What do you mean by "bang" and "tease"?

The word cross talk is an ancient image sound, which originally meant to imitate others, also called cross talk next door. It is a traditional folk rap art in China, which evolved from the folk rap art in northern China and gradually formed by imitating ventriloquism. It originated in Xianfeng period of Qing Dynasty. Mainly through talking, learning, teasing and singing to make the audience laugh. At present, it is mainly divided into stand-up crosstalk, mouth-to-mouth crosstalk and group crosstalk, among which mouth-to-mouth crosstalk is the most popular form of crosstalk for the audience.

In the process of cross talk's formation, most of them will learn from the advantages of art such as ventriloquism and storytelling, and then show the truth, goodness and beauty through satirical jokes, which makes people laugh. There are two actors in cross talk, one for each other and the other for each other. According to the different content and language style, it can be divided into three categories: "one head", "mother and child" and "oral".

Bangbang is a term of Quyi, which usually refers to funny words or expressions. An actor who tells a story with "funny" in a cross talk performance is usually called "B" or "Metrology".

Teasing is also a term of Quyi. Actors who constantly tell jokes and make people laugh during the performance mainly tell stories, that is, the "protagonist" in cross talk, which is usually called "A". In traditional cross talk, there should be more jokes to amuse the poor, rather than cheer them up.

For example, cross talk, when A tells a story, B will have some interruptions and help. What he wants to tell A, whether it is approval, opposition, admiration, irony, questioning, supplement, debate or extension, sounds short, but it is very important in cross talk. Because without his answer, A can't talk when he has a lot of things to do. Many times, most of what B said was what the audience wanted to say, and many of what A answered was what the audience wanted to hear.

It is much harder to speak well than to ridicule, so in many cases, it is often teachers and elders who ridicule. They are afraid that young people who study art can't speak well on stage and make mistakes easily. They will stand by and hold something in their hands. But in any case, being a comedian is as important as being a comedian.