Calligraphy characteristics and representative works of the four masters of regular script

The calligraphy features and representative works of the four masters of regular script are as follows:

1, Yan Zhenqing's masterpiece "The Twin Towers Monument", features: relatively fat, horizontally thin and vertically thick, with a round head at the beginning, slightly longer than the other three words. Its regular script is dignified and majestic, and its momentum is open, which is known as Yan Ti in the world.

2. Liu Gongquan's representative works "Mysterious Pagoda Monument" and "Shence Army Monument" are characterized by strong bones and muscles, with a square as the starting point and many sharp corners. Its regular script is clean and vigorous, its structure is rigorous, its brushwork is exquisite, and it is young and tall, and it is known as "Liu Ti" internationally.

3. Ou Yangxun's masterpiece "Jiuchenggong Liquan Ming" is characterized by neat font, inconspicuous stroke thickness and square. Its regular script is rigorous and risky, and it is known as "the first regular script in Tang Dynasty".

4. Zhao Mengfu's masterpiece "Rebuilding the Three Storeys of the Xuan Temple" features: There are also many smooth brushstrokes, some of which are Lian Bi, which looks smoother. Its regular script is round and delicate, correct and rigorous, yet elegant and beautiful, and is known as the "Zhao Ti". Regular script evolved from Han Li and can be divided into regular script and regular script.

Brief introduction of four members in regular script:

1, Ou Yangxun (557-64 1), an epistolary book, was born in Linxiang, Tanzhou (now Changsha, Hunan). His calligraphy achievements are based on regular script, with bold brushwork and unique structure, which is called "European style" by later generations. Ou Yangxun in Tang Dynasty: Regular script is rigorous and precipitous, known as "the first regular script in Tang Dynasty", and its masterpiece is "The Inscription of Liquan in Jiuchenggong".

2. Yan Zhenqing (709-785), a native of Jingzhao Wannian, was born in Linyi (now Linyi, Shandong) in the Tang Dynasty. In the history of calligraphy, he is the most accomplished and influential calligrapher after the two kings.

3. Liu Gongquan (778-865), whose real name was Tang Jingzhao, was called Liu in the world, and he was a prince. Later generations called it "Yan" ancient, which became a model of calligraphy in past dynasties. Liu Gongquan (Liu Ti) in Tang Dynasty: His regular script is clean and vigorous, with rigorous structure, delicate brushwork and straight brushwork. He is known as "Liu Ti" in the world, and his masterpieces include Mysterious Tower Monument and Shence Army Monument.

4. Zhao Mengfu (1254 to 1322): The word Ang, No.,was a passerby in Song Xue, Huzhou (now Xing Wu, Zhejiang). He is good at seal script, official script, authentic works, calligraphy and cursive script, especially at regular script and calligraphy. The Book History of Yuan Dynasty says that "Meng Zhi's seal calligraphy is the highest in ancient and modern times, so the title of the book is the world".