Illustration of Makeup Steps of Opera Xiao Sheng

Illustration of Makeup Steps of Opera Xiao Sheng

For a long time, the makeup of opera actors has always been mysterious. After a modern person wears makeup, it makes people feel as if they have instantly entered just visiting and become an ancient person, holding a skirt by the hand, with light steps and a smart smile.

Three courts: from hairline to eyebrows, from eyebrows to nasal tip, from nasal tip to chin;

Four and a half eyes: the distance between two eyes must be one eye; The visual distance between the two outer corners of the eyes is one and a half eyes: (if you hit a child, don't raise your eyebrows, draw your eyes down and close your chin up; )

Proportion:

Eyebrows: eyebrows should be in line with the corners of the eyes and nose; The highest point of eyebrow peak is just above the outer diameter of black eyeball;

Eyebrow tip (eyebrow tail): the extension line from nose to corner of eye;

Mouth: outermost distance: straight line hanging from the inner diameter of black eyeball;

Steps:

1, foundation: if you are allergic, apply B6- vaseline first-repair the bags under the eyes and dark circles-ground color (be sure to punch out your own bones)-brighten (130)(T-shaped area should be applied from the eyebrows upwards, and people with long noses should not lift it for too long; The end of the eyebrow and the upper part of the outer corner of the eye are also brightened)-repair the cheek (starting from the deepest part under the ear, hitting the neck down, rubbing with the color of the neck and evenly smearing; People with a low nose bridge can apply a little on both sides of the nose bridge when trimming their cheeks)-Makeup powder (light color is used to brighten the parts, dark color is used for the dark parts, and double eyelids should be applied more).

2. Eyes:

1) Put on beautiful eye stickers.

Adjust the shape of the eyes; Be sure to stick it on the seal of the eyelid; The outer corner of the eye must be higher than the inner corner.

2) Draw eye shadow

Red is painted along the double eyelids, and the lower eyes are also painted red; This red color should be associated with blush; Then use light brown, dark brown and black in turn; First, dip it in light brown with a large pen and take it in from the outer corner of the eye, leaving the part that brightens and eyebrows, which is actually taken out from the eye socket; Then dip a smaller pen in light brown and dark brown and knead them together, and take them from the back to the front. If the periphery is wide, this layer should be narrow; Then use dark brown to get deeper and deeper from the outside to the inside. The deepest part of the upper eye is the outer corner, and the shallowest part is the inner corner. The thinnest brush at 1/3 under the eye is dark brown-black, which is also the deepest corner of the outer eye; The outer corner of the lower eye shall not be lower than the inner corner; Medium brush dipped in a little light brown for the bridge of the nose;

3) Draw black eyeliner

Just close your eyes and look down gently. The inner corner is the thinnest and the outer corner is the widest. Big eyes are wider and small eyes are narrower. Draw the inner corner and the outer corner. Remove the inner corner and come back.

3. Eyebrows

Dip the oblique pen into light brown, and be sure to draw along the direction of the eyebrows. The eyebrows with a wide face in front should be painted higher, and those with a narrow face should not be painted too high. Xiao Sheng's eyebrows are thick and slightly raised; Hua Dan's eyebrows are thinner and a little higher; Draw eyebrows one by one on brown with a gray eyebrow pencil, giving people a three-dimensional sense; Draw a gray center with black eyebrows.

4. Pseudocilia:

Stick it on the bottom of the upper eyelashes, and blacken the upper and lower eyelashes with eyeliner to connect with other makeup.

5, blush:

Draw with a smile, avoiding the highest part of the cheekbone (the part of the cheek that needs to be contracted is painted white).

6. Highlight:

Brighten with flesh color everywhere;

7. Lips:

The highest part should be1/3 of the upper lip; The thickness ratio of upper and lower lips is1:1.5; The lower lip is boat-shaped; People who pout their lips should paint some dark colors in the middle area of their lips and rub them open; Hua Dan, who doesn't pout, can put some pearls between his lips.

Generally speaking, makeup with raw horns can be divided into seven processes: priming, patting the background color, blushing, crossing the sky, patting the bottom makeup, punching the eyebrows, and applying lipstick (referring to those who don't wear their mouths). The requirements for each process are as follows:

Oil the bottom. Apply vaseline oil evenly on your face, which is to protect your skin and to facilitate makeup removal. Of course, it should be thin and fit.

Shoot the background color. Pat all parts of the face with flesh-colored makeup oil paint, paying special attention to the mouth, nose, eye socket, ears, chin and neck. If there is any omission, it will look dirty. Chin will gradually transition from more to less, from yes to no. Remember not to form a line at the chin like a crooked face, which will give people a kind of confidence. The background color, red or white, should be consistent with the actors on the same stage. For example, young people who play lovers should be consistent with Dan's role, and one hall and four walk-ons should be consistent.

Rub your cheeks red. It is to use red oil paint from both sides of the bridge of the nose, and the parts below the eyebrows are perfunctory from top to bottom, from the bridge of the nose to the ears, from deep to shallow. This is a very important and highly technical part of facial makeup, which varies from role to role and from actor's face. For example, for actors with thin faces, red is wider; For actors with wider faces, red is narrower to make up for their own shortcomings. When painting red, the upper part should start from the eyebrows and the bridge of the nose, but there is a line around the junction between the middle of the bridge of the nose and the flesh-colored background. If the bridge of the nose is short, this line should be more obvious, and the background color in the middle should be narrower to compare the bridge of the nose. If the bridge of the nose is too high, these two red lines should not be too obvious, but relatively vague, and the background color in the middle of the bridge of the nose should be relatively wide to dilute the part of the bridge of the nose. After the red cheeks on both sides are painted, the eyes are basically changed from dark red to light red. This kind of transition should be very natural, giving people a three-dimensional sense and a sense of reality. It is by no means like two pieces of red cloth stuck on both cheeks.

Draw the sky. Commonly known as "Tongtian", it is to draw a red bar in Tang Yin from the eyebrows in a herringbone shape. Probably because it is drawn from the middle of two eyebrows to the highest point of the forehead, close to the forehead, commonly known as the top of the head, so it is called "Tian Tong". It has a good refreshing effect and gives people masculine beauty. Comparatively speaking, the niche dominated by pheasant tail is thinner; Old students should be lighter; Martial arts students are rough. Some young students, such as Fan's classmates and poor students, mostly lack masculine beauty, so it is not appropriate to draw a small bridge connecting the two eyebrows, not too high, because the upper part is round, so it is commonly called "Yuanbao"; The roles played by some old classmates cannot be compared with those played in their prime. According to Mr. Ma's painting method, it is to draw half the sky, half shorter than the average sky, larger than the ingot of the niche, and the upper part is square. We saw that Mr. Ma and his disciples played Qiao Xuanhe in this way.

Pat powder and set makeup. It is because the painted oil is bright, oily on the face is easy to change and lacks stability, so it is necessary to apply a layer of powder to make the oil color firmly contact with the skin. Generally, a layer is dusted off with a powder puff, and then the excess part is brushed off with paint. Some actors don't brush off the extra parts immediately after dusting their cheeks, but let them stay in some parts for a while to increase the layering of their cheeks. Some actors use carmine to make the red around their eyes heavier after fixing makeup, so as to increase the layering of their cheeks, or change their faces through the depth of color to make up for the lack of physiological conditions.

Thrush hair and eyes. Eyebrows are generally described as aggravating your eyebrows. Then, when I came to hanging eyebrow with a net, my eyebrows on both sides turned up. If your eyebrows droop badly on both sides, or your eyebrows are too high or too low, you can cover your eyebrows with oil paint and draw them in the ideal place. Generally, the eyebrows are first painted with eyebrows, and then a little pot smoke is dipped with a bald brush to increase the color and three-dimensional sense of the eyebrows. The drawing method of eye circles is mainly based on your own eye circles, and then draw a long line at the fishtail of your eyes. This eyeliner should be basically parallel to the eyebrow line, and it will look good after hanging the eyebrow. If the eyes are small, draw a bigger circle around the eyes; If your eyes are bigger, draw a smaller circle. When drawing eyelids, look down; When you draw your eyelids, look up. The eyebrows and eye shapes of Peking Opera actors are mostly based on the eyebrows of the phoenix eye and the sleeping silkworm.

Lipstick. Mainly Xiao Sheng and Wu Sheng, who don't wear their mouths, put a layer of lipstick on their lips to show their young and handsome characters. Similarly, if your mouth is big, you should rub a little red; If your mouth is small, you should wear more lipstick.

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