Traditional Culture Encyclopedia - Traditional festivals - What model operas are there?

What model operas are there?

Eight model operas: Red Lantern Hanging High, Shajiabang, Harbour, White Tiger Troupe, Red women soldiers, White-haired Girl and Shajiabang Symphony.

1, red lantern

The story of The Red Lantern, a Beijing opera, is based on the movie And the Generator Later, and the original author is Huang Yongjiang. "Successors" is a film that reflects the people's anti-Japanese struggle in Northeast China with the background of the Northeast Anti-Japanese Coalition. The story happened at the "Cui Hui" station of Hulin Railway (Jixi City, Heilongjiang Province). In the 1960s, this film was shown all over the country. Soon after, the play was adapted from Shanghai Opera Troupe into Shanghai Opera, and then it was first put on the stage of Beijing Opera by Harbin Peking Opera Theatre. At that time, it was called Revolution Followed.

2. "outsmart Tiger Mountain"

1958 Shanghai Peking Opera Theatre is based on a story in Qu Bo's novel Lin Yuan, and adapted from a drama of the same name. It was first performed by the Shanghai Peking Opera Troupe in the summer of 1958. Screenwriter, Li Tongsen, Cao Shouchun, Shen (screenwriter); The director is mainly Tao Xiong, supplemented by Li Zhonglin and thomas lee; The main members of the band are Wang He and Zhao Jigang. Stage art design has honors such as Xi and Zhou Fan. The main actors are (as), Ji (as Shao Jianbo), (as Li Yongqi) and He (as a mountain sculpture).

3. Shajiabang

Shajiabang, a Beijing opera, was originally named Ludang Fire, a Shanghai opera. Ludang Fire is an anti-Japanese legend created by Shanghai People's Shanghai Mission 1958 based on real people. About the autumn of 1939, in the battle of "Loyalty and Salvation Army" in Gushan Town, Jiangyin County, Liu Fei, then the director of the Political Department of the Second Road of the Jiangnan Anti-Japanese Volunteers of the New Fourth Army, personally led the guard class to charge the enemy at the critical moment of the battle and beat back the enemy's attack, but he was seriously injured himself. After the battle, faced with the sinister environment of collusion between Japanese and puppet bandits and "sweeping" in rural areas, with the support and help of local party organizations and the masses, he led dozens of wounded people, braved difficulties and obstacles, rebuilt their armed forces and persisted in the anti-Japanese struggle.