What innovations does Huang, a master of Chinese painting, have in his painting and calligraphy creation?

In the history of modern painting in China, there is a saying that "Northern Qi and Southern Yellow". "Northern Qi" refers to Qi Baishi, a master who is famous for painting shrimp, and "Southern Yellow" refers to Huang, a master of landscape painting. Some people say, "Qi Baishi built a wall to keep many people out; Huang has opened a road for many people to walk in. "

On June 12, in order to commemorate the 650th anniversary of the birth and 60th anniversary of the death of Huang, a master of modern Chinese painting, Zhejiang Art Museum specially held the "Meteorology-Huang Works Exhibition". This time, * * * exhibited more than 0/00 pieces of Huangshan water, flowers and birds and calligraphy works/kloc. These works were selected from the calligraphy and painting works donated by the Huang family to the country. It is worth mentioning that in the second half of this month, the Zhejiang Museum (Gushan Museum Area) will transform the original painting and calligraphy museum into a "Yellow Art Museum" dedicated to displaying yellow paintings and calligraphy works, and officially open.

The artistic road of life is doomed to be lonely.

Visitors to the West Lake will see a yellow statue near the west bridge of Beishan Road, but many people don't know his name until the tour guide introduces him. For those who are familiar with the history of modern art in China, Huang's name will not be unfamiliar.

Anyone familiar with Huangshan's water paintings knows that his landscape paintings were originally called "White Period". It seems that in Huang's view, China's landscape paintings don't need too many colors. "Black" and "white" are the main colors in his works, and "black" is a kind of cultivation in Chinese painting, which is formed by accumulating ink. Generally speaking, if you accumulate ink three times, you will die, but yellow can accumulate it ten times.

Once, Huang He's father set up an ink workshop to study the history of ink while modeling and gradually understand the characteristics of various inks. Perhaps because of this experience, Huang knew the usage of ink like the back of his hand, so that he reached a superb position in his later years.

Today, many of Huang's works can be regarded as masterpieces, but they were not recognized in the painting world at that time, and most people did not understand or understand them. While everyone is talking about the trend of artistic reform, Huang is regarded as a representative who is ignorant and ignorant.

Huang Yisheng's artistic path is doomed to be lonely. His unique understanding of China's paintings is actually done according to his own wishes. Contemporary people may not understand and accept it. So it seems doomed that a group of artistic innovators and pioneers must be lonely before they die.

Huang moved to Shanghai and became the owner of an antique shop. Once, his house was stolen and his beloved ancient seal was lost overnight, which caused great losses to his antique shop. Soon, Huang returned to Anhui with a hermit's heart. Perhaps seclusion is the life he really yearns for. During this period, his painting brush and ink began to turn black to thick, and he completely embarked on an alternative road that few people liked. Huang's research on painting also drifted away from the times. But it didn't last long. Two years later, a flood shattered his dream of seclusion, which was too cruel for an old man over sixty.

At that time, Huang was faced with artistic rejection, his desire to retire was destroyed by natural disasters, and his life was wandering around. From juvenile painting to ups and downs of life, from boiling blood to calm water. In 60 years' life, Huang really realized what vicissitudes of life mean.

If we look at his works in different periods, we will find that the early fresh and elegant pen and ink can no longer express his feelings, as if only thick black pen and ink can fully express his feelings. But in a sense, Huang's misfortune in real life is his great artistic wealth.