The glory of the king China traditional element hero

In recent years, the glory of the king games have won the favor of many young people with their popular entry threshold and rich game elements. King, as a game featuring oriental elements, has been combining China's traditional culture with game heroes step by step since it was launched on 20 15, making use of the spread and influence of the game itself, so that more and more young people have the opportunity to feel the charm of traditional culture.

For example, as early as 20 18, the king recorded a hero with traditional calligraphy elements as the core-Shangguan Waner. Shangguan Waner is set as a calligrapher, and her weapons are also folding fans and writing brushes. At the same time, the inscription on the fan "Building a good relationship with Sanhui Temple" also conforms to her natural calligrapher temperament.

In terms of skill design, Shangguan Waner also incorporates many calligraphy elements. The first skill is seal cutting, and after the skill is released, there will be special effects of seal script. Seal script is a font which is produced by quickly writing, decomposing the lines and strokes of Chinese characters into points, strokes, strokes, strokes and strokes, and writing them in a convenient position. And one of Wan'er's skills is to release slowly like running water, and then collide with the enemy and explode, which is in line with the characteristics that seal script can't work too fast and too slowly, and still can show amazing power. Shangguan Waner's second skill is flying white and hiding the front. In calligraphy, flying white is a way of writing and a way to show vigor. This skill is also manifested in calligraphy as retracting and releasing skills, and finally returning to the original position after reaching the designated position. The power of retraction is injury.

Shangguan Waner's big move: Cao Zhang's horizontal ruler, which combines the relevant elements of Cao Zhang in calligraphy. Cao Zhang is one of the traditional calligraphy, basically the earliest cursive script, which can be traced back to the Qin and Han Dynasties. Cao Zhang is a script derived from seal script to official script, so Shangguan Waner's big move in the actual game is very complicated, because this is the subtlety of cursive script.

In fact, there is more than one role like Shangguan Waner who integrates traditional elements into design, and so is Yunying, who has only been online for a few months. Yun Ying studied under Ren Gang, executive chairman of Sichuan Wushu Association and non-genetic inheritor of Emei Wushu. His rigid and flexible marksmanship design is ever-changing, moving like a mountain and fire, inspired by Lingyun, a non-genetic inheritor of Emei martial arts.

In terms of skills and movements, Yunying's pike disassembled and restored the traditional China gun, and at the same time made a new interpretation of the gameplay. On the one hand, replacing a long-handled weapon with a tough gun rod that bends with strength can not only show the combination of rigidity and softness in China martial arts, but also be suitable for new action performance and attack experience, enriching Yunying's moves of holding a gun with both hands. Flip, split cover, comeback, triple roll and spear all come from China's traditional marksmanship. On the other hand, in the battle, she will also inspire the special power of flame, taking fire as the tassel, just like Yunying's own character.

Besides Shangguan Waner and Yunying, the designs of kings and many heroes all contain traditional cultural elements, such as Yi Xing and Si Kongzhen. The combination of the glory of the king's heroic background and traditional stories gives more people a chance to experience the beauty of traditional culture, and at the same time, it subtly enhances their sense of identity with traditional culture.