Desperately seeking information on the symphony Spring

"Spring Sonata" is the alias of Beethoven's 5th Violin Sonata. The name "Spring" was not given by Beethoven himself, but by later generations according to the content of the work. This sonata belongs to Beethoven's early creation, in the style of Haydn, Mozart, the tradition of similar works, the music is full of youthful vigor and optimism, the music is bright and beautiful, relaxed and lively, like a brilliant spring, although the music is in the depiction of nature's spring, but it is through the spring scene recorded Beethoven's youthful age of the feelings of life.

"Spring Sonata" was composed in 1810, work number OP.24. F major, music **** has four movements:

The first movement, sonata style, Allegro. The lyrical, flowing first theme is gentle, soft, and vibrant, accompanied by piano breakdown chords. The contrasting second theme, played powerfully in C major, has a youthful, renewed vigor. The unfolding section is mainly written in transposition, and in the drastic change to other keys, the piece gives off a springtime atmosphere, as if to tell people that "a year's plan lies in the spring", and that spring is like a period of youth for people, and that by cherishing and grasping this moment, life becomes more meaningful, which is also the connotation expressed in the piece.

The second movement is an expressive soft plate. The beautiful and melodious theme is played slowly by the piano, and then the violin repeats the theme, the piano and the violin are separated from each other, interspersed with each other, like a pair of lovers in the intimate murmur, especially in the middle part of the music, the music is suddenly shifted from BB major to BG major to state the theme, and obtains the incomparably tender lyrical color. This movement has only one theme, like a free variation. The piano and violin intertwine to create an evocative movement that is extremely tender, as if confiding and lamenting, and as if it were a young girl's dream, full of strong springtime, making one dreamy and slightly intoxicated.

The third movement is a light-hearted witty piece, written in a compound three-part form. A lively, jumping theme is first played by the piano, repeated by the violin, and then by both instruments at the same time. The brisk, staccato rhythms are energetic and exude a childlike innocence.

The fourth movement, a rondo, has an upbeat, optimistic, easy-going theme that appears four times in F major***, which determines the basic mood of the movement, and is interspersed with two secondary themes as contrasts. The two instruments, one after the other, echoing each other before and after, make the piece radiate a charming springtime light, which is refreshing and relaxing.