What aspects should Shendetang porcelain distinguish between true and false?

The method of distinguishing the authenticity of porcelain

(1) Modeling is an important basis for identifying porcelain.

Imitating ancient ceramics often loses its appearance, and its energy efficiency is beautiful, so it may not be possible to learn from its Gu Zhuo. Because the creation of an artifact is closely related to people's living habits, aesthetic standards and technical conditions at that time. Generally speaking, ceramics can reflect the characteristics of each era in decorative patterns, fetal glaze and other aspects, but the modeling is more prominent in this respect. Therefore, if we can be good at recognizing its shape and expression, we can master a more reliable method in the recognition work.

Observer modeling must first have a basic concept of modeling in past dynasties. The modeling of ceramics, generally simple in ancient times, has become more and more complicated with the evolution of the times. As far as the modeling of Yuan, Ming and Qing Dynasties is concerned, the modeling of Yuan Dynasty is mostly plain and naive, and blue and white porcelain is more prominent than that of Song and Ming Dynasties. Especially the jars, cans, bottles, cans, plates, bowls and other utensils commonly used in daily life often have considerable shapes.

(2) There are different patterns and colors in different periods.

The decoration on ceramics, like modeling, has distinct characteristics of the times, and due to the continuous enrichment and improvement of raw materials and techniques for painting porcelain, it has its levels and characteristics in different periods in terms of theme, content and expression, which has become a powerful clue to divide the times and identify the authenticity.

Generally speaking, the development process of porcelain decoration is nothing more than from simple to complex, from carving, printing, pasting, carving to description, from simple color to colorful. The products of Ming and Qing dynasties are still different in the characteristics of using words as porcelain decoration. For example, some porcelains in the Ming Dynasty wrote Sanskrit, Confucian classics, and the words of longevity, while those decorated with big poems, big words, big songs, big fu, big tables and big fu were works in the Kangxi period.