Traditional Culture Encyclopedia - Traditional festivals - How to make printed and dyed cloth in the fourth grade
How to make printed and dyed cloth in the fourth grade
1, draw the pattern and choose the base.
2. According to the requirements of the pattern, initially carve the required masters (if the pattern is complicated, more masters need to be carved).
3. Turn it into a copy and then paint it with raw lacquer (protect the copy).
4. Weathering raw soybean powder and dry lime into powder formula, adding water and stirring, and making slurry with other technical parameters.
5. Spread the white cloth on the printing table. According to the requirements of simple patterns and complex patterns, apply the adjusted paste in different versions according to the procedure, evenly apply it every time, scrape it to dry, and paste it next time. If it is not dried, it will affect the quality and the authenticity, neatness, vividness and beauty of the pattern.
6. After all the samples of flowers, birds, dragons and phoenixes are pasted and dried, they can be put into the first dye vat. After the homespun is dried, it can be immersed in other dye vats with different colors. Immerse in order and take it out regularly. Generally, it is evergreen and dark blue, and it will never fade.
7. After dipping or drying, remove the daubed paste, and a clear, neat and vivid picture will be vividly displayed on the homespun, becoming a complete ground painting.
Printing and dyeing cloth:
Qilu folk printing and dyeing cloth, as a representative of Shandong folk traditional culture, shows the cultural and living habits of working people in Shandong. Based on the analysis of the characteristics of Qilu folk printing and dyeing cloth such as shape, color, pattern and technology, this paper puts forward an innovative design method of Qilu folk printing and dyeing cloth applied to modern silk clothing design.
Practice has proved that modern silk clothing design draws on and absorbs the strong regional cultural characteristics of Qilu folk printing and dyeing cloth. Through combination and training, the cultural elements of Qilu folk printing and dyeing cloth are applied to the design and creation of modern silk clothing, which not only releases and satisfies the emotional concern of modern people for national traditional culture, but also further expands the design space of modern silk clothing and gives it realistic artistic vitality.
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