What are the characteristics of the Maritime School of Painting as a geographically fluid school?

The Maritime School of Painting is also known as, ? Sea School? Shanghai School? which belongs to one of the national painting schools. The Shanghai School flourished in Shanghai at the end of the Qing Dynasty, mainly referring to a group of painters who were active in Shanghai from the mid-nineteenth century to the beginning of the twentieth century and engaged in painting. The representative painters of the Sea School are? The Four Masters of the Sea School in the late Qing Dynasty Wu Changshuo, Xugu, Ren Bonian, and Pu Hua, as well as outstanding writers of the Maritime School such as Zhao Zhiqian and Huang Binhong. Sea painting school as a regional stream sex school, modern Chinese culture has far-reaching significance, it has its own unique style.

I. Contents of works secularization

From the point of view of the contents of the works of the Maritime School of Painting, the contents of the works tend to be secularized, and the main contents of the paintings are flower and bird paintings, followed by figure paintings, landscape paintings, and then miscellaneous subjects in that order. Flowers and birds have high symbolic significance, and it is easier to express the impromptu theme of great wealth, so it will be more popular among painters and the public.

II. Symbolism in Painting Techniques

Another prominent feature of the Maritime School of Painting is the symbolic representation of painting techniques, such as the symbolism of wealth and prosperity in peonies and other flowers, and the symbolism of the Peach Garden, which borrows from the past to represent the present, all of which are highly symbolic.

Third, the shape, color gorgeous

The shape and color gorgeous, in order to be practical and realistic, in the shape of the smooth, as well as more colorful, quite able to cater to commercial activities, but also more popular among the general public, this style is obviously also affected by the Western style of art expression.

Fourth, the style of eclectic, Chinese and Western fusion

This period, because of the ? The five ports of commerce made Shanghai a center of Chinese and Western culture. Shanghai became the center of cultural exchanges between the East and the West, and people here were the first to accept the ideas of the Restoration and foreign cultures, and carried out bold reforms and innovations in traditional Chinese painting, reflecting the life of the times and integrating elements of foreign artistic techniques.

V. Roots of painting

Emphasis on the roots of painting, and the Qing dynasty has a considerable relationship with the study of evidence, so there are often imitation or simulation of the same kind of paintings, but the number of people who seek paintings in the road, that is, to show that the paintings from its own, and has begun to have a tendency to the formalization of the painting.