Who were the ancient romantic poets?

England

William Blake

William Blake (1757--1827): many scholars regard Blake as the starting poet of the English Romantic era, from which the English literary scene entered a period of great thought. Some disagree, however, because he was virtually unknown at the time of his death, had no substantial influence on his contemporaries, and his status as a major poet was established by 20th-century scholars. Secondly, Blake's penmanship is bizarre, unlike Wordsworth who represented the modern poetic style with his plain, straightforward language. In particular, Blake was keen to establish a peculiar system of thought, and he proposed and was able to play with many intense and profound literary ideas in different guises.

William Wordsworth

William Wordsworth (1770--1850): Critics have pointed out that Wordsworth was one of the two major innovators of Western lyric poetry (the other one being Petrarch), and the originator of modern poetry. In literary history, the Lyrical Ballads, written mainly by him and with the participation of Coleridge, is considered to be the most important collection of poems after the Renaissance, as it initiated the creation of modern poetry in terms of subject matter, style, and ideas. His poetry can be divided into three periods: before 1795, 1795 - 1807, and after 1807, where the middle period is his peak.

Samuel Coleridge

Samuel Coleridge (1772--1834): Born in Devonshire, England, he lost his father as a teenager, like Wordsworth, and then went to London for ten years as a boarding school and then to Cambridge. Although he was a student of a famous school, he was a drunkard, prostitute and opium, and was often in a violent mood. ...... Coleridge's masterpieces are often categorized into two types: friendship poems, or what he called "conversation poems," and symbolic or mystical poems. The former broadly include The Lyre of Iolaus, This Shade of Linden, Frosty Night, Depression, and To William Wordsworth. The latter refers primarily to "The Old Boat Chant," "Kubla Khan," and "Christabel," among others.

George Gordon Byron

George Gordon Byron (1788 - 1824): the Byron phenomenon was one of the key elements of Western spiritual culture in the 19th century. He embodied the passions of that monumental age, representing its genius, thought, rage, and power; his Promethean, solitary, defiant will was so extraordinary in the spiritual life of Europeans in the last century that it transformed "the structure of society, the standards of value judgment, and the face of culture". (Russell) This independent and uninhibited genius had the breadth of mind of a statesman and the wisdom of a philosopher. His temperament was sensitive and violent, his feelings deep and delicate. But he was also a dissolute publican, a vain and haughty lord, and a lonely and depressed egotist. He admired greatness and aspired to greatness, but was stifled by the darkness of the times. His heart was broken and his sighs filled his entire career ...... Other poets weave dreams, but he was once thought to be the dream itself, creating a unique life between poetry, action, and personality. He blended into literature but was greater than literature. He says that two emotions qualify his substance: the love of freedom and the hatred of hypocrisy (political, religious, social, amorous, etc.), but he is a complex collection of contradictions: born with a slight limp, he loves to roam in all directions; as an aristocrat, he is full of hierarchical concepts, but has a sense of commoner's defiance; he is at times somber and agitated, but more often shows amiability, humor, or playful ease; he admires freedom, but sticks to the He is subjective and self-confident, but rich in empirical common sense; he has a strong sense of patriarchal centrality, but often falls into what he calls "female thinking"; he hates war, but is passionate about "the battle for freedom". Finally, his commitment to the war, both materially and operationally, seems to explain his transcendence or abandonment of the literary text in favor of the creation of the text of life through action.

Posey Bysshe Shelley

Posey Bysshe Shelley (1792--1822): "The Emancipated Prometheus" occupies a central place in Shelley's poems for embodying the essence of his thought. The poem plays out in four acts and deals with the bondage and liberation of Prometheus. The poem makes Shelley's two major themes)-social change and human love- intertwine and complement each other with two threads: Prometheus's relationship with Jupiter for good and evil and his parting and reunion with Asia. These two threads are connected by Hades, who represents inevitability and primordial life force, and who influences the destiny of the gods and determines the victory or defeat of the different characters. This giant of Aeschylus appeals to the poet because he fights against violence with virtue, and he basically represents the perfect personality, unselfish, unambitious, and unenvious, combining human spirituality with eternal spirituality. Shelley wrote the poem without overemphasizing external change, but with more emphasis on self-improvement and the power of love, no longer dealing with specific political freedom, but focusing on the transcendent yet deep meaning of freedom. Therefore, "The Emancipated Prometheus" is actually an idea poem, aiming at presenting the vision of ideal life and providing the revelation of the new birth of the universe. In contrast to Byron's realistic revolutionary spirit, Shelley's concept of revolution is more idealistic, and therefore more radical, a philosophical negation of every aspect of the existing world. "If winter be come, can spring be far behind?" is Shelley's thought-provoking prophecy of a better world to come. Shelley is also known for his lyrical poetry, inheriting Wordsworth's tradition of using nature in his poems, and his works such as "Ode to the West Wind", "The Clouds", and "To a Skylark" are resonant in sound and sincere in feeling, and shine with profound intellectual brilliance.

John Keats

John Keats (1795--1821): the second generation of Romantic poets are short-lived, Keats is the most breathtaking, at the age of 26, but left many fine poems, including Shakespeare and Dante, including the giant pen at that young age has not yet written a comparable standard of work. work at such a young age. As far as poetry is concerned, he is considered by some to be the most outstanding poet of the 19th century, and he was not only a Romantic, but also influenced by both the Aestheticists and the Decadents. Although Keats was less influential than Byron in relation to European history, Byron's reputation is not comparable to Keats' when it comes to the history of English poetry. Compared with Shelley, Keats preferred to draw the dramatic picture of life as an enthusiastic but cold-eyed observer, showing an artist's interest in real people playing various roles in real life, and not rejecting the finite things of the world because of supreme ideals, but rather confirming the infinite existence with concrete human emotions. In an 1818 letter, Keats noted that Wordsworth was "more profound" than Milton. Keats developed the belief that the earth is "the deep valley where the soul is made" and that there is no other way. According to some critics, Keats' tendency was to discover new and permanent values, not primarily to convince us that the world is full of suffering and oppression, but to give us the courage to accept the fact that it is full of joy, health, and freedom. These belong to others, but can also belong to us if we strive for them. The essence of Keats's thought and art is to give us the courage to believe that others are happy, and to be able to feel heartfelt joy about it.