Why do some people say that Degang Guo's performance is not afraid of being secretly recorded by the audience?

Early theaters in Lao Guo were not afraid of recording. Why?

Lao Guo will talk about many good things. Every day there is something new, and every day is different. Just record it casually. The more they spread on the Internet, the greater the traffic, which is equivalent to advertising him.

That doesn't sound good. Lao Guo has no choice but to send taboos. Not everyone can tell jokes about the hidden rules in the cross talk door. Which master are you? You can only do your work, and even that loud baggage can't be used by others. For example, Zhang Yunlei's "Clear Water River" was not made by Lao Guo, and Yun-peng Yue's "Five Rings Song" was not used by others. Lao Guo is fearless. No matter who he loves, his early cross talk is a collection of traditional cross talk. Four or five cross talks into one, the burden is very long, and the amount given is enough. There are thousands of traditional cross talks, and he uses them casually, but he is not afraid of being recorded by others. New jokes come out every day.

Why did Degang Guo ignore the people in the comic dialogue circle in those years? That's because he broke the rules. For example, he has returned to Tianjin for more than 20 times, and our audience will certainly welcome him. It will take some time to watch too much, but in their industry, the rules have been broken. How can others perform when you go back like this? Meng Fangui accused him of speaking for their industry, and their artistic morality was different from what we understood.

Degang Guo is a genius, and God enjoys food. eight nuclear's brain, coupled with a large number of traditional crosstalk wires that he has never heard before, makes him deified at once.

One more thing, some young actors of Deyun Society are outspoken, such as Zhang Yunlei, who won't open the door. Who knows when he will get into trouble, so we must check the video playback.

Crosstalk works also have intellectual property rights and must be protected. Old artists didn't understand this before. No one applied for a patent or registered traditional crosstalk to protect property rights. With the decrease of traditional cross talk jokes, the public's knowledge is reduced, and the new works can't keep up, so the theater may not be able to record and broadcast casually.

I remember watching his talk show on tape and asking Uncle Guo this question. His answer is also simple and prickly. He said that if I was going to be killed by two paragraphs, I wouldn't let you record it. You finished recording today, and I'll talk about the new one tomorrow. Fortunately, some jokes with uncle Yu will be repeated, but uncle Guo is the king of pits. He said that the ability to read is really not afraid of you. Anyway, there are new ones every day, and if there are no new ones, they are buried in Uncle Yu's place.

I remember I said that the audience at Li's opening ceremony said that he would be told to go to the west. Lao Guo said seriously that Tang Priest opened the book for 20 times and didn't take it out. From the beginning of Jin Chan, where did the nine heads on Friar Sand's head come from? Who is Pig's master? No one really pays attention to this thing, so he can say it. Again, he said there were people who wanted to hear it, and he was afraid of something. If he has no books, he can talk about eating noodles.

Other colleagues are on guard against it, but Degang Guo doesn't think so, and seems to be encouraging the audience to record it. Isn't Degang Guo afraid of being robbed of his job? Degang Guo's response is that this matter is almost over, and it is imperative to save people first.

Stealing another angle is actually propaganda.

I believe many people have seen the cross talk performance of Deyun Society, but few people should have seen the promotional film of Deyun Society. In fact, some people are promoting him for free, that is, those who secretly record videos. The videos they secretly record will definitely be transmitted to a video platform or earn communication tools such as watermelon videos and vibrato short videos. However, after the audience requests, the reputation of Deyun Society will gradually increase, and the number of people who go to Deyun Society to watch the scene will also increase after the reputation rises, thus causing the hot situation that Deyun Society is hard to get a ticket at present.

Stealing recordings is also a stimulus to Degang Guo.

To put it bluntly, crosstalk is actually a kind of culture. However, culture is not static, and it should keep pace with the times with the progress of society. This also means that Degang Guo's secretly recorded cross talk is of no further value, so facing a huge audience, Degang Guo can only continue to create and output. From another perspective, "bootlegging" is actually the motive force of Degang Guo's creation, so bootlegging is not terrible. The terrible thing is that his body is not hard enough.

Degang Guo is confident enough.

The content of cross talk can be imitated by others, but Degang Guo's performance style is unique and others can't imitate it, so he doesn't have to worry about others stealing it. Besides, Degang Guo is a very tolerant person, and he doesn't want to stop the progress of his peers because of his own development. In my opinion, learning from others is actually the greatest affirmation for Degang Guo.

Therefore, Stealing Records can not only help Deyun Society to accumulate word of mouth, but also make Degang Guo and Deyun Society progress. So why not do it with more goals? Why did you stop?