How to draw the five senses of characters in freehand brushwork Chinese painting

In freehand figure painting, we should be calm and flexible when sketching the facial contours of figures, especially the facial contours of teenagers and children. The thread used by the elderly can be a little childish, showing the thickness of the face with subtle changes of the thread, and showing the turning part with the disconnection of the thread.

The facial lines of young girls and old people are drawn in different ways. Young people's facial lines are smooth and crisp, with many long lines. The facial lines of the elderly are tortuous and changeable, with more short lines. When drawing, we should pay attention to expressing the characteristics of the painted object through different changes of lines.

After the freehand figure painting is basically finalized, it should be inked according to the specific feeling of modeling, and it is not limited by modeling. It is necessary to check the dynamics, structure, proportion, anatomy, perspective, image characteristics, etc., find errors, and modify them in time. The main function of ink dropping is to strengthen the texture, coordinate the unity of opposites between lines and rubbings, and strengthen the picture level. At the beginning, it should be light rather than heavy. When the first time is not enough, add the second or even the third time.

At the same time, it can be combined with the structure of the characters to wipe the ink properly, which can supplement the shortage of lines and make the picture richer. The rubbing method of face, hands and feet depends on the character structure. According to the principle of drawing high but not low, such as the height of cheekbones and masseter muscles on the face. The position where the body structure needs to be strengthened can also be rubbed. The direction of clothing pattern rubbings should be staggered from the outlined lines to a certain extent, and the rhythm and rhythm of the lines should not be destroyed.