What are the aesthetic form factors of traditional Chinese architecture?

Laying out and unfolding spatial sequences Chinese architectural art is mainly the art of group combinations. The connections, transitions, and transformations between groups constitute a rich spatial sequence.

Most of the wooden structure houses are low-rise (mainly single-story), so the group sequence is basically laid out horizontally.

The basic unit of space is the courtyard, which has three forms: 1. Cross-axis symmetry, with the main building placed in the center. This type of courtyard is mostly used for ritual and religious buildings with high specifications and strong commemoration. The number is small.

Many; 2. The vertical axis is the main one, and the horizontal axis is the supplement. The main building is placed at the rear, forming a quadrangle or a triple courtyard. It is widely used in everything from palaces to residences, with the largest number; 3. The axis is zigzag, or there is no obvious axis.

, mostly used in garden spaces.

Sequences are divided into regular and free forms.

The most outstanding representative of the existing regular sequence is the Beijing Palace of the Ming and Qing Dynasties.

In the free-style sequence, some courtyards are integrated into the environment, and the rhythm of sequence change is relatively slow, such as the buildings in imperial cemeteries and natural scenic spots; there are also courtyards that are integrated into the landscape, flowers and trees, and the rhythm of sequence change is relatively fast, such as artificially managed courtyards.

garden.

But no matter what kind of sequence, it is composed of a preface, a transition, a climax, and an ending, all of which are coherent.