Traditional Culture Encyclopedia - Traditional festivals - Brush calligraphy couplet regular script calligraphy works
Brush calligraphy couplet regular script calligraphy works
Brush calligraphy couplets The Spring Festival couplets of regular script calligraphy works have a long history. It is said that they originated from Meng Chang, the master of Shu after the Five Dynasties. His inscription on the peach symbol on the bedroom door panel:? New Year's Day in Qing Yu, Cargeno. Changchun? , refers to the text? Topic peach personality? (See "Shu Konglang"), which is the earliest couplet in China and the earliest Spring Festival couplets. The basis of this statement is that Liang Zhangju, a couplets scholar in Qing Dynasty, quoted Shu Lang from Couplets' Conghua. However, according to the textual research of couplets, will Liang Zhangju quote them? Work with its words? Change to? Not cooperating with its words? The original text of Shu Lang Lang thinks that this couplet comes from a new hand. Different historical materials in the Song Dynasty have different opinions on this, and some people classify the author as the son of Meng Yun. So who is the author of this pair of Spring Festival couplets is still an unsolved case.
As a custom, appreciating the couplets of brush calligraphy and regular script pictures is an important part of China traditional culture. In 2005, the custom of couplets was listed in the first batch of national intangible cultural heritage in the State Council, China. The custom of couplets is passed down and spread in Chinese-speaking areas and ethnic groups with cultural origins of Chinese characters, which is of great value for promoting Chinese culture.
The historical origin of couplets is dual literature. The parallel symmetry of this language is different from the so-called philosophy? Tai Chi gives birth to two devices? . In other words, everything in the world is divided into two halves of yin and yang symmetry, and the essence of thinking is extremely similar. Therefore, we can say that the philosophical origin and deep-seated national cultural psychology of China's couplets are binary concepts of Yin and Yang. The dualism of yin and yang is the basis of China's ancient world outlook. It is the way of thinking of ancient people in China to grasp things with the binary concept of Yin and Yang. This idea of duality of yin and yang has a long history. The hexagrams in the Book of Changes are composed of Yin and Yang. I ching said:? One yin and one yang are called Tao. ? Lao Tzu also said:? Everything is negative and positive, and I rashly think it is peace. ? ("Lao Zi" Chapter 42. Xunzi thinks:? Heaven and earth create everything together, and Yin and Yang change together. ? ("Xunzi?" "Book of Rites" and "Huang Lao Silk Book" say:? The way of heaven and earth is left and right, yin and yang. ? This concept of Yin and Yang is not only an abstract concept, but also widely penetrated into the understanding and explanation of everything in nature and human society in ancient China.
- Related articles
- Summary of ancient towns around the Dragon Boat Festival in Handan (recommended by ancient towns in Handan)
- Method for making Yangzhou salted goose
What is Xunmeng Haisi?
- Liao Jia Bay Prose
- Who has information about Li Bai?
- What are the delicious and simple methods of tofu?
- Is it illegal to set up a stall
- Would adapting a traditional opera story into a novel involve copyright infringement?
- What are some of the more unique cultural festivals in Australia
- Filial piety is a traditional Chinese virtue, which zodiac signs don't like to go against their parents' wishes?