What is the breakthrough in the traditional writing of A Dream of Red Mansions?

First of all, the breakthrough of traditional thought: 1. China was a patriarchal society in ancient times, and men were superior to women. Before A Dream of Red Mansions, there were few books featuring women, but Cao Xueqin broke through this traditional bondage. For the first time, the author said from the cloud: Today's dusty day has accomplished nothing, and suddenly I thought of all the women that day. After careful examination, I felt that I was more knowledgeable than me. . . This shows the author's purpose in writing this novel.

In feudal society, the concept of hierarchy was very stubborn. But the Grand View Garden is a kingdom of youth, and a group of boys and girls who are proficient in poetry are more beautiful. Young ladies and maids are more like sisters, while young masters and servants are more like playmates.

About the traditional writing: 1. A Dream of Red Mansions actually hinted at the fate of a character and the ending of the novel from the beginning (the fifth time). This kind of writing has hardly been tried in previous works.

2. The combination of reality and surrealism. For example, Zhen saw a monk in his dream, then suddenly woke up and saw a monk in reality. This is a big turning point, and the surreal brushwork is more like a person's heart mirror.