Modern music accompanied by traditional Japanese musical instruments

Ancient music in Japan: Japanese people have their own music culture from the 5th century to the 9th century. Although the music of the early rope-writing era, the Yayoi era and the ancient grave era has not been handed down, according to archaeological data and documents compiled in the 8th century, such as Annals of Ancient History, Annals of Japan, Leaves Collection, etc., the Japanese have their own ballads, dances and musical instruments in ancient times. In ancient times, the 5-string harmonica was smaller than the 6-string harmonica. Ancient flutes include bamboo flutes, spherical stone flutes and Tao Di. The belly of Doudou Meigu is cylindrical. Clocks are made of metal, ceramics and wood. At that time, clocks were both musical instruments and decorations. Tudor appeared around 1 century BC, and the shape of Tongduo is different from that of Zhong and Tudor in China. Ancient Japanese musical instruments had a complete range. After entering the farming society, the earliest songs (also called songs) where men and women get together to dance and the music and dance of witches appeared.

Japanese music and cultural exchanges with foreign countries have a long history, and cultural exchanges with Eurasia are mainly conducted through North Korea and China. In BC, bronze wares were imported and bronze priests appeared. Silla, Baekje and Koguryo, which were introduced to Japan from the Korean peninsula in the second half of the 5th century to the 7th century, were called "Three-Korea Music" in Japan. At the beginning of the 7th century, in order to revitalize Buddhism, Shoto Kutaishi encouraged the introduction of mainland music, and let Wei Mo of Baekje settle in Daiwa Sakurai to teach Japanese teenagers (Han Xin Zhaiwen, the first disciple of Lin Xiya, etc.) songs and songs. Also known as flute, waist drum and brass cymbals. In the 7th and 8th centuries, China's music from Sui and Tang Dynasties was introduced to Japan. In 70 1 year, according to Dabao Law, Yale Liao was established under the administration of the headquarters, in charge of Japanese traditional music and dance and foreign music and dance. At the opening ceremony of the Giant Buddha held in Dongda Temple in 752, hundreds of musicians and dancers from Yale Temple and other temples performed traditional Japanese music and dance, as well as Sanhan music, Tangle music, March music, Linyi music and solo Luo Le. This shows that professional musicians have begun to appear in Japan.

Note: The first four modes are the basic modes popular in Japan. In music score, white tone is the core tone in mode. Rhythm is divided into fixed beat rhythm (basically double beat) and loose board rhythm. Singing and playing methods have their own uniqueness, focusing on subtle changes in timbre.

[Edit this paragraph] Modern music

From 65438 to 0868, Japan entered the Meiji Restoration, and Japanese pop entered the stage of modern development. Its basic feature is that Japan quickly absorbed European and American music culture, thus forming a situation in which "traditional music" and "foreign music" coexist. Great changes have taken place in traditional music during this period. 187 1 year, the professional organizations for the blind were abolished, and the popularization school was banned, which made Zheng music and shakuhachi music popular. Samo Pipa and Zhu Qian Pipa, which originated from the blind monk Pipa, have successively entered Tokyo from Kyushu and spread throughout the country. With the support of the new regime, the court elegant music gradually recovered its vitality and expanded its influence. In the 1920s, the "New Japan Pop Music Movement" initiated by Michio Miyagi and others made use of traditional Japanese musical instruments to create new songs, drawing lessons from western European classical music composition techniques, and further developed traditional music. His duet "Sea of Spring" (1929) was composed by Zheng He in his early days and achieved great success. The seventeen-string Zheng created by Yu was a great achievement of the reform of traditional musical instruments at that time. Since the mid-1950s, composers have devoted themselves to composing modern national music with traditional musical instruments. Among them, Miki contributed to the development of Japanese instrumental music schools and the modern flavor and vitality of Japanese traditional music. Japanese pop bands hosted by Miki and Nagasawa Katsumi, and Bangladeshi quartets composed of Kitahara Akihachi and others have great influence. Their music practice has brought a new wind to the Chinese music field and created conditions for bridging the gap between Chinese music and foreign music.

The earliest European and American music introduced to Japan in Meiji period was military music. 1872, the Japanese government began to introduce European and American music education systems, stipulating that music courses should be offered in primary and secondary schools; 1879 10 The Music Research Institute of the Ministry of Education, Culture, Sports, Science and Technology of Japan (later called Tokyo Music School, now called the Music Department of Tokyo University of Arts) was established, and was managed by the president of Tokyo Normal School, Hideki Izawa. Since then, the training of music teachers in primary and secondary schools and the compilation of music textbooks have embarked on the track, and professional music education has begun to take shape. Marked by the school songs "Flower" (1900) and "Moon in the Desert City" (190 1) written by the famous composer Ryotaro, the creation of Japanese pop produced the first batch of achievements in the early 20th century. Before 19 12, almost all Japanese pop songs. During the Taisho period (19 12 ~ 1926), Kosaku Yamada was the first to compose the Orchestral Flower of Datura (19 13) compiled by a large band. Since the 1920s, the creation of foreign music genres, such as solo songs, chorus, instrumental solo and symphonic music, has gradually dominated Japanese pop culture. The new symphony orchestra, the predecessor of NHK Symphony Orchestra, 1927 began to perform in February. The National Music Association, established in the same year, held a chorus competition, which promoted amateur music activities throughout the country. On the eve of World War II, 270 groups joined the association, and there were 3,800 wind bands in China. At that time, famous composers included Zhu Jingsaburo, Taihe Tomojiro, and self-taught composers who attached importance to national characteristics, such as Qiu Ji, Qing Zhi, Matsuhei Reiser, Fumio Hayasaka, Eve Buzhaohe and Sugawara.

During World War II, under the rule of militarism, the normal music activities in Japan were destroyed. Since 1938, the performances of foreign musicians in Japan have been interrupted, and various music groups have been ordered to dissolve on 1940. By the end of the war, performance groups, music schools, musical instrument factories, record companies and other music organizations almost stopped all activities.

Since 1950s, postwar Japanese pop culture has made great progress in creation, performance, appreciation, music education and music research. There were many striking newcomers after the war. Dan lkuma's national opera Night Crane, Yasushi Akutagawa's Three Chapters of Strings and Toshir? Mayuzumi's Nirvana Symphony are all masterpieces that can stand the test of time. Besides Toshir? Mayuzumi, there are other composers who actively absorbed modern European and American composing techniques, such as Yi Nora Lang, Chai Tian Nanxiong, Jingzhi Zhujing, Ji Ran Tangxian, Toshi Ichiyanagi, Gao Qiao Youzhi, etc. They are the first Japanese composers to adopt the twelve-tone system. Michio Mamiya, known as "Japan's Bartok", used Japanese folk songs to create famous works such as "The First Chorus". In the international music world, the music of Toru Takemitsu, Teiz? Matsumura, Miki and Maki Ishii is refreshing, and they have made fruitful achievements in exploring the national temperament of their works and creating non-Western European music. Akio Akio, Hiroshi Sanshan, Keisuke Noda, Kenichiro Flower Arrangement, Nanhongming, Sanzhi Chengzhang, etc. Ikebukuro Tomojiro's men are all outstanding composers with distinctive personalities after the 1960s. In a word, all kinds of creative tendencies in the international music scene have been absorbed by the Japanese music scene, which is obviously reflected in the Japanese composition world.

After 1946, Japanese music circles successively established Japanese Modern Music Association, Japanese Musicians Club, Japanese Performance Alliance, Music Writers Association, Japanese Composers Association and other industry organizations to safeguard the rights and interests of musicians and ensure the development of various music activities. There are more than 10 professional symphony orchestras in Tokyo, and various overseas music performance groups are constantly coming, providing colorful music appreciation opportunities. There are 60 colleges and universities in China with music departments, such as Tokyo University of Music and Arts, and Tongpeng Academy University, which send a large number of music talents to the society every year, which has played a positive role in improving the international level of Japanese musicians and popularizing social music education.

J-Pop is the abbreviation of Japanese pop music, which refers to Japanese pop music influenced by the West. J-Wave (a FM radio station) coined the name J-Pop and used it to represent "new music". Then it is widely used to represent different types of music in Japan, including pop music, rock, dance music, hip-hop and soul music.

Generally, Japanese shops divide music into four categories: J-Pop, singing bar (a traditional folk song), classical music and English/international music. Some music combines singing with J-Pop, representing singers An and Nakajima.

history

J-pop (or Jpop) originated in the Showa period (that is, the period of Emperor Hirohito), when jazz became popular. Jazz introduced more musical instruments into bars and clubs that only played classical music and military music in the early days, adding "fun" elements to the Japanese music scene, while "drinking tea with music" (music cafe) became a popular place to play jazz live.

During World War II, jazz was suspended due to Japanese pressure. After World War II, Mein: During the occupation of Japan, the US military and Far East Network introduced a considerable number of new music styles to Japan. Japanese musicians played Buchwood, Mambo, Blues and Country Music for the US Army. There are also some songs, such as Shizuko Kasagi's Buji Wooji in Tokyo (1948), Jiang Lizhi's Tennessee Waltz (195 1), and Kong Mei's Omatsuri Mambo. Some foreign musicians and orchestras (including JATP and Louis Armstrong) visited Japan to perform. And 1952 was designated as "Jazz Prosperity Year". However, the style of works in this period required superb performance level, and the performance became more and more difficult, which led many amateur musicians to turn to country music and study and play in the Far East, which eventually led to a substantial increase in the types of country music.

From 1956, a rock craze began, which is believed to have started with a country music group named Kosaka Kazuya and a carriage owner covering Elvis Presley's Broken Heart Hotel. The whole rock movement reached its peak at 1959, and some Japanese rock bands once sang in movies. However, Japanese rock and roll also declined with the decline of American rock and roll, because too many bands followed the footsteps of the United States and were greatly influenced. Some performers began to combine traditional Japanese pop music with rock music. As a musician with this goal, Sakamoto became a success with his song Until をぃて (better known as the song), which was the first Japanese song to top the charts in the United States (around Cashbox magazine and three weeks around Billboard magazine), Japan and the United States, and won a "golden record" that sold one million copies.

Influence on popular culture

J-pop has become a part of Japanese culture and is widely used in many places, such as Japanese animation, shops, advertisements, movies, radio programs, TV programs and electronic games. Some TV stations even play J-pop songs at the end of the news.

Aihui is the largest independent record company in the world.

AVEX Co., Ltd. (Avex) is a large Japanese record company, founded in 1988, with a history of 20 years. Avex (Aihui Records) currently owns music brands such as Avex Trax, Avex Tune, Sharp, RhythmZone, etc. Aihui Records is a star-making factory for Japanese 20-year-old idols. Its artists include Namie Amuro, Ayumi Hamasaki, hitomi, BoA, Globe, Every Little Thing, Ai Otsuka, Kumi Kouda and many other Japanese first-line artists, and are known as "Little Family".

Aihui Records Company was founded in 1988 and headquartered in Tokyo, Japan. Its shares were officially listed on the Tokyo Stock Exchange on 1999.

The company's business philosophy is "creating unique contributions". Adhering to this clear concept, all staff, entertainers and business partners actively start businesses and successfully develop into an international group enterprise spanning music and surrounding industries in the rapidly changing international recording industry.

The business involves record production and distribution, artist brokerage, music magazine publishing, website, mobile phone, artist discovery and training.

The company has a special animation production company, which has produced a movie version of the animation "Initial D Stage III" and other programs. Avex network was established in 1997 to provide information industry through the network. 200 1 established a special mobile phone portal. 200 1 Tokyo establishes music school. The company has branches in Hongkong, Taiwan Province Province, Japanese, London and new york.

As we all know, Japan is the largest and most perfect music market in Asia. KTV, perfect single system, and so on, witnessed the standardization and huge Japanese market.

Aihui Records should be the leader in the world of J POP. Unlike other record companies, Aihui, as a local record company in Japan, is more based in Japan. He is also almost a popular cash cow artist. Especially Geji, Ayumi Hamasaki, Kumikoda and Hitomi Shimatani are the most popular female singers in Japan.

Aihui Records set up a branch in Taiwan Province Province on 200 1 and officially entered the Chinese language market. The singers of Aihui Records in Taiwan Province Province also have a strong Japanese style. At present, Aihui Records' artists include, Bide Sheran, Xin, and Idol Group 5566, as well as the newly added super girls An Youqi and He Jie. Wu Bai last year &; China Blue's Moonlight Music cooperated with Aihui Records and entered Aihui's new cutting-edge brand, and then Wu Bo released Aihui's first album Bridge of Tears. Wu Bo's joining has undoubtedly enhanced the local strength of Aihui Records. Cyndi Wang is the first local newcomer since the establishment of the Taiwan Love Society two years ago. Although Aihui's publicity is a bit insufficient, the advantages of complementary resources between Taiwan Province Province and Japan and the successful experience of Aihui in creating idols in Japan are the advantages of Aihui Records.

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Electro-magnetic interference (electro-magnetic interference) Electrical Music Industry)? EMI (Electrical and Musical Industries. Ltd.)

brief introduction

EMI Records Company, full name: Electrical and Music Industries Ltd, was founded in 193 1, headquartered in London, England, formerly known as 1897, a British phonograph company founded in London. It is the oldest record company with a history of one hundred years. The history of EMI is almost the history of the whole recording industry, and many of them are.

As early as the 1920s, the French PATHE-MARCONT record company owned by EMI took the lead in setting up a company in Shanghai. The word "EMI" is also a transliteration of PATHE. Former China superstars such as:,, Gong, and progressive musicians such as Nie Er and Xian Xinghai all gathered in one hundred generations.

origin

EMI comes from two sources. The HMV company was established by Berliners on 1898. 1900, the HMV trademark of the famous dog phonograph was officially used; The other is Columbla Company. 1929. The two merged to form the Electrical and Music Industry (Electrical Industry Co., Ltd.), referred to as EMI. This merger made EMI the largest record company in the world at that time. Except for Decca in Britain, Brunswick in America and DGG in Germany, other brands are controlled by EMI. After World War II, CBS took the lead in releasing 33-turn LP records and 45-turn single records, but EMI still stuck to the old specifications of 78-turn 10-inch records, which led many of its artists to quit. In the early 1950s, RCA and CBS, originally represented by EMI in Britain and Commonwealth countries, also cooperated with Decaux and Philips.

1955, in order to reverse the unfavorable situation, EMI acquired Capitol Company, hoping to open the American market through it. However, the conservative style of the Capitol prevented EMI from benefiting from the rock and roll trend that rose in the 1950s. After entering the 1960s, EMI took a turn for the better. First, the popularity of cliff richard and Shadow, and then the rise of the British rock trend represented by the Beatles. Most of the British bands in this trend are signed by EM. Its subsidiaries, including Gerry &; Pacemaker, DC5, Animals, Hollis, Hermit of Herman, Al. Birds and so on. The Beatles, the leader of this trend, became the biggest "gold mine" of EMI30 in the past 30 years. However, Capitol, the American branch of EMI, missed the opportunity to make a fortune for no reason and refused to sign with these British bands. Therefore, these bands have invested in Epic, MGM and other subsidiaries in the United States. It was not until EMI ordered Capitol to release the American version of the Beatles' second album, Meeting the Beatles. The good days of the sixties passed quickly. 1970 After the Beatles disbanded, Capitol immediately faced the dilemma of bankruptcy. The life of EMI Corporation itself is also difficult. Since British companies were forbidden to use funds for overseas investment after the Labour government came to power, EMI began to get into trouble. 1979, EMI was acquired by Thorne (Ecotech) Group, but it still maintained its independent operation. In the same year, Margaret Thatcher's Conservative government came to power and implemented an economic open policy. EMI immediately acquired American companies such as Empire and Freedom. Throughout the 1980 s, EMI's operating conditions were very good. David Bowie, Duran Duran, Quinn, Pink Floy and paul mccartney made a lot of money for the company. 1992, EMI acquired Virgin, a famous British independent company, and became the largest record company in the world again.