Chinese animated short film 'Baby Bao' wins Oscar, did you really get its ending?

The ending of Baby Bao is about how love changes over time. A child grows up and needs different kinds of love. Giving the right kind of love is a sign of respect and a freedom to let the child grow into his or her own.

It is said that the director of this segment of the film is a Chinese director, this short film in foreign theaters when many foreigners to the mother of a mouthful of baby buns as a point of laughter to see the laughs, this plot behind the implied sad and creepy control and love only experienced or seen such a family environment people can understand it. Sadly, many Chinese families are still like this.

The ego-less mother in the process of raising the baby package baby without the involvement of the father, the child as the only one in the world of the ego, and the child to establish a close binary relationship, marginalizing the father position. This seemingly egoless giving is full of control and selfishness, so when the child grows up to be completely separated from the mother's world in the process of the mother's heartbreak, a mouthful of baby buns after a full of tears.

This scene portrays an incredibly vulnerable and helpless mother, and the tears on her face make her look very sympathetic, so sympathetic that even if the child she ate was still conscious, she wouldn't be able to blame her. How can I blame her when she looks so pitiful?

The child who is controlled in the name of love will have a long history of repressed and unleashed aggression, and will grow up like a bun, round and harmless, with no edges. This is where the short movie's analogy of a child as a bun is particularly wonderful.

Women who become mothers must learn to satisfy themselves, to make themselves happy and full, or else they will not be able to resist "eating" their children when they grow up and leave. At that moment, all of the "love" that usually looks so much like love, will show its fangs.