I'm looking for an article about the benefits of studying folk art. 800 or so, please.

/news/yishu/2008-4-14/4414_3.html Take a look at this line Decline and Metamorphosis: Reflections on the Situation of Chinese Folk Art in the Hundred Years The monarchs who dominate today's social order and economic operations, and the loss of their picture of the world is simply unimaginable. The seemingly irreversible destiny of modern cultural reflection forces can only pin their hopes for the transformation of reality on the active adjustment and grasp of people themselves, resorting to the sensual experience of the self. The social need to transcend rational reality with sensual experience calls for a corresponding value form day by day, requiring the creation and grasp of a cultural adjustment and compensation mechanism that is sufficient for its realization. The basic cultural function that the original form of folk art used to have is precisely isomorphic with this social need. This is precisely the potential ability of folk art to participate in modern life and cultural construction as a corresponding value form. The realization of this potential depends on the adjustment of practice and the transfer of values. It should be fully assessed that the increasingly obvious negative aspects of industrial civilization have already pointed to a practical goal and a value point for people to work on accordingly. In essence, this practical goal is the construction of a "handmade culture". The great industrial productivity that supports the rational edifice of modern civilization is premised on the denial of "sloppy" handmade production, which prohibits people from "smoking cigarettes in a pouch," "estimating," or "doing things by hand. It forbids people to "smoke in a bag", "estimate and do" or "use one's own ingenuity"; it does not allow people to "take things from near and far", "feel things from the heart" or "make things by images"; it also allows people to "make things by images"; and it also allows people to "make things by images". The system"; also can not allow "quality of the person, the text like yin and yang", "wrong color openwork", "weather". All of these are closely related to the richness of human sensibility and the expression of free will, reflecting the harmonious state of existence of the coordinated movement of the human hand and brain. Through hands and crafts, the complete and rich mind of man, including rationality and sensibility, and all of his social and cultural experiences naturally and smoothly reach the surface and depth of objects, constituting "cultural" products that reflect the requirements for the full realization of human values. The revival of the modern vitality of hands and crafts is rapidly transforming into an issue of cultural construction amidst social calls for the maintenance of a balanced development of rationality and sensibility. It is a matter of rational and reasonable adjustment of the modern cultural structure. The significance of its re-emergence goes beyond the utilization or development of a material productive force, and implies the establishment of a cultural regulation and compensation mechanism that has the potential to provide the public with a wide range of spiritual care. The latter can be regarded as the centerpiece of the construction of "handmade culture". Created by hand, Chinese folk art, rich in handmade humanistic charm and technical resources, has a "natural" advantage in targeting this goal of social practice. The urgent need to make up for the shortcomings of industrial civilization will inevitably prompt Chinese folk art to realize its targeted adjustments in the course of metamorphosis. In fact, at the end of the century, such a trend is already on the rise. It is necessary to point out and emphasize that, in the construction of "handmade culture," the goal of the restructured social practice, the nature of "hand" and "handmade" will undergo a significant change, and they will be removed from the role of organs of production with mixed utilitarian values and the role of "handmade art. They will be transformed from organs of production and productivity with utilitarian values to organs of creation and creativity with purely aesthetic values. In the active grasp of the masses, they will inevitably maintain an inverse relationship with the rational tendency of industrial machine production, fully expressing human free will and rich emotions, and betting the sunshine of aesthetics and the warmth of sensibility into the dark zone of industrial civilization. In the case of romantic aesthetics or philosophy of culture, aesthetics and religion, aesthetics and theology, art and God, are considered almost in the same sense. There is no definite conclusion for the time being, but in the era when "gods" are hidden or even dead, it is a fact in the modern world that aesthetic art is endowed with "divinity" and rises to the top. Chinese folk art will take this opportunity, in the metamorphosis to realize its value point of transfer, that is, comprehensive aestheticization.