Traditional Culture Encyclopedia - Traditional festivals - Who knows about pottery knowledge, help a little help, thank you!

Who knows about pottery knowledge, help a little help, thank you!

A, billet preparation Dehua's ceramic billets are mainly composed of quartz, feldspar, kaolin. According to the molding method of its products can be divided into plasticized blanks and grouting blanks.

Two, molding

Three, molding

Molding is a dry plaster mold, the preparation of blanks with a variety of different methods to make the required blanks, the current Dehua production area commonly used molding method of plastic molding, slurry molding, dry molding and isostatic molding of four methods.

Four, drying

Five, glaze

Glaze, Dehua commonly known as "glaze", "dip glaze". There are two kinds of glaze method and billet glaze method, according to different products and billet size, thickness and glaze properties, using dip glaze, pouring glaze, brush glaze, spray glaze.

Six, mounted firing

Mounted firing is a very critical process in the porcelain production process. After molding, glazed semi-finished products, only under the action of high temperature, a series of physicochemical reactions, the last significant porosity close to zero, in order to achieve a completely dense degree of porcelain phenomenon called "sintering". This process is called "mounted burn".

Seven, decorative

Dehua ceramic decoration has a long history. The Neolithic era has printed ceramics; Wei and Jin dynasties have green glazed ceramics; Tang, Song and Yuan dynasties have gabion, stamping, carving; Ming and Qing dynasties have relief, flowers, blue and white, applique; the Republic of China period has ancient color, new color; to the contemporary spraying and art glaze, etc., fine workmanship, colorful, with the characteristics of the simplicity of the bold.

Eight, packaging

As a special commodity with a unique aesthetic value, ceramic art of the country's significant contribution to human civilization, but also to the civilization of China's heritage and economic development plays an important role. In the cultural exchanges between China and foreign countries, ceramic art is a link, is a bridge, the world through the brilliant ceramic art to recognize the extraordinary Chinese civilization and the great Chinese ceramic art once let the world's people impressed, the English "China" that is the meaning of ceramics.

Today, China's ancient ceramic art is still the world's major museums and art museums of the collection of hot spots, but also the auction of the favorite, and its great artistic charm and economic value of many other works of art can not be compared. Art has both commercial and artistic. After the establishment of new China, the ceramic industry was once under the management of the Ministry of Light Industry, ceramics commodity has been emphasized, but its artistry has not been sufficiently recognized, many excellent ceramic works of art have not been reasonably protected. Therefore, to strengthen the collection of traditional ceramic works of art, research and exchange, is our inescapable responsibility; and for modern ceramic works of art, it is quite active as a part of contemporary art enriched by the development of contemporary art, the study of modern ceramic art that is, contemporary art concerns.

The world ceramic art is divided into East Asia Confucianism and Buddhism type, West Asia and North Africa Islamic culture type, European Christian culture type of three major parts.

Taking Chinese ceramics as the source of East Asian countries, their ceramic art is actually a tributary from this mainstream. Korean Goryeo era of celadon, white porcelain in the era of the Lee Dynasty; Japan Momoyama era of tea pottery culture, Edo period of blue and white porcelain, are in the Chinese culture and Chinese ceramics under the direct influence of the emergence and development. Or the ceramic art of Korea and Japan and Chinese ceramic art is a lineage.

Since the 11th century A.D. from the middle of the Song dynasty, mainly celadon porcelain imported into the Islamic world, this time the shape of the pottery is basically imitation of the Chinese style, and even with the Chinese celadon put together almost can be confused with the real. Chinese celadon did have a decisive influence on Islamic pottery. However, Islamic pottery in its specific cultural background, completely evolved into a unique national style. And Persian painted porcelain, white glazed blue pottery, copper glazed painted pottery, the later Chinese five-color porcelain, blue and white porcelain, glazed red porcelain, play a role in promoting the production. Thereafter, Chinese blue and white porcelain, five-color porcelain and give the development of Islamic pottery to great influence. In short, West Asia, North Africa, Islamic pottery, like the magnificent mosque as magical, like the "Night of the Sky" as mysterious, but also like the Persian carpet as bizarre. In particular, the Islamic gorgeous colored pottery, can be said to set the great achievements of Islamic art.

The development of ceramic art in Europe in the Middle Ages, initially Islamic pottery into Spain into Italy, Italy, the development of a unique style of tin-glazed decorative ware, and then across the Alps, in France, tin-glazed soft porcelain, until the 17th century A.D. Delft, the Netherlands, tin-glazed ceramics in imitation of Chinese blue and blue porcelain and colorful ceramics and famous in the world. It can be said that medieval European art was developed under the influence of Islamic pottery and Chinese porcelain. Of course, the European medieval tin-glazed pottery also accompanied the rise of the Renaissance, the formation of a unique artistic style. On the one hand, it absorbed from the Islamic pottery and Chinese porcelain in the vine scroll art form, but also in the real plants to seek a more vivid form, but also from the decoration of ancient Rome to seek a rugged and powerful structure. As a result, the flat pottery pattern produces a three-dimensional sense with the help of chiaroscuro. This is undoubtedly a revival of the spirit of Greco-Roman art. Its rolling rhythmic pattern structure, often adding birds and beasts and other animal forms, and ultimately formed the continent's unique bizarre style