How do children learn Chinese painting and how to teach them the introduction of Chinese painting?

The skills of teaching children Chinese painting are as follows:

1, pay attention to the pen method.

(1) center and winger. When the pen is used in the center, the tip of the pen is in the middle of the line, and the effect is round and heavy, such as iron line drawing of clothing patterns and ponytail of landscape painting. When using the pen sideways, the pen holder lies slightly sideways, the nib naturally leans to one side, and the pen path is "flying white", and the shade and dryness change greatly. In practical creation, we can draw old cadres on the flanks to get a sense of vitality, and draw new branches on the center to get a sense of moisture.

(2) Forward and backward. Follow the strokes. This trick is called downwind. The lines formed along the front face are smooth. Pushing the pen in the opposite direction is called the opposite direction. The strokes of the reverse stroke are easy to spread out and the effect changes greatly. In practical application, we can draw stems on the front and write branches along the front.

(3) Folding. The method of changing the direction when the finger rotates and folds. The way of hard folding is folding, and the way of round turning is turning. The effect of turning is round, and the effect of folding is angular. Besides spinning, there is also a pen. Lap and fold are very similar, so they are easily overlooked. Matching the performance of decent relations is very important and cannot be ignored.

(4) Fiona Fang and smoothness. And what you often see can be regarded as the effect of using the pen and the style of the painter's pen. Judging from the effect of describing the object, Fang Bi and the round pen should be natural and decent. Slippery is smooth, and astringency is astringent. The two are opposites and complementary. Some objects need to be drawn smoothly to be natural, and some objects need to be drawn unevenly. The former is like a magnolia, and the latter is like a trunk. Smooth pens should be smooth but not floating, and astringent pens should be astringent and not stagnant.

2. Pay attention to the method of using ink

(1) ink accumulation method. First, use light ink as the base material, and then apply it several times after drying. It should be thicker than one layer, and at the same time, it should be distinct and not mixed. When using the ink stacking method, you must draw the next ink after the color of the previous ink has dried out. Ink accumulation method can be used to describe rocks in the landscape, showing a heavy effect. Ink accumulation is mostly manifested on raw rice paper. If we must use the ink accumulation method on cooked rice paper or silk, we must have a better grasp and avoid problems such as dirt and stagnation.

(2) break the ink. The so-called "broken" is broken. Using the ink-breaking method, the unsatisfactory part can be cracked and a better ink color can be re-presented. Specifically, it is to add some heavy ink or light ink to the parts with insufficient ink gas or rich ink color when it is still wet, so that different ink colors before and after penetrate and connect with each other to form a complex ink color effect. In the ink breaking method, heavy ink can break light ink, and vice versa. In essence, the water collision method is also a method of breaking ink, but it is just breaking ink with water.

3, pay attention to the method of ink color

(1) Light ink: more water and less ink. Add water to the thick ink for adjustment. Describe the distant mountain scenery in light ink.

(2) Jiao Mo: Black ink is dry, almost dry. Put the ink into the inkstone, grind it repeatedly with an ink ingot, and thicken it to get Jiao Mo, which can be used for painting, polishing and adjusting the weight of the picture.

(3) Su Mo: overnight ink. In other words, the learned ink can be stored in the inkstone for a few days to get Su Mo, which is easy to dry up and endless.

(4) Ink splashing: painting with wet ink splashing paper, with single-layer ink color changing, dripping without pen marks.

(5) Ink accumulation: Starting from light ink, layers are stacked, but the ink colors of different levels of light and dark are not mutually rendered or mixed, but distinct.