Ginza? What tricks did the new landmark of Ginza Trend Art play on the sixth anniversary?

Recently, if you walk along the central avenue in Ginza, Tokyo, it's hard not to notice the blue, white, red and white flags hanging on both sides of the road extending from Yidingmu to Badingmu in Ginza.

Located in the sixth eye of Ginza, the striking "GSIX”logo on the front has already been decorated with triangular patterns of the same tone.

Further inside, under the dome of the atrium, a matrix composed of countless blue, white, red, white and triangular flags leans down, and the scene is quite spectacular. Ginza No.6 is promoting its first anniversary.

Let's skip to a year ago, on April 20th, 20 17, Ginza No.6, the largest comprehensive commercial facility in Ginza, was grandly opened. Fashion, food, humanities and art can meet all your needs here. Business and art really reached a life in Ginza Six.

If Ginza VI is compared to a person, he was born with a golden spoon in his mouth.

Taniguchi Yoshimori, Hiroshi Sugimoto, Ueda Lunji, Kenya Hara, Nantiao Shi Sheng, Guina El Nicholas, these ultra-luxury lineups, are too dazzling everywhere. In their hands, Ginza VI was destined to be extraordinary from the beginning.

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Ginza No.6 was designed by Japanese architect Taniguchi. Horyuji Treasures Museum of Tokyo National Museum, New York Museum of Modern Art, Tokyo Gexi Linhai Aquarium Garden, and Xinping Neiguan of Kyoto National Museum are all his gorgeous resumes.

Taniguchi Shande put forward the traditional concepts of "eaves" and "warm curtains" in the building of Ginza No.6. A circle of stainless steel "eaves" is designed for each high floor of the building office area to highlight the consistency in the horizontal direction. Accordingly, in the commercial space of low floors, the facades of six brands located side by side on the Central Avenue are designed as "warm curtains".

"eaves" and "warm curtains" are also changing and unchanging. The eaves representing the whole building will remain forever, and the thermal curtains installed under the eaves will evolve according to the design requirements of different brands. This concept is also more in line with the needs of commercial buildings.

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When designing the Logo of Ginza No.6, Kenya Hara continued the quiet and minimalist style of Taniguchi Jisheng's architectural design.

He simplified "Ginza VI" to "GSIX" and used simple elements in font design, even though the details were not complicated. "Because it is simple, it can be applied to all scenes, such as traditional culture, high technology, contemporary art and so on. , not just luxury goods and fashion. " This is Kenya Hara's understanding of minimalism. In terms of color, only the initials "G" are gold. For Kenya Hara, who has worked in Ginza for 33 years, nothing is more suitable to represent the color of Ginza than gold.

In fact, there is no shortage of art in Ginza. As early as1960s, there were many galleries selling modern art in Ginza. Today, Ginza has been called Gallery Street, which used to be a commercial and artistic place.

As the director of Ginza No.6, Shi Sheng, curator of Mori Art Museum, dubbed Ginza No.6 as the purpose of Mori Art Museum-"Art&; Life brings modern art closer to you. "Art should not be exclusive to the rich. Appreciating art in a relaxed shopping environment is more interesting.

He invited Yayoi Kusama to design a brand-new wave-point main artwork for the atrium-"Pumpkin"; Team lab has set up a digital waterfall image work that runs through several floors-"the water particle universe on the living wall"; Patrick Blank decorated the stairwell with soilless green plants-The Valley of Life. It is these cutting-edge modern works of art that can satisfy your visual senses and are full of creativity, giving you sufficient reasons to have a good stroll in Ginza No.6.

The timeline has returned to the present, which is the first anniversary of the sixth opening of Ginza. Naturally, there is no shortage of celebrations. In fact, as early as the beginning of April, a series of monographs were in full swing, so there was the scene we started.

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Instead of Yayoi Kusama's previous work "Pumpkin", this time it is a brand-new work "Like a flock of starlings: working in situ" created by French Parisian artist Daniel Burun for the first anniversary of Ginza No.6. Among them, each Caiqi Yang consists of vertical stripes with a width of 8.7 cm, and 1500 red and blue flags form a rectangle with a width of 9 meters and a length of 19 meters. The exhibition will last from April 2nd to June 3rd1.

Daniel Buren is good at creating according to space. Vertical stripes with a width of 8.7 cm are the most representative elements in his works, which are used in his paintings, sculptures, murals, buildings and other works.

In 1986, he designed two platforms for the Royal Palace in Paris. The 260 marble columns with black and white stripes in the palace courtyard are still a major tourist attraction. In the same year, he participated in the Venice Biennale as a representative of France and won the "Golden Lion Award".

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Terms such as "life and death" and "God's world" always seem to appear together with Komatsu Meiyu's copperplate works. It is really difficult to connect with such a young female painter just by looking at her works. Most of her works are dominated by god beasts. It is said that this is because she got lost in the mountains when she was a child and got a coyote to lead the way, but the coyote left no footprints. So her work depicts the concept of a patron saint.

Komatsu Miyuki's painting process itself is very interesting. Before each painting, she always puts on a pure white Aikido suit. Close your eyes, meditate, and then devote yourself to painting. The whole process is full of spirituality and a strong sense of ceremony. When the work is finished, the white Aikido suit has been painted with various colors of pigments. On April 2 1 day, Miyuki Komatsu gave a live performance in the rooftop garden of Ginza No.6 to celebrate the first anniversary of Ginza No.6.

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Capable drama is an artistic expression of traditional Japanese drama, which is mainly composed of dancing, singing and playing music. It is also a major feature for actors to wear masks when performing.

Just last year, Guan's Nenglong Hall moved their stage handed down from generation to generation in Shibuya to Ginza VI, where a new Nenglong Hall was built. Nengletang is a master performer of Nengletang and the 26th founder of He Qing. It enjoys a high reputation not only in Japan, but also overseas, and is an important holder of intangible cultural heritage. On May 5th, Nengletang will have a special performance of "Wild Words Persimmon Mountain Fu/Nengletang Ancient Mo", which is a rare opportunity.

In the shopping center Ginza, Ginza VI has a unique temperament.

Not only because of more luxurious decoration design, more complete luxury flagship store and more exquisite catering, Ginza No.6 provides a rich life plan for close contact with works of art: various artistic installations supervised by Sen Art Museum; Art works exhibited at Artglorieux Gallery in Tokyo on the fifth floor; The building bookstore on the 6th floor is rich in art books.

Is Ginza Six, the new landmark of Ginza Trend Art, really 6? .

Write | Kill SHASHAJUNMSN

Picture | Kill SHASHAJUNMSN and Ginza Six official website.

Life is like this,

Calm and surging.