How to describe the beauty of opera in one sentence?

Sentence can be:

1, "The rise of all sounds is born from the human heart, and the movement of the human heart is made by the things, and the feeling of the things is moved by the things, so it is shaped in the sound."

2. The charm of opera also lies in its visual effect.

3, the opera combines sculpture, painting, crafts, architecture and other forms of art, which is due to the content of the plot of the needs of its performance, but also to bring people the enjoyment of its unique beauty.

4. The opera is pictorial, because it needs to reproduce different scenes on the small stage, showing either grand, or tranquil mood. This is like the Chinese ink painting, on a piece of rice paper, with a few strokes to outline the landscape, carved out the birds and animals; with thick, light, light, deep ink to express the colors of the world.

5. On the stage of opera, vision is always the most direct sense, bringing people the strongest impact. And the opera spares no effort in doing so.

The four major roles of opera

The roles of opera are divided into four major roles: Sheng, Dan, Jing and Chou. "Sheng" refers to the actor who plays the man in the play; "Dan" refers to the female role; "Jing" refers to the male character who is strong or rough; "Chou " generally refers to comic roles.

1. The Sheng line includes the Lao Sheng, Xiao Sheng, Wu Sheng, Hong Sheng and Doll Sheng, and except for the Hong Sheng and Wu Sheng, the other Sheng lines are relatively clean and handsome.

2, Dan line also includes the Qingyi, Hua Dan, Wu Dan, Lao Dan, color Dan, Hua Shiang, of which Hua Shiang is the melting of the Qingyi, Hua Dan, Wu Dan, knife and horse Dan in a furnace of the whole actor.

3, the net line is commonly known as Hua face, also known as flower face, including the hammer Hua face (positive net), frame Hua face (vice net), Wu net, two Hua face.

4, clown line is also known as small flower face, three flower face, including the clown and martial arts clown.

The roles of Peking Opera are very detailed, and are traditionally divided into "Sheng, Dan, Jing, Chou" and "Sheng, Dan, Jing, Mou, Chou", but because many of the "Mou" lines are now gradually being categorized as "Jing" lines, the "Mou" lines are now being categorized as "Chou" lines, and the "Mou" lines are gradually being categorized as "Mou" lines. However, as many of the "end" lines are now being gradually relegated to the "raw" line, the "raw, Dan, Jing, Chou" is generally regarded as the four basic types of the line.