How many colors are there in Chinese Peking Opera?

1. Red face

Symbolizes loyalty, righteousness, uprightness and bloodthirstiness, e.g. Guan Yu in the "Three Kingdoms Opera" and Wu Han in the "Chopping Scripture Hall".

Other: ironic meaning, indicating a fake good guy.

2, black face

Both serious character, not smiling, neutral, representing fierce wisdom. Such as "Bao Gong play" in the Bao Zheng; and symbolize powerful, rude and bold, such as: "Three Kingdoms play" in the Zhang Fei, "Water Margin" in the Li Kui, "Yang Pai Feng" in the water Margin play. Jiao Zhan in "Yang Pai Feng".

3, white face

Expression of treachery and suspicion, with a derogatory connotation, on behalf of the murderous, such as: "Three Kingdoms" in the play of Cao Cao, "hit Yan Song" in Yan Artemisia, Qin Hui.

Expanded Information

Face painting is the art of makeup styling used in traditional Chinese opera performances. The face painting varies from line to line. "Sheng", "Dan" face makeup is simple, slightly powdered, called "handsome dress", "plain face", "clean face".

The "net line" and "ugly line" face painting is more complex, especially the net, are heavy application of oil paint, complex patterns, so called "flower face". The face painting in opera mainly refers to the face painting of Jing. The "ugly", because of its role in the theater, so on the bridge of the nose to smear a small piece of white powder, commonly known as small flower face.

The Ming Dynasty was already the world of legendary dramas performed by the Kun Opera, with rich performances and a fine division of labor, with the Pure divided into the Pure (big face), the Vice Pure (two faces) and the Clown (three faces). All the jing and chou are painted with a face, and each character has a special face. The base color is mostly designed according to the depiction in rap literature or the actor's own imagination.

For example, Guan Yu's base color is red and Bao Gong's is black. Its basic spectrum is an exaggerated eyebrow and eye part. In the Ming Dynasty, people kept their hair and their faces were drawn below the forehead, while in the Qing Dynasty, people kept their hair in braids and their heads were shaved above the head, and their faces were drawn above the head as well. The proportion of the patterns also changed. Compared with the Ming Dynasty, there are complicated and simple face paintings with the same base color.

In the middle of the Qing Dynasty, the rise of local theater, the face of the net clowns in each place varies greatly, there are obvious local characteristics and folk art breath, a variety of local theater about more than 300 types of plays, mostly in the 18th century after the rise. The prosperity of the local theater, making the repertoire of the subject matter of the increasing number of characters and roles, the line division of labor more detailed. In addition to the Jing line, there was the addition of the Wu Jing. The colors of blue, green, yellow, gray and orange were added.

Baidu Encyclopedia - Face Painting