Fuzhou boys regain their lost high-level rice noodle skills. How should folk culture be carried forward?

The rice noodle technology on the tall has disappeared for decades. Recently, a young man in Fuzhou picked up the lost high-rise rice noodles. Look at his rice landscaping works. It's great. The technical level is too high. The history of high rice noodles began in the Qing Dynasty and was the most popular in the Republic of China. It is used to worship ancestors in the first month of each year. From January to the first month, more than 300 families in the village made a work and put it on display in the ancestral hall. Due to historical reasons, this skill slowly disappeared from the village.

With the development of modern industry and market economy and the change of people's aesthetic concept and lifestyle, many traditional handicrafts are facing a crisis of survival. Traditional handicrafts need to face the reality, keep pace with the times, innovate constantly, combine with present life and apply flexibly in all aspects of life to meet and adapt to the needs of modern life. Let traditional craft enter modern life and modern design enter traditional craft.

Chen Guorui, born in 1987, is a young generation in the village. He didn't know that his ancestors had this kind of Juexue. In 20 16, an old overseas Chinese, who was nearly ninety years old, returned to his hometown and chatted with the villagers in Gaolou Village about the story of high-rise rice noodles. The disappearance of this skill has deeply touched the old overseas Chinese. From then on, Chen Guorui decided to learn the technology of high-level rice noodles. As a university graduate majoring in art, he has the responsibility and obligation to pass on the excellent traditional culture. So at that time, he specially visited the old overseas Chinese, encountered many problems in the production process, and tried to create some tall rice noodle works, all of which have been communicating with the old overseas Chinese and learning from him.

The most urgent and important thing to revitalize traditional handicrafts is to change the way of thinking. Good design must be based on national culture. With the efforts of modern designers, it seems that the cultural value of folk culture that is about to withdraw from the historical stage can be re-recognized, and new design forms can achieve new development. Traditional handicrafts should not be fixed as historical archives, but should regain cultural vitality in the discovery and transformation of contemporary design.