Bibliography of China's Classical Aesthetics

The first part is the history of witchcraft and art times.

The first chapter is the bud of aesthetic consciousness.

First, aesthetic consciousness sprouted in the late Paleolithic period of primitive society.

Second, the performance of the bud of aesthetic consciousness in primitive art.

Chapter II Dragon and Phoenix Totem

I. Totem and Art

Second, the evolution and aesthetics of dragon totem

Thirdly, the evolution and aesthetics of the phoenix totem.

Chapter III Bronze Art

First, the development process and aesthetic characteristics of bronze art

Secondly, the aesthetic characteristics of Oracle Bone Inscriptions and Jinwen.

The second part is the era of rational art.

Chapter I Confucianism and Taoism

First, the dragon and phoenix totem of Confucianism and Taoism

The second is the rational transformation of witchcraft history and culture by Confucianism and Taoism.

Third, there are a hundred schools of Confucianism and Taoism.

The second chapter is the transformation from sacrificial lyric poetry to realistic poetry.

First, the sacrificial songs and dances in The Book of Songs.

Secondly, realistic poetry in The Book of Songs.

Thirdly, Preface to Mao Poems gives a rational summary of The Book of Songs.

Chapter III Skepticism in the Mythical World

First, Chu Ci and myth

Romanticism and Rationality in Songs of the South.

Three, "Tian Wen"-doubts about primitive customs and mysterious nature

Chapter IV Individual Melting in Unity with Social Groups

First, Fu Jiahe You-there is no place for artists in society.

Second, the Qin and Han Dynasties sculpture paved atmosphere

Third, the spread of Han Fu.

Chapter V Restrain Emotion with Reason

First, what is love and reason?

Second, "Tao controls desire" and "emotion stops at propriety and righteousness"

Third, the theory of evil nature

The third part is the era of conscious art.

Chapter I Human Consciousness

First, attach importance to life and long for freedom.

Second, talent standards, pay attention to etiquette.

Chapter II Writing Consciousness

First, words are based on qi.

Second, the theory of sound without sorrow and joy

Third, the discovery of natural beauty.

Fourth, from Han Li with strict laws and regulations to free cursive script.

Fifth, from the stone relief depicting the "big picture" to the vivid figure painting.

Chapter III Aesthetic Theory Consciousness

First, from political and ethical vassals to independence.

Second, from scattered pearls and rough jade to systematization.

Third, from the external discussion of art to the attention to artistic characteristics.

The fourth part is the era of classical art.

The first chapter is the formation of classical art.

Chapter II Aesthetic Characteristics of Classical Art (Part I)

Chapter III Aesthetic Characteristics of Classical Art (Part II)

The fourth chapter is the internal variation of classical art.

The fifth part is the Age of Enlightenment Art.

The first chapter is the bumpy course of the early enlightenment trend of thought.

The second chapter is the aesthetic trend of thought of early enlightenment art (I)

The third chapter is the aesthetic trend of thought of early enlightenment art (part two)

The fourth chapter is the evolution of early enlightenment art to the times.

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postscript