Traditional Culture Encyclopedia - Traditional festivals - Sketch portrait course: the painting of five senses

Sketch portrait course: the painting of five senses

Sketch portrait tutorial five senses painting method is as follows:

1, the basis of head perspective Generally speaking, the eyes are in the center of the whole head, and other proportions are determined by this coordinate. Facial crosshairs can help us maintain the integrity of our five senses.

2. At the frontal angle, the outline of the orbit is basically similar to an irregular quadrilateral, the lens part of the eyeball is exposed the most, and the dark circles are close to a perfect circle. At this angle, the perspective of the left and right eyes is basically symmetrical, and the width distance between the left and right sides is almost equal. It should be noted that sometimes the left and right eyes are slightly different due to the appearance characteristics of the model or the subtle movements of the head.

3. In the front view, the nose can be understood as a three-dimensional shape with a trapezoidal block surface, and the most varied part is the nasal base composed of nasal wings and nostrils. Most people's nose feels trapezoidal at this angle.

Note that although the shapes of the two sides of the nose wing are symmetrical at this angle, the actual characteristics of the model should be fully considered when drawing, so as to avoid drawing the front nose too symmetrically and losing its vividness.

4. Before drawing, observe the basic characteristics of the drawing object. At this angle, the contour shape of the lip is similar to "M" and the contour shape of the lower lip is similar to "W". Both of them and the crack line are curves with certain ups and downs, and the amplitude and severity of the ups and downs vary from person to person.

The upper and lower contour lines of the mouth are basically symmetrical with the left and right perspective distances of the mouth crack line. No matter how the painting angle of the mouth changes, the perspective of the mouth should be bounded by people, and the proportional relationship between the mouth and the two points above the upper labial process should be drawn according to the perspective law of near-large and far-small.

5. The whole outer contour of the ear is C-shaped, with a wide upper end and a narrow lower end, and a concave bowl-shaped body in the center. When expressing the ear, we should first understand the external structure of the ear and pay attention to the mutual penetration and combination of various parts. The ear consists of outer auricle, inner auricle, triangular fossa, tragus, tragus, earlobe, etc.