What are the styles of interior design? What are these design styles? In terms of hard installation, the treatment method of wall top.

Many styles. The styles of interior design can be mainly divided into: traditional style, modern style, post-modern style, natural style and mixed style.

First, traditional style.

Traditional interior design absorbs the "shape" and "spirit" characteristics of traditional decoration in terms of indoor layout, line modeling, color tone and the modeling of furniture and furnishings. For example, absorb the composition and decoration of ceiling, hanging and sparrow replacement of traditional wooden frame buildings in China, and clarify the modeling and style characteristics of furniture. Another example is the imitation of Romanesque, Gothic, Renaissance, Baroque, Rococo and Classicism. Traditional styles in the west, such as interior decoration and furniture style imitating the Victorian style in Europe, Britain or Louis style in France. In addition, there are Japanese traditional styles, Indian traditional styles, Islamic traditional styles, North African castle styles and so on. Traditional styles often give people a sense of historical continuity and regional context, which makes the indoor environment highlight the image characteristics of national cultural origins.

Second, modernism.

Modernism originated from the Bauhaus school founded by 19 19, and its foundation was Russian constructivism and Dutch de stijl. Under the historical background at that time, this school emphasized breaking through the old tradition, creating new buildings, attaching importance to function and spatial organization, giving full play to the formal beauty of structural composition itself, being concise in shape, opposing redundant decoration, advocating reasonable composition technology, respecting the performance of materials, paying attention to the texture and color configuration effect of materials themselves, and developing non-traditional asymmetric composition techniques based on functional layout. Bauhaus school attaches importance to the actual process operation and emphasizes the connection between design and industrial production.

Gropius, the founder of Bauhaus School, has a very clear view on modern architecture. He believes that "the concept of beauty changes with the progress of thought and technology". Architecture has no ultimate, only constant. "Modern architectural technology cannot be obliterated in architectural performance, and an unprecedented image should be applied in architectural performance". At that time, other outstanding representatives were le corbusier and Mies van der Rohe. At present, modern style in a broad sense can also refer to the architectural image and indoor environment with simple and novel modeling and a sense of the times.

Smith is one of the pioneers of modernist design, but in his later period, he put "function first, form second" in modernist design. The purpose of modernist design is to change the design from serving a few powerful people to serving the public, which is full of social utopia and social engineering motives. His purpose is not to create personal expression, but to devote himself to a new design that is inhuman, industrialized and popular. For modernist designers, what matters is not style, but motivation. Style is only a natural by-product of solving problems. Modernist design emphasizes abandoning all unnecessary decorations, putting function first and form second. Mies' weak ideological tendency and his attention to formalistic details led to his simplistic design principles. Sigelam building is the first glass box building in the world, with no decoration at all. In order to meet the formal requirements of reductionism, Miss even designed a special sunshade with only three opening and closing ways. The room has no decoration, black and white color planning, monotonous geometric shape, and functions often give way to formal purposes! The functional purpose of modernism has been betrayed. When realizing the design purpose of reductionism, function can and must obey the needs of form. From this time on, modernism developed in his opposite direction. Reductionism has become the core content, spreading like a virus in the western world, even in China.

Third, postmodernism.

The word postmodernism first appeared in the Spanish writer De? Anisz's Selected Poems of Spain 1934 is used to describe the inner rebellion of modernism, especially a purely rational rebellious psychology of modernism, that is, postmodern style. In 1950s, with the decline of so-called modernism, the cultural trend of post-modernism gradually took shape in the United States. Influenced by popular art in 1960s, postmodern style criticized the pure rationalism tendency in modern style. Postmodern style emphasizes the historical continuity of architecture and interior decoration, but does not stick to the traditional logical thinking mode. It explores and innovates on modelling technique and pays attention to human feelings. It often sets exaggerated and deformed columns and broken arches indoors, or combines abstract forms of classical components in new ways. That is, the use of non-traditional mixing, superposition, dislocation, fission, symbols and metaphors creates an architectural image and indoor environment that combines sensibility and rationality, tradition and modernity, and the public and experts. Post-modern style can not be evaluated only by the visual image we see, but also by the image from the design ideas. The representatives of postmodern style are P Johnson, R Venturi and M Graves.

Fourth, neo-modernist design.

Although many designers thought that modernism was at the end of the road in the 1970s and had to be corrected by different types of history and decorative styles, which led to the post-modernism movement, some designers still insisted on developing the tradition of modernism and designed in full accordance with the basic language of modernism. They added new and simple symbolic forms according to the specific situation. Although the number is small, it has a great impact. I.M. Pei is an outstanding representative, such as China Bank. It has no complicated decoration, and its structure and details follow the functional, rational and new architectural structure, but it is endowed with symbolic significance. The structure of the Louvre pyramid itself is not only a functional need, but also a symbol of history and civilization. He changed the unchangeable square glass box, continued and endowed the building with new connotation.

Verb (abbreviation of verb) deconstruction

Deconstruction is a philosophical concept put forward by the French philosopher J Derrida in 1960s. It is a query and criticism of structuralism and theoretical tradition prevailing in Europe and America at the beginning of this century. Deconstruction in architecture and interior design holds a negative attitude towards traditional classicism and composition rules, emphasizing that it is not bound by historical culture and traditional rationality. It is a school that seems to disintegrate the structure, break through the traditional composition form and use a wide range of materials. Peter, Peter eisenmann, Frank Gehry and Kumi are the representatives, and the Jewish Museum in boskin and the Guggenheim Museum in Gehry are the representatives.

Six, natural style

The natural style advocates "returning to nature" and advocates and combines nature aesthetically, so that people can achieve a physiological and psychological balance in today's high-tech and high-tempo social life. Therefore, natural materials such as wood, fabric and stone are used indoors to show the texture of the materials, which is fresh and elegant. In addition, due to the similarity of its purpose and technique, the pastoral style can also be classified as natural style. The pastoral style strives to show carefree, comfortable and natural pastoral life in the indoor environment, and the simple texture of natural wood, stone, rattan, bamboo and other materials is commonly used. Ingeniously set up indoor greening to create a natural and elegant atmosphere.

In addition, some British Hillington Municipal Center and Yale University Teachers' Club opposed the same international style in the 1970s, and used wooden boards and tiles to build walls, traditional local doors and windows and sloping roofs, which were called "local style" or "local style", also known as "grey school".

Seven, mixed style

In recent years, architectural design and interior design are generally diversified and inclusive. Indoor layout also has modern and practical characteristics, absorbing traditional characteristics, integrating ancient and modern Chinese and western in decoration and furnishings, such as traditional screens, furnishings, coffee tables, modern wall and door and window decoration, and new sofas; European classical glass lamps and wall decoration, including traditional oriental furniture and Egyptian furnishings, sketches and so on. Although the mashup style is eclectic in design and uses many styles, it is still unique in design, and the overall composition and visual effect of shape, color and material have been thoroughly scrutinized.

These are only approximate, in fact, they can also be found online. . .