Traditional Culture Encyclopedia - Traditional festivals - What folk arts are about to die out of China's intangible cultural heritage?
What folk arts are about to die out of China's intangible cultural heritage?
The folk arts that China's intangible cultural heritage is about to die out include wall painting, shadow play, Beach New Year pictures, Jiangyong Nvshu, Nanjing Yunjin, Songjiang Guxiu, Tang Sancai, Zisha Pot, woodblock New Year pictures, paper-cut art, Yangliuqing New Year pictures and so on.
Jiangyong women's script
Jiangyong women's script is the only gender script in the world-women's special script. Its development, inheritance and cultural information carried by symbols constitute the custom of women's script.
The language recorded in Nvshu is the unique Yongming dialect popular in Nvshu.
The characters in the female script are rhombic, with slender and even strokes, like mosquitoes and ants. People call them long-legged ant characters or ant characters. Because they are only used by women, the academic circles call them "female scripts".
Tantou New Year Picture
Tantou New Year Picture is one of the Han folk handicrafts in Tantou Town, Longhui, Baoqing (now Shaoyang City), Hunan Province. It is a unique painting genre of Han nationality in China, and it is also an art form loved by rural people in China.
There are more than 6 kinds of New Year pictures on the beach at its peak. Due to historical reasons, there are more than 2 species. Beach New Year pictures are mostly based on the ancient folk custom of wishing the New Year a happy and prosperous year and avoiding disasters, reflecting people's good wishes and spiritual sustenance for life. From the content and variety of the theme, it can be divided into three categories: gods (door gods, god of wealth and kitchen gods), good luck and wishful thinking, and stories (operas and ladies dolls).
Yangliuqing New Year Pictures, the full name of which is "Yangliuqing Woodblock New Year Pictures", belong to woodcut paintings, and are one of the famous Han folk woodcut New Year Pictures, which are also called "Southern Peach and Northern Willow" together with Suzhou Taohuawu New Year Pictures.
Yangliuqing New Year Picture
Yangliuqing New Year Picture was produced in Chongzhen period of Ming Dynasty in China, which inherited the tradition of painting in Song and Yuan Dynasties, absorbed the forms of woodcut prints, arts and crafts and drama stage in Ming Dynasty, and created a unique style with vivid, lively, auspicious and touching themes by combining woodcut overprint and hand painting. On May 2th, 26, this heritage was approved by the State Council to be included in the first batch of national intangible cultural heritage list.
Yangliuqing New Year pictures are sold in North China, Northeast China, Inner Mongolia and Xinjiang. It has a certain influence on the New Year pictures of Wuqiang in Hebei, Fengtai in East, Weixian in Shandong, Gaomi and Fengxiang in Shaanxi.
Songjiang Guxiu
Guxiu, also known as Luxiangyuan Guxiu, is one of the traditional embroidery techniques of Han nationality. Gu embroidery is a magnificent and wonderful work among handicrafts in Shanghai. The Gu family originated in the Ming Dynasty (AD 1368-1644) in the old city of Shanghai. Gu Embroidery is named after its origin in the famous family in Shanghai in the Ming Dynasty. Gu Mingshi once built a garden on Luxiangyuan Road in Huangpu District, and it was a stone through the pool. Zhao Wenmin hand-carved the word "Luxiangyuan Pool". Because of the famous garden (now Luxiangyuan Road is named to commemorate this garden), the world called its home embroidery "Luxiangyuan Embroidery" or "Gu's Luxiangyuan Embroidery" or "Luxiangyuan Embroidery" for short. It is a "painting embroidery" based on famous paintings, which is famous for its exquisite technique, elegant form and high artistry.
in June p>26, the State Council published the first batch of national intangible cultural heritage lists.
Nanjing brocade
Nanjing brocade, a traditional silk handicraft in China, is known as "an inch of brocade and an inch of gold". Its historical origin can be traced back to 417 (the 13th year of Jin Yixi), when Yiguan Nandu was in the "Brocade Department" on the Qinhuai River, and brocade brocade (thin gold and silver) began to weave in Jinling and the name "brocade" appeared in written records.
Nanjing Yunjin is named after its colorful and colorful features, ranking first among the four famous brocade in China. Today, only Yunjin maintains its traditional characteristics and unique skills, and still retains the traditional and old-fashioned weaving method of lifting flowers and trees. At present, this traditional manual weaving method based on human memory can not be replaced by modern machines. Nanjing Yunjin is regarded as the last milestone in the history of China's ancient brocade technology, and is recognized as "the treasure of the East" and "a must in China".
Nanjing Yunjin is a masterpiece of cotton weaving arts in past dynasties, and it also integrates valuable experience of other silk weaving techniques, representing the highest achievement of silk weaving techniques in China. After Yuan, Ming and Qing dynasties, they were all royal articles and tributes, with exquisite materials, exquisite weaving, exquisite patterns and colorful brocade patterns. They are the essence of China silk weaving technology, the brilliant crystallization of China silk culture, and the precious historical and cultural heritage of the Chinese nation and the whole world.
Nanjing Yunjin Wood Machine Makeup Hand-weaving Technology is the highest level representative of China's ancient brocade technology. It was listed in the first batch of national intangible cultural heritage list in 26. In August 29, the national standard of Yunjin, a product of geographical indications, passed the national expert review in Nanjing, and was successfully selected into the United Nations Representative List of Intangible Cultural Heritage of Humanity in September of the same year. Nanjing Yunjin Research Institute was approved by the AQSIQ as the first batch of enterprises using geographical indications and the national intangible culture approved by the Ministry of Culture.
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