Explore the development trend of folk ceramics and modern ceramics

First, folk ceramic art is a mass creation with local materials, local production, local characteristics and local customs. Second, folk ceramic art is both practical and purely ornamental. 1. From modeling to decoration, folk ceramic art has neither significant historical theme nor significant realistic content. It often reflects people's simple, kind, ideal and auspicious wishes, and reveals pure local feelings and deep thinking about life and nature. 2, the form is generous, simple, unadorned, not seeking form, only seeking meaning; 3, use a pen as a knife, use it freely, lively, rough, free and easy, natural, natural; 4, image processing, highly concise, generalized, exaggerated, childlike beauty, interesting and intriguing; Third, the selection of folk ceramic art often does not seek Kaku Takashina, but only cheap and good quality, teaching students in accordance with their aptitude, and turning decay into magic. For artistic creation, there is no absolute difference between good and bad materials. Fine-processed, high-purity materials certainly have their place, while rough-processed, low-purity materials can better reflect the beauty of rough, simple and original materials, because once this material is fired by flame, it has rich chemical effects on complex surfaces. So as to better reflect the artistic style of pure love and freedom. Fourth, Jingdezhen folk blue-and-white blank tires are made of scraps with high iron content, coated with a pure green material, with clear layers, true feelings in simplicity and implication in elegance. In addition, it is made of limestone glaze with inner green, which is fired at a high temperature at one time. The picture shows the artistic effect of blue and white, crystal clear, "green is about to drip", mutual penetration and seamless integration. 5. Craftsmanship is an important feature of folk ceramic art. Only skilled handwork can make people more human, reflect the feelings of the soul more flexibly, produce the artistic effect of ever-changing handwriting and knife marks, and directly express people's wisdom and creativity. Flame is the most characteristic and restrictive aspect of ceramic art, so ceramic art can also be said to be the art of fire. Anything that has not passed the test of fire is not ceramic art 6. Folk ceramic art, from conception, material selection, modeling, production, decoration and use of flame, is an organic and complete combination, which is both scientific and artistic, and can produce a harmonious and natural aesthetic feeling if handled properly.