The role of aesthetic perception in the art of photography

The extension and development of the art of photography has always been inseparable from the inclusion of aesthetics, the various elements of aesthetics are not only contained in the art of photography, but also in our real life is ubiquitous. Here are some of my compilation of the role of aesthetic perception of the art of photography, for your reference.

The reason why photography can be developed into art is because the photographer in the shooting works, the photographer's own experience of life and the world's thoughts embodied in the photographic works, and the photographic works from the photographer's conception, shooting up to the birth of the work, the display of the links connected to the creative process, the photographer in each of which are injected into their own unique artistic thinking, artistic taste, aesthetic awareness and artistic thinking, only then can create a new work of art, the photographic art of photography, and the photographer can be aesthetic perception. The only way to create a work of art that meets the artist's unique expression is by doing so.

The role of aesthetic perception in the art of photography

The so-called intuition is the people in the face of a variety of things, the cerebral cortex produced by the first thinking feeling. The photographic art of aesthetic awareness, color elements, emotional elements and instantaneous and documentary, is the photographer in the creation of works of art, the face of specific things when the first reaction. Therefore, photographic works of art are not only the accumulation of the photographer's aesthetic sense of society, nature, humanities and other aspects of aesthetic consciousness, emotion and documentary thought precipitation, but also the instantaneous intuitive consciousness of the photographer's inspiration in the face of a variety of things, this reflex is mapped to the creator's cerebral cortex through the two eyes, causing cerebral cortex cell excitement, the excitement of the cellular activity of the creators of the things of intuitive consciousness reaction. The degree of activity of the excited cells is the creator's reaction to the intuitive consciousness of the thing. Of course, the degree of reaction is related to the creator's own cultural cultivation, aesthetic sense, as well as the likes and dislikes of nature and society.

When this intuitive response is transmitted through the brain to all parts of the body, through the division of labor and coordination of all parts of the body, so a picture, two or more pictures are produced. From this point of view, the production of photographic art is certainly and photographers in the creation of works before the need to organize materials, looking for materials, thinking about the conceptualization, but from the history of the development of photographic art, a lot of photographic art creation is the photographer in the face of the natural things, will not be able to help but pick up the hands of the camera to shoot, there is absolutely no room for thought. At this time the creation of photographic works of art is governed by the intuition of photographic art creation. The world-famous humanities photographer Bresson's theory of the moment of decision is a good interpretation of the relationship between photography and intuition.

In Bresson's concept, in the creation of photographic art, the instantaneous capture is the photographer's intuition on the direct display of photographic art, the display that implies the photographer's aesthetic sense, but also shows the photographer's cultural cultivation and artistic cultivation of the connotation. Therefore, while interpreting Bresson's theory of the instantaneousness of decision, the instantaneous capture also well illustrates the complementary relationship between photographic art and intuition.

The role of aesthetic perception in photographic art II, aesthetic intuition directly determines the visual imagination

The understanding of aesthetic intuition is generally interpreted in this way, both in the aesthetic process and in the process of art appreciation, people in the face of things in front of them in the moment to produce a kind of understanding, epiphany, or grasp the ability to grasp with the heart. And this ability can make people forget themselves, forget everything outside the body in an instant, and put all their body and mind into the things in front of them, and can produce spiritual pleasure and sublimation from the things in front of them. Visual imagination means that the things in front of you in the cerebral cortex after the self-conscious processing to form a perfect or imaginative mind of the imaginers think that more harmonious, natural, perfect image.

In the art of photography, the photographer in the artistic creation, the face of the creative object, will be in the brain with the aid of aesthetic intuition to produce visual imagination, the phenomenon of this phenomenon is not only the photographer's self-processing of the natural things and artistic processing, but also a natural origin, the creation of the process of artistic image. Therefore, in the art of photography, visual imagination is accomplished through aesthetic intuition, aesthetic intuition is the basis, visual imagination is the result, the two are the inevitable process and inevitable result of the photographer in the creation of works of art.

The creation of any art photography art work, are in the photographer's aesthetic intuition under the call, the formation of the visual imagination of photographic art. This imagination does not necessarily form the final photographic works of art, but this visual imagination for the photographer's artistic creation to lay a solid foundation. It can be seen that there is a cause and effect relationship between aesthetic intuition and visual imagination, and there is a link from one to the other.

The role of aesthetic perception in the art of photography, aesthetic intuition promotes the development of the art of photography, change

In the art of photography, aesthetic intuition not only brings different aesthetic forms of change in the photographic works, that is, in the photographic content can be brought to the colorful and interesting changes. As we all know, the art of photography shows the elements of truth, goodness and beauty in real life, which are inseparable from the creators of the photography works and the photographers' concept of life, aesthetic sense and attitude towards nature and society.

Aesthetic intuition is a photographer's feeling dissolved in the marrow of the bone, and this feeling will be directly reflected in the work of the photographer in the creation of art works. Thus, the photographer's aesthetic intuition will directly stimulate the photographer's creative inspiration, and this flash of inspiration is generally not subject to the laws of nature and natural aesthetic constraints, which directly responds to the photographer's vision of the unconscious art flash. That is to say, under the drive of aesthetic intuition, the work of art created by the photographer is likely to be out of his own will, showing a kind of art work beyond the scope of the photographer's visual imagination. As a result, it also brings new changes in the interest of photographic art, and this change highlights the changes in the photographer's artistic sublimation.