What's the difference between classical gardens and modern gardens? Please, 3Q.

Differences between classical gardens and modern landscape design in China. China classical gardens; Function; Through the analysis and comparison of modern landscape design and China classical gardens in form, style and cultural connotation, it summarizes the significance and role of China classical gardens in the development and innovation of modern landscape design, so as to better inherit and develop China gardens and gradually improve China modern landscape planning. The predecessor of modern landscape design is garden design, and its most basic and essential content is still garden as the core. Tracing back to the source, the garden comes first, and the landscape comes later. Garden has experienced three stages of morphological evolution, namely, garden garden, and now it has new development and a larger environment, including regionality, urbanity and modernity, which together constitute the landscape we are concerned about today. Among many garden designs with different forms and styles, China Gardens are unique in the world gardens because of their natural scenery which is good at expressing the blend of scenes and scenes, and have exerted a great influence on the world gardens, and they are still strengthening. European and American gardens are rigid and flexible, with architecture as the center and gardens as the foil. The layout is also influenced by Arab symmetry and hard straight edges, which makes the body slightly stiff; Japanese gardens, on the other hand, are dominated by Zen, which has been permeated with religious philosophy since its development. Gardens are used to assist meditation, mostly for meditation and less for life. Only China Gardens can be used and visited, which can not only get rid of the secular world, but also make tourists stay in it without destroying the beauty of the gardens. The exchange of different cultures between different countries and ethnic groups is the main driving force for the development of the whole world and ethnic groups. It can be said that there is no development without exchange. Similarly, the garden styles formed by different cultural backgrounds can also learn from each other. The "cultural transmission" that has not been digested and absorbed will inevitably produce some lifeless landscape garbage in landscape planning. At this stage, with the introduction of various garden styles, modern landscape design in China has no characteristics of its own, and the imitation traces are serious. Through analysis, some side effects brought by these exotic garden styles can be solved by the essence of China classical gardens: First, the landscape design is too flat. People often marvel at the wonderful graphic design of design drawings, but in fact, when they are at the landscape site after construction, they are completely unaware of the designer's "originality". Large-scale plane layout makes landscape design a pure ornament, which is far from people. China gardens pay attention to spatial change, vertical scale and communication with people. The secondary scenes of different realms surround the main scene, forming a garden landscape with clear primary and secondary and changeable scenery. Each scene itself is a three-dimensional space picture, which will change with the change of viewing orientation and angle. Through the detailed analysis, comparison and combination of the scenes, several best tour routes are designed. These routes organically connect the best dynamic viewing point and static viewing point, so that the watched scene forms a unified continuous picture with opening and closing changes, virtual and real contrast and rhythm. Modern landscape designers should grasp the design ideas, organically combine the actual situation with the plane drawings in the design, and consider their own design from the perspective of space and communication with people from the beginning, so that the design can radiate vitality. Second, the landscape design is too isolated. Isolation here means that the designed things have nothing to do with the surrounding environment and their own geographical conditions. Now some builders usually adopt the following methods: first, draw a large flat land, and then arrange the landscape in the best and most satisfactory position of their own vision. The original natural stones were buried by bulldozers, the original trickle spring water was filled up, water entered underground pipelines, fertile topsoil and wild flowers were covered by washed gravel, attracting some exotic trees and flowers to replace the original plant landscape ... such an "artificial paradise". In fact, it destroyed the natural appearance and caused a "landscape stain" that was extremely uncoordinated with the surrounding area. China gardens advocate "nature". From the thought of Laozi and Zhuangzi to the emergence and development of landscape poems, landscape paintings and landscape gardens with the theme of expressing natural beauty, the philosophical concept of harmony and unity between man and nature runs through. This concept profoundly influenced the creation of China's garden art, emphasizing "the law of nature is expensive" and "the interest of nature", and opposing the artificial carving that becomes law and goes against nature. When Ji Cheng talked about overlapping mountains in Yuanye, he put forward that "although it is man-made, it is natural" as the principle and artistic standard of landscape creation. The most ideal landscape construction is to use the original terrain of nature, which has been gradually formed over hundreds of millions of years, and has the inherent coordination of nature itself, which is both labor-saving and full of natural interest. Landscape designers should learn from the ideas of predecessors and pay attention to the following two aspects: 1. Learn from natural scenery. The landscape created by nature should understand its geological structure, the dependence between topography and water system, and its morphological expression. After getting familiar with it, further record the changing process of natural scenery in time and space. If we want to develop natural scenery, we need further detailed investigation, and its use depends on the natural attributes of the land. If we make an arbitrary decision without investigation, its utilization will fail. 2. it is suitable for both distance and distance. Natural terrain can accommodate artificial facilities when necessary, including various human landscapes. Time should be combined with distance to leave room for future development. For example, in road landscape design, if the designer does not investigate the nature of the plot clearly, he will design the plot to be auctioned as a permanent plot with high cost instead of replacing it with temporary greening, which will undoubtedly cause a waste of manpower and financial resources. In space, it is also necessary to combine the distance, because any cultural landscape is used to see the scenery and be watched by tourists from far away, which is the artistic technique of "borrowing scenery" in China gardens. "the scenery is infinite", "Jia will accept it, and the vulgar will screen it." Ingenious borrowing of scenery can form a beautiful picture. Third, the paleness of landscape design content and thought has two meanings: first, the designer himself created the landscape for the sake of creating the landscape, and never thought that he could do something with culture; On the other hand, the designer knows a lot of historical and cultural things before the design, and applies them well in the design description, giving it a resounding theme, but after the final construction, people simply don't feel a little cultural atmosphere, even quite different from the design intention. In other words, it is impossible to integrate the actual design with the design ideas. In the process of learning western gardens, we lost its essence and spirit, but only imitated a little form. The design without cultural background is relatively thin and lifeless, which is not conducive to the development of the whole city and society. This is vividly explained in China gardens. The biggest feature of China Garden, which is different from other garden systems in the world, is that its ultimate goal is not to create a specific garden image for people. What it pursues is the meaning beyond the form of expression and the image beyond the image, which is the so-called artistic conception. Artistic conception is essentially what the garden owner yearns for, from which an ideal aesthetic realm of emotion, concept and philosophy is entrusted. Through the typical generalization and refinement of natural scenery by the garden owner, it endows the scenery with some spiritual feelings, and then guides and deepens them, so that when visitors (including the garden owner himself) visit and watch these specific scenery, they will feel the touch of the scenery, produce * * * sounds, stimulate associations, constantly supplement and expand the scenery in front of them, realize the emotions and concepts contained in the scenery, and even intuitively experience a certain philosophy of life, thus gaining a spiritual feeling. Modern people have a fast pace of life, so it is impossible to enjoy flowers and drink all day like the ancients, and they will not have so many rich emotions. But as a member of the whole society, we must always keep in touch with everything around us. Good design can gain insight into people's emotions, appreciate the aesthetics of culture and philosophy, and will inevitably produce more * * * voices with social monomer. To sum up, China gardens still have strong vitality and should be supplemented and developed in modern landscape planning. It is believed that the new landscape design with China traditional cultural characteristics will be gradually enriched, perfected and matured in the development of modern socialist landscape construction. Original link: /a/news/4260.html? 1305349879