Traditional Culture Encyclopedia - Traditional festivals - Does movie editing really make money?
Does movie editing really make money?
With the enhancement of copyright awareness, the review of film and television clips on all platforms has been strengthened. Also, the video you edited may have been uploaded to the platform long ago.
Your manuscript will collapse and fail to pass the examination. You may wonder why others can pass but yours can't. Yes, the rule is first come first served, but can you beat those bosses? Can you handle these studios?
You may envy others hundreds of dollars a day of film and television clips, thinking that you can do it. I picked up the publicist and started to work.
Movie clips:
Film editing is a unified creative method. Its two different aspects-editing and editing-are complementary and inseparable. There is no series without editing, and there is no need to edit without editing. Any theory and practice that ignores one thing and separates the relationship between the two is incorrect.
Cutting out shots and paragraphs and combining them according to a certain structure is the complete creative process of editing. And no matter what ideas and techniques are used in editing, the role of editing in film re-creation should be more and more prominent and strengthened, not the opposite.
It is one of the characteristics of the film to "start" and "re-create" many times. As far as the big stage is concerned, the creative process of modern film art includes three re-creations: the first "start" and "creation" are the playwright's film conception and script writing, and the visual and auditory images of the whole film leap from the paper in the form of words.
The second "beginning" and "creation" are the director's overall idea and directional shooting, which transforms all the literal images of literary scripts into a series of shots with different scenes and angles, and shoots the images and sounds recorded on the film with cameras and tape recorders respectively, or shoots them one by one.
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