínjiàn

[key] the black and white keys on musical instruments such as pianos, accordions, etc.

[key] the black and white keys on a piano, accordion, or other musical instrument

[key] the black and white keys on an instrument that has been used for a long time to play the piano, accordion or other musical instrument. p>

Qin and Serpent

qínsè

[be on friendly terms] A metaphor for the harmony of husband and wife

My fair wife is a friend of the qin and serpent. --Shi Xiaoya Changdi

qínsè-bùtiáo

[unadjustable]

[Unadjustable]

Qínsè-bùtiáo

Qínsè-bùtiáo

Qínsè-bùtiáo

The qin and se are not in tune with each other, but are changing their positions, and it is better to be informed even if the clear order has already been carried out.

[Discord between husband and wife]

Jingyangjun and Dongtingwaizu have been related by marriage for many years, but they abandoned their young wife because of the dissonance of the qin and se, and they were angered by one of the Qiantangs, who hurt them, and then took them to the mountain of Xiangling. --

Tai Ping Guang Ji, citing Anonymous' "Ling Ying Chuan"

Qin Shi

qínshī

[stringed instrument player] a qin-savvy player who accompanies an orchestra; a teacher who teaches qin-like instruments

qínshū

[story-telling, mainly in song, with musical accompaniment] a form of opera in which stories are told and sung to the accompaniment of the yangqin

liuzhou qinshū

qin, also known as yaoqin and yuqin, or guqin, is an ancient plucked instrument with seven strings and no instrument. ancient plucked-string instrument with seven strings and no character. The qin, as a special culture, summarizes and represents the ancient and mysterious oriental thought.

The guqin was called "qin" in ancient times, and also known as "green qin" and "silk tung". Although the "Fuxi zither", "Shennong zither", "Shun for the five-stringed zither" legend is not credible, but its history is really quite long. The qin was first mentioned in the canonical books of China's first poetry collection - "The Book of Songs". "Poetry - Zhounan - Guan Ju" in the "My Fair Lady, qin and serpent friends", "Poetry - Xiao Ya - deer singing" in the "I have a guest, drums and qin", reflecting the qin and the people's life of the close links. It can be seen that more than three thousand years ago, the qin was already popular. Later, due to Kong Yu's advocacy, the culture of playing the qin flourished among the literati, and gradually formed the tradition of "qin, chess, calligraphy and painting" as a must for the ancient literati to cultivate themselves. At the beginning of the promotion of qin music, Confucius taught that a gentleman's music does not go to the body, a gentleman and the qin are more virtuous than a gentleman, and only a gentleman can be happy. The qin and music is the highest level of cultivation of the gentleman, people and music together **** with a calm and generous demeanor. In the era of Confucius, the qin music is not only the personal cultivation of the latter gentleman music, but also to accommodate heaven and earth to educate the people of the sacred music. In qin music, Confucius heard the sound of King Wen's holy virtue, and Shikuang heard the sound of Shang Zhou's death. Ancient people believed that the weather of heaven and earth was embedded in it, and people worshipped it and gave it their beliefs about morality. As the "right sound", the qin music symbolizes the orthodox thought and culture of China for thousands of years. The guqin accompanies the people's life, leaving us many touching stories: Boya played the qin and met his soulmate; Sima Xiangru and Zhuo Wenjun expressed their love with the help of the qin; Jikang faced with death, but also manipulated the qin in a song "Guangling San"; Zhuge Liang skillfully set up an empty city plan, calm, leisurely qin sound, and wisely retreated from 100,000 of Sima Yi's troops; and the story of Tao Yuanming's playing of the stringless qin, etc, are all praised for the ages. "High mountains and flowing water", "burning qin and cooking cranes", "to the lute" and other women and children know idioms are from and qin-related allusions.

The guqin has witnessed the rise and fall of the Chinese nation, reflecting the peace and quiet of the Chinese heirs and the freedom of thought. Among the guqin compositions, there is a famous piece called "Huaxuquan", which records such a story. Legend has it that the Yellow Emperor had a wonderful dream at night, in which he came to a place called Huaxu Kingdom. In his dream, he came to a place called Huaxu Country, where "the country had no masters" and "the people had no desires", and the people "did not have beauty or evil in their hearts, did not stumble in the valleys, and were happy to be alive." The Yellow Emperor was envious of the state of his country. The peaceful and comfortable life led by the citizens of Huaxu Kingdom was exactly the ideal life in Huangdi's mind. It can also be said that Huang Di's dream of Huaxu was exactly the state of mind in which he ruled his country. The ideals of the ancient virtues and sages were often expressed through the qin. The legends of Fuxi, Shennong, Huangdi, Yu Shun and other qin makers are widely circulated in the qin world, while Confucius, Zhuangzi and other greats are also qin masters. The ideal realm they had in mind is expressed in the ancient qin culture.

During the Spring and Autumn and the Warring States Periods, there were nine major schools of thought, including Taoism, Confucianism, Mohism, Legalism, Famous Schools, Zongheng and Hengjiao, Yin and Yang Schools, Miscellaneous Schools, and Agricultural Schools, which were active in the ideological arena. Each school of thought has its own differences, but the ideas of these nine great schools of thought have **** existed in the minds of the Chinese people, and have become a major feature of Chinese culture, because the Chinese people are well aware of the **** common place of all kinds of ideas: the self-centeredness of the heart, the world's way of tranquility. The expression of this inner voice is the strength of the qin. Although all schools of thought are different, they all share a special fondness for the qin. The qin integrates the essence of a hundred schools of thought and expresses the quiet, tranquil and elegant voice of the human heart. That's why people say that the qin is an excellent representative of Chinese culture.

The culture of Confucianism, Buddhism and Taoism is the main body of traditional Chinese culture. The qin culture is the culture of all three religions. Music is an important part of Confucianism, and the qin is the favorite of Confucianism, and the Taoist is more like the qin that the quiet and unrestrained flavor. Even Buddhist monks like to realize the wisdom of the qin. Since ancient times, the Chinese literati often respected the three religions, and their love for the qin was certainly no exception. They often used the qin to perfect their personalities, to cultivate their bodies and minds, and to realize the Great Dao. The qin and the sword became the indispensable basic equipment of the literati. The qin and the sword became the indispensable basic equipment of the literati, and the qin, chess, calligraphy and painting were the standard of the talents of the talented men and women. The qin culture is very closely linked to the Chinese literati and the Chinese culture of thought.

Besides the qin's heavy humanistic deposits, the qin's aesthetics are unique in the world of music. There is no wanton catharsis in the qin, but only a calm and transcendent demeanor in its subtlety. The qin is inseparable from poetry; it emphasizes on rhyme, the harmony between the real and the imaginary, and the sound of the strings, from which it creates an ethereal mood, which is united with the aesthetic pursuit of Chinese paintings. No wonder the world marveled at it. "The moon is full of white, the sound of the zither is also the end of the night; cold on the seven strings, quietly listening to the pine wind cold. Ancient tunes follow their own love, today's people mostly do not play; for you to throw this song, the noble knower is difficult." This is the Tang Dynasty poet Liu Changqing sent out the sigh of relief.

Chinese guqin masterpieces, the existing more familiar to the public are: the orchid, flowing water, Xiaoxiang water clouds, the gods and men, Yangguan three folds, plum blossoms, Guangling San, fishing boat singing in the evening, flat sand and falling geese, fishermen and woodsmen question and answer, Spring Dawn chanting, sprinkled madness, phoenix seeks the phoenix, alas, Guanshan Yue, blue mountain spring, and so on.

Famous qin masters in Chinese history are: Confucius, late Spring and Autumn Jin famous court musician Shi Kuang, pre-Qin qin master Bo Ya, the Warring States qin master Yongmen Zhou, the East Han qin master Huan Tan, the late Han qin master Cai Yong, the late Han female qin master Cai Diem, the end of the Wei-qin qin master Jikang, one of the Seven Sages of the Bamboo Grove, one of the seven sages of the bamboo grove of the Wei-jin, one of the Seven Sages of the bamboo grove of the WeiJin, one of the Seven Sages of the bamboo grove of the Wei-jin, one of the Seven Sages of the Bamboo Grove of the WeiJin, the qin master Ruan Xian, the Jin qin master Liu Kun, the Sui qin master He Ruobi, the Tang qin master Xue Yijian, the Northern Song dynasty qin master (monk) Yihai, the Southern Song dynasty qin master Xu Tianmin, the late Ming dynasty qin master Yan Zheng, the late Ming dynasty qin master Xu Shangying, the late Qing dynasty and early Republic of China famous qin master Wang Binlu, the late Qing dynasty qin master Zhuang Zhenfeng, the early Qing dynasty qin master Xu Changyue, the late Qing dynasty Qingcheng mountain in the emperor of the Guanyuan Taoist qin master Zhang Heshu, the late Qing dynasty and early Republic of China famous qin master Peng Qingtao, the late Qing dynasty qin master Xu Qi, the Qing dynasty qin master Wu Hong, the Qing dynasty qin master Zhu Feng Harmonic (祝凤喈), the Qing dynasty qin master Zhang Konsan, the recent generation of qin masters Yang Zongji, etc.