Why is Degang Guo, the famous cross talk "My son remembers, but do good deeds and the future of Mo Wen", boycotted by his peers?

Because Degang Guo is an outstanding crosstalk genius.

He properly inherited the traditional cross talk art and excavated the treasure of cross talk history. Turn these traditional tracks out of that pile of old paper and deduce them, so that the people know that there is such a treasure of Quyi in China. At the same time, I know there is a Degang Guo in the phonograph circle. At that time, he was already famous and in the limelight. When people talk about cross talk, they know a Degang Guo.

In order to make the traditional folk art accumulated by the old artists in history be passed down for a long time, Degang Guo spared no effort to arrange this performance. Of course, in many modern people who have forgotten that we still have the art form of cross talk, in order to make everyone like cross talk, when they first started performing these traditional tracks, they were unscrupulous and some shit.

However, after the broad masses of people fell in love with cross talk and understood its artistic essence, Degang Guo began to refine and improve the content of the performance step by step, and now the cross talk programs of Degang Guo and Deyun Society have been sublimated and purified. Because of its solid basic skills, it has been greatly welcomed.

They abandoned the traditional crosstalk repertoire, brought forth the new and added tradition and fashion. The audience liked it very much. Men, women and children like to watch it. It is hard to get a ticket from Deyun Society. Although their tickets are expensive.

Degang Guo contributed to China's cross talk. Before him, China's crosstalk was almost as declining as the quintessence of Peking Opera. There is no market for crosstalk performers, so they turn to sketches when they are not full of food. Feng Gong is the most prominent example. In those years, Zhao Benshan dominated the screen. Which crosstalk performer dominated the screen? Jiang Kun and other crosstalk performers in the system almost disappeared, lost in the tide of the times.

In order to survive and make a living, Degang Guo, a crosstalk performer outside the system, had to study the market and take the mass line. Undeniably, China's cross talk originated from the common people and was handed down because of their love. Deyun Society in Degang Guo brought the audience back to the small theater, let the audience return, and let cross talk find the soil for survival, so cross talk has been carried forward again in recent years. Without Lao Guo, crosstalk would be ignored like Peking Opera.

Some people may say that Degang Guo's crosstalk is "vulgar", but the elegant problem of those famous crosstalk actors in the system is that you have lost the elegance of the audience and made crosstalk "elegant" in the land of claw depression. Is this elegance valuable?

Whether it's CCTV or local stations, to be fair, how many crosstalk performers make you happy, and how many crosstalk performers don't want applause? The cross talk in the Spring Festival Evening is not coke, boring and excusable. After all, it has the function of preaching and entertainment. But the daily cross talk jokes can't be said without coke.

Degang Guo is the monitor of Deyun Society. He developed Deyun Society into a milestone in the field of phonology, that is, he inherited the fine tradition of Chinese culture, organically carried forward the market and talents, respected a self-financing market model, and made money by technology and craftsmanship.

The entertainment circle is changing, and there are many red people. They rely on Shang Yan to perform variety shows, appear on TV and so on. With his cross talk, singing skills and acting skills, he won the support of fans and audiences in half a circle in China.

In the case of China, capable people will work hard, and they will inherit and carry forward the advantages of cross talk in various fields. Grasp the market and develop your potential with all kinds of talents. It's easy to offend famous crosstalk performers, attract huge interests, fight for interests, and make those who succeed lose their sense of superiority.

As for "boycott", I think it was invented artificially and it is a bad atmosphere that must be curbed. Allowing this trend to spread is not conducive to the development of cross talk.

We allow arguments, let a hundred flowers blossom and a hundred schools of thought contend, but we welcome the correct direction of public opinion. If cross talk is regarded as a cultural and artistic product, it has certain social attributes, not only a pure entertainment function, but also a certain leading role, that is, the so-called entertainment.

Our past literary and artistic works all bear the imprint of the times, and there are also many classic works that have been passed down to this day. However, today people seem to prefer pure music and listen to pure cross talk. This collision between old and new cultures will exist for a long time, so we should treat this phenomenon correctly. As for the "boycott", it is really a bit sinister.