What does China Qitan mean?

Qitan in China is about nostalgia for the countryside, fantasy of science and technology, motif of life and thinking of human nature, showing Chinese imagination and bearing the national culture and philosophy of China.

As a work to pay tribute to the centenary of China's animation, Qitan in China consists of eight independent stories rooted in China's traditional culture, including Summer of the Little Devil, Goose Goose, Linlin, Country Bus Took the King Baby and the Fairy, Xiaoman, Jade Rabbit, Snack Shop and Birds and Fish, which have been broadcast to the third episode.

One of the most popular episodes, Summer of the Little Devil, tells the story of the little pig demon who lived in Langlang Mountain since childhood and helped four Tang Priests and disciples to get out of danger. Although the prototype of the plot is taken from The Journey to the West, the "demon world workplace" reflected in the story of Pig Demon in the film has made many contemporary migrant workers deeply * * *.

A "talent" pig demon who has only come out in three lifetimes is the hope of the whole family. When he grows up, he will follow the monster king with great expectation, just like every young man who has just graduated from college and wants to do something big. However, piggy demon was burdened with a super KPI of chopping 1, kilos of firewood in one night, but was told that he didn't need it the next day, just because the "leader" changed another plan. Pig demon is only used as a brush to brush the bottom of the pot in Dawangdong, just like many migrant workers who have just entered the workplace. I finally found myself just a small screw.

China Qitan consists of eight independent stories rooted in the traditional culture of China:

Summer of the Little Monster, Goose Goose, Linlin, Country Bus Took the King Baby and the Immortal, Xiaoman, Jade Rabbit, Snack Shop, Birds and Fish. From the scenery in the north to the hutongs, from the future universe to the local people, the story covers the nostalgia for the local people, the fantasy of science and technology, the motif of life and the thinking of human nature, showing the Chinese imagination and bearing the national culture and philosophy of China.

Eight short films * * * brought together 11 directors, covering a variety of artistic styles and production techniques: traditional 2D, paper-cut and freeze-frame animation, modern technologies such as CG and "Three Shades and Two" (in short, rendering the character model and scene into 2D effect through 3D production), and innovative attempts to combine sketch with China ink charm, which is a multi-perspective interpretation of China's aesthetics by the creators.