What kinds of inverted white are there in Beijing Opera?

First, the pour white of Beijing Opera, also called Nianbai, has the following types:

The forms of chanting on the opera stage are as follows

Scattered white: exaggerated in rhythm and tone than in daily life.

Bai Yun: After more complicated artistic processing, the ups and downs and cadences of its pronunciation and intonation are more exaggerated, which is far from the language of daily life.

Counting board: the language with free rhythm is brought into the norm of fixed rhythm, usually in the form of scanning board or running board, which is often characterized by syncopated rhythm and has a strong sense of rhythm.

Introduction: Half-singing and half-singing, with rhyme and white, and singing has a fixed pitch and rhythm melody, which can be regarded as a mixture of chanting and singing.

Secondly, it is necessary to add:

Nianbai is a unique artistic expression in China traditional opera. It dramatizes and musicals the language with a tone between reading and singing, and is often associated, contrasted and contrasted with the aria in China's traditional operas, thus forming a technique that can best express the characters' inner monologues and reflect their thoughts. Year's Eve is an artistic means and expression method. It is not isolated, but based on occupation, and its expression is synchronized with the characters to convey their thoughts and feelings and shape their personality characteristics.