Traditional Culture Encyclopedia - Traditional festivals - Ancient clothing names and jewelry names are used to write novels, divided into men and women, thank you.

Ancient clothing names and jewelry names are used to write novels, divided into men and women, thank you.

First, let me give you a suggestion. In fact, in ancient times, you don't have to care too much about how to describe it. Because novels are for modern people, as long as readers can understand them. The use of ancient names is nothing more than to strengthen the artistry of the following. The following are some excerpts from the Internet. Of course, you can go to the encyclopedia of ancient costumes for reference. In ancient times, women's hair accessories were varied, including hairpin, hairpin, ring, walking wave, rockhopper, Watson, hairpin, square and comb.

Fu: it is an ornament used by the ancients to pin their hair and receive the crown, and it is the originator of hairpin and hairpin.

Both men and women in ancient times had long hair, which was used by men and women in ancient times to tie their hair or crown. "Yang" got its name from ancient times. "Crown" is the crown. Clothes with fixed crowns and hats are called "balance clothes", and the Zhou Dynasty set up "chasing teachers" management. The pin used to fix the bun is called a "pin". From the Zhou Dynasty, women were regarded as adults when they reached the age of fifteen and were allowed to get married. If marriage is not allowed, a wedding will be held at the age of 20. Women will comb a bun for women of the same age, insert a quilt and take it off after the ceremony.

Bun: it is the development of bun, and it also plays the role of fixing bun. Decorate the front end and carve it into shapes such as plants (flowers and plants), animals (phoenix, peacock) and auspicious things (ruyi). It can be made of precious materials such as gold, jade, ivory, tortoiseshell, etc., and the technology is becoming more and more abundant, including carving, carving, plate flower and so on.

Hairpin: a kind of jewelry made of two hairpins crossed and combined. The main difference between the hairpin and the hairpin is that the hairpin is made into one strand and the hairpin is made into two strands. Hairpins are used to clip hair and to fasten hats to hair.

There are many ways to insert hairpins, some are inserted horizontally, some are inserted vertically, some are inserted obliquely, and some are inserted backwards. The number of inserts is inconsistent. You can insert two, one on the left and one on the right. You can also insert a few pieces to see the needs of steamed buns. You can insert up to six pieces on each side of the temple, making a total of twelve pieces.

Step shake: it is a kind of hairpin or hairpin with beads and jade pendants hanging on it. It is an ornament inserted by ancient women beside their temples, and also has the function of fixing the bun. The common forms are phoenix, butterfly, winged, or hung with pendants. When walking, the gold ornaments will move with the swing of walking and be lifelike. Take its step, and you will waver, hence the name.

Scintillation: a flower-shaped ornament made of gold, silver, jade and shells. Hairpins are used to clip hair, while flower buds are directly inserted into a good bun for decoration.

Flat square: a special hairpin inserted by Manchu women when combing the flag head, which is similar in shape and function to the flat square hairpin on the bun of Han women. In the Qing Dynasty, aristocratic women combed "two ends" or "big wings" with flat edges, which played the role of "beam" to connect true and false buns. At the same time of decoration, it is more important to control the bun so that it does not fall off. Manchu women comb the "two ends", initially dividing the real hair into two parts and fixing it by the flat side. The "two heads" in the late Qing Dynasty were made of green satin and placed on the top of the head. At this time, the tool for combing the head seat connected with the "two heads" and the real hair is also flat.

In the northern folk of the Qing Dynasty, there were also very small squares. In the case of funeral, his wife Dai Xiao put down her two heads, put her hair on her head and braided it into two braids. The ends of the braid were not tied with ropes, which made her hair loose and a three-inch or four-inch long bone stuck on her head. If the daughter-in-law is Dai Xiao, a small square of silver or copper should be inserted horizontally. Fang is usually wrapped in green satin, green velvet or green yarn, commonly known as "Zi Zi". When worn, it can be fixed on a bun, often embroidered with various patterns, inlaid with gems or flowers, and decorated with long tassels.

Comb: In ancient times, it was referred to as comb for short, and it was called one of the eight ancient hair accessories in China together with hairpin, bun, hairpin and step shake. It used to be the royal treasure of the court, so it is called "palace comb". Comb was a necessary hair accessory in ancient times, especially for women, who could hardly comb it without leaving their bodies. After a long time, it has formed the atmosphere of combing.

The main difference between a comb and a comb is the teeth. The teeth of a comb are thick and thin, and the teeth of a comb are thin and dense. Combs are mostly made of wood or bamboo and precious materials, such as gold, silver, ivory, rhinoceros horn, crystal, tortoise shell, tin and jade inlaid beads.

Rockhopper: The crown of the empresses of ancient emperors, decorated with jewels similar to phoenix. Women in the Ming Dynasty could wear them when they got married.

The rockhopper in Ming Dynasty was a ceremonial crown worn by the empress when she received books, visited temples and attended court meetings. Its modeling inherited the system of Song Dynasty, and developed and improved it to make it more elegant and beautiful.

During the period of Emperor Huan of the Han Dynasty, frowning, crying makeup, ponytails and bending over to laugh at dental caries were popular in Luoyang, the capital city. These popular makeup originated from the wife of spouse Liang Ji, and later became popular all over the country. When women imitate popular makeup, they often love to embellish it. If high bun is popular in the city, the square is one foot high; Wide eyebrows are popular in cities, and the square eyebrows are half long; Wide sleeves are popular in cities. You wear a whole piece of long cloth.

Before the Han and Wei Dynasties, there was no record of court fashion. In the Southern Dynasties, there was a craze for wide sleeves in the court, and concubines and ladies-in-waiting all took wide sleeves as beauty. Until the Sui and Tang Dynasties, long sleeves without coats in the palace were still the favorite styles of concubines and maids. Compared with the popularity of wide sleeves in the Southern Dynasties, narrow sleeves prevailed in the Northern Dynasties, which gradually influenced the Sui and Tang Dynasties and entered the Sui and Tang Dynasties' harem. Even from the early Tang Dynasty to the prosperous Tang Dynasty, the palace preferred narrow sleeves over wide sleeves to some extent.

The thrifty emperors in the Southern Dynasties advocated narrow sleeves, while the ladies-in-waiting in the prosperous Sui and Tang Dynasties liked narrow sleeves for novelty and novelty. Narrow-sleeved shirts are men's wear in the Northern Dynasties. During the reign of Kaiyuan and Tianbao in the prosperous Tang Dynasty, it became fashionable for ladies-in-waiting to wear men's clothes. At one time, narrow-sleeved shirts were very popular. At that time, concubines and ladies-in-waiting competed to ride horses for fun, and the khufu shirt was convenient for riding, so it was very elegant, proud and beautiful. The prosperous Tang Dynasty was a passionate era. China people and Americans in the palace gave up red clothes and put on military uniforms instead. They wore men's T-shirts, narrow sleeves and soft boots, and looked around quite complacent. Before the prosperous Tang Dynasty, court women wore "power" when riding out. Strength training is a kind of full-dress clothing that covers the whole body. Before the Sui Dynasty, ladies-in-waiting in the Northern Dynasties wore magic clothes and rode out of the palace. In the early years of the Tang Dynasty, ladies-in-waiting rode out of the palace in the same costume. By the time of Wu Zetian, power was no longer popular in the palace, and it was replaced by a curtain hat similar to a rain hat: a black net under the brim reached the neck and covered the face. During the reign of Emperor Xuanzong of the Tang Dynasty, women in the palace changed to Hu Mao, or wore headscarves or no hats at all. The so-called beautiful makeup appeared without any obstacles. They wore Khufu men's clothes with narrow sleeves and round necks. After the Anshi Rebellion, long sleeves with coats off became popular again in the palace. Before the Qin Dynasty, women's clothing was connected with clothes and skirts. Qin Shihuang only ordered the production of blouses. In the Tang Dynasty, the court's clothing was generally an upper shirt and a lower skirt. In the prosperous Tang dynasty, the atmosphere was open, and the palace people and Americans put on jackets with narrow sleeves and wide sleeves and half breasts. China's court dresses are also varied and colorful. From the Sui Dynasty to the early Tang Dynasty, narrow skirts were very popular in the palace. In the prosperous Tang Dynasty, the skirt style became wider and wider, the pleats on the skirt were densely covered, and the floating movement was strengthened. At that time, most of the skirts in the palace were red, yellow and green. Yang Yuhuan, the favorite concubine of Emperor Xuanzong of Tang Dynasty, wore a yellow skirt.

Empresses and ladies-in-waiting in the court of the Tang Dynasty like to wear silk on their shoulders, embroidered with all kinds of flowers. Silk and shawls appeared in palaces in China earlier, at least in the Qin Dynasty. Qin Shihuang once made ladies-in-waiting wear pale yellow and silver clouds. During the Kaiyuan period of Emperor Xuanzong of Tang Dynasty, the romantic and affectionate Emperor Xuanzong issued an imperial edict: Lin Bao, the 27th wife of the palace, the imperial concubine and the lover must wear embroidered silk when attending the harem banquet. During the Dragon Boat Festival in the Tang Dynasty, ladies-in-waiting also wore gorgeous silk, which was called sacred towel or longevity towel.

Narrow sleeves were popular in Song Dynasty, but long sleeves without coats were still regarded as a symbol of luxury. In the Song Dynasty, the queen's formal dress was to take off the big sleeves of her coat, but in daily life, they wore casual narrow sleeves. There are mainly two kinds of ladies-in-waiting fashions in Song Dynasty: one is a short skirt with narrow sleeves on the upper body, and the other is a long skirt with narrow sleeves and a double-breasted coat. Before the Song Dynasty, coat collars were mostly crossed and right-handed, and double-breasted styles were popular in the Song Dynasty. The skirts in the Song Dynasty look nice with pleats. Pleated skirts were popular in the Tang Dynasty, but in the Song Dynasty, there were more and more pleats, which were called "pleated skirts". In Song Lizong, mopping the floor without sewing is called "catching skirts", which is very popular in the palace. The back is lengthened by a single piece. Single subaxillary suture, with cross belt under it, but no back and armpit suture, so long that there is no cross belt on the foot surface.

The crown dress of ladies-in-waiting in Ming Dynasty followed that of Song Dynasty, including purple, round neck, narrow sleeves, small sunflowers with thorns and broken branches, and red skirts with gold belts sewn on the beads. There is a analogy in Ming Palace, which is inherited from Yuan Palace. Gaby was designed by the empress sai-jo. It is sleeveless, with a short front and a long back. Sew two buttons (Gaby, the style is like the existing vest and vest) at the slit on both sides. Compared with armor, riding is easy, the chest and back are warm, and there is room for elbow movement. In the Ming Dynasty, imperial concubines and maids-in-waiting wore wide-sleeved shirts and jackets. Bi Xia was the official costume of the imperial concubines in the Ming Dynasty. A dress is a combination of a dress and a dress. The dress is yellow and the dress is dark blue. It is woven with the dragon pattern of Jinyunxia, some of which are embroidered or covered with emeralds, and the external decoration is beaded.

Empresses and maids in the Ming Dynasty like to wear fresh fashions designed by themselves. Empress Zhang of Xizong was ingenious. She made a new crane-style dress out of white silk and new mulberry silk, which was called a neon feather coat. During the Chongzhen period of the Ming Dynasty, ladies-in-waiting competed for beautiful women wearing plain white gauze shirts, and the translucent white gauze shirts lined the red belly inside, which was very attractive. At the end of the Ming Dynasty, ladies-in-waiting loved to wear sea-sky rose-colored shirts, which looked white and red, elegant and charming, and even eunuchs loved to wear them.

There are eight treasures of gold and pearls, five phoenix pearls in the morning sun, red gold plates full of rings, Douqing Palace decorated with Pisces and Bimu roses, Kingdee wearing a narrow red satin coat, a colorful carved azurite silver mouse coat and a jade crepe skirt.

In ancient China, there was a saying of "eighteen kinds of martial arts", which actually refers to eighteen kinds of weapons. As for which eighteen kinds are there, there have always been different opinions. Generally refers to bows, crossbows, guns, sticks, knives, swords, spears, shields, axes, cymbals, halberds, dragoons, whips, mallets, forks, palladium and daggers. Some of these eighteen weapons have been eliminated, such as Shu and Ge. Some have evolved, such as the shotgun. In ancient times, it was a big axe, but now it has become a small weapon with a blade and a hook. Each hand can take one, such as the meridian shotgun.

It seems that you are going to write ancient prose. Please recommend a book, Sixteen Voices among Flowers. Author: Meng Hui Publishing House: Life, Reading and New Knowledge.

It is about ancient landscape screens, jewelry and costumes, cosmetics, home furnishings, and other things, which are completely limited by your heart and situation. Here is a recommendation, I hope it can help you.