Traditional Culture Encyclopedia - Traditional festivals - 500 words after reading China Poetry Congress.

500 words after reading China Poetry Congress.

China Poetry Conference (Season 2) (5): Towards a feast of poetry.

Author: Column Group of China Poetry Congress Press: Beijing United Publishing Company Publication Year: 20 17-7.

I used to watch all kinds of poetry appreciation, and I have never been so addicted as watching poetry conferences. This is a spiritual feast for the whole people. During the Spring Festival, the second season of "Chinese Poetry Conference" produced by CCTV Science and Education Channel appeared on CCTV screen from the second day of the Lunar New Year. It was broadcast in prime time for ten consecutive days, leading the audience to appreciate the charm of China culture and feel the unique charm of poetry. The program is rooted in traditional culture, and has been constantly exploring the realm on the basis of the first issue, with novel form and elegant style. It is a beautiful picture of the Chinese nation, which has set off a nationwide trend of following suit and quickly became popular on the big screen and the small screen. We have more topics, such as poetry conferences, flying flowers and a hundred-member group. This is the so-called custom of Spring Festival and New Year. In addition to the visible tradition, the more important contribution of poetry is the imagination of still water and deep flow, which goes against the wind and goes unimpeded.

At this most important and happiest moment, the whole family and the whole country, because of China's poems, sit together, feel affection, friendship and love, share comfort, beauty and poetry, and achieve growth, life and life. In just a few days, there are countless circles, including 70-year-olds, 10-year-olds, Middle Eastern uncles and African boys. There are law enforcement police, market security guards, rural teachers and full-time mothers; There are girls in science and engineering, young artists, farmers' uncles and IT experts ... They come from all corners of the country, with different identities and ages, and all have the same dream: to participate in the China Poetry Conference and set off a chorus of poetry in the whole society, so that more people can understand China's poems and the splendid history, culture and classics of the Chinese nation! When the program was competing for poetry, it told the touching story of the contestants' persistence in poetry! Many contestants, such as Zhang Chaofan, a one-armed girl with poetic spirit, Bi Kai, who copied ancient poems after work, and Bai Ruyun, an anti-cancer farmer who honed his will with poetry, left a deep impression on the audience, which not only showed the beauty of poetry, but also showed the noble soul under the influence of poetry and the spirit of contemporary China people.

This book is based on the script of the Chinese Poetry Conference (the second season) and the contest question bank. While retaining the original essence of the program, it has enriched some contents. It is an excellent traditional cultural reading. The selected poems are based on famous articles in primary and secondary school textbooks, with accurate topics and appropriate propositions, and attach importance to children's traditional culture education in China. Themes range from The Book of Songs to Mao Zedong's poems, covering many categories, such as bold and unconstrained, graceful and restrained, pastoral, frontier fortress, chanting things, chanting history and so on. Select the classic and famous sentences with "contemporary significance" and highly concentrate the history of China and the story of China in China culture. Guide the audience to continuously enhance their sense of identity and belonging to Chinese excellent traditional culture, and strive to link the topic with real life. The topic is lively but not rigid, focusing on the themes of Chinese excellent traditional culture such as loyalty and filial piety, benevolence and patriotism. Through the competition and appreciation of poetry knowledge, the whole people are encouraged to review the ancient poems they have learned, share the beauty of poetry and feel the interest of poetry.

From the book, we can look back on the stage scenes of those years, look back on the situation of the players, and experience the fun of poetry from the process of doing the questions. The Book of Songs, Chu Ci, poems of Han, Wei and Six Dynasties, and poems of Tang, Song, Ming and Qing Dynasties are all among them. In particular, Mao Zedong's poems were included in the question bank, and the revolutionary culture and red culture genes were injected into classical poems through his magnificent and profound poems, such as Long March of Seven Laws, Spring and Snow in Qinyuan and Liupanshan in Qingping Music, which further sublimated the ideological connotation of the program. The comments of the guest experts were brilliant and incisive, which explained in simple terms the spirit of the rise and fall of the world, the patriotic feelings of giving up one's life for righteousness, loyalty to the country, Si Qi's excellent character, seeking common ground while reserving differences, aesthetic pursuit of both form and spirit, and blending scenes. Many golden sentences of comments spread rapidly on the Internet and became a highlight of the program. In particular, the column group invited experts and scholars in the field of poetry to build a poetry question bank, focusing on integrating knowledge into interest and interpreting the cultural implications contained in poetry, so as to arouse readers' interest in classical poetry. Special guest commentators Wang Liqun, Kang Zhen, Meng Man and Li Bo are well-known scholars in China. They have taught in important cultural programs such as Lecture Room, and their comments are informative, interesting and instructive.

This is the carnival of living poetry, with tears, sadness, pure joy and sad parting. There are countless stories behind the limited words. The beauty of China's classical poems is not only the beauty of words, artistic conception, color and artistic conception, but also the poetic enlightenment of every soul. Bai Ruyun's poem is "indomitable, let the east, west, north and south prevail", Wu Yishu's poem is "full of poems", and chen more's poem is "full of classmates and teenagers, in full bloom". Their tenacity, optimism, innocence and even impatience make people see that their poems are fiery, vivid and powerful, yes.

Poetry has temperature. Each generation is experiencing this inheritance in its own way. People in Jin Dynasty were all Lanting Party, while people in Tang Dynasty read poems, which were weddings and crowning Beijing. Revolutionary reading poetry is a masterpiece in the rain, and we treat each other with sincerity. Our way is the China Poetry Conference. Because poetry can fly, it will take you to distant scenery, it will take you to any place in the world freely, and it will let you travel through any era at will. A world without poetry! A door, the world is at the door, in a word, the world is at the bottom of my heart. The Chinese Poetry Congress has opened up another path of cultural communication, which has enabled people who have been in the torrent of the times for several years to have a spiritual gathering point. Reading poetry, from one person's business to everyone's business, is the guidance of the platform, but also the power of culture, like a clean stream, stimulating emotions, entertaining, infiltrating people's hearts and nourishing the soul.

Comments on Chinese Poetry Conference (Season 2) (6): Last week of 2065438+07;

1. Read a person's name;

2. Start collecting the video materials of this year's "Best Chinese Interpretation of Zhan Jun Classic Interpretation Collection". Considering that New Year's Eve comes earlier than 20 17, New Year's Eve on 20 18 is so late. Therefore, intensive production can be started at the end of next year 1;

3. Continue to write The Legend of the New White Snake, and read and publish the written part on Netease Cloud before New Year's Day. With revisiting the drama series and continuously paying attention to the recent situation of the masters in the past 20 years, the more you write, the better. This is different from the appreciation of TV dramas that came out at the same time. Based on the interludes and lines in the TV series, I will focus on the recent situation of the main creation in the original drama and the grand reunion of three goddesses, Chen Xiaoqing Maggie, White Snake Angie Chiu and Xu Xianye Tong, on the occasion of the 20th anniversary of the 20 13 legend of the new White Snake. Five years of creative career. Choose it as the last thing of 20 17. Just like falling in love with me when I was a child. But in reality, there are more and more girls around me-

4. Whether it's the girl who works at the express delivery point in Building 37, Zone A, Evergrande City, Banan District, Chongqing, or the little girl born after 1995 on the QQ contact list-Yang, Zou ... or the' dessert girl' of Taipei dessert in Jiezi ancient town (as my family and friends know, I proposed to you by writing a book), you are all me. 20 17 last week, I will always ... remember you-

The selection of "Chinese Poetry Conference" (the third season) has ended. In the third season, the Spring Festival will be broadcast next year ... This CCTV ace cultural program has been successfully held for two seasons in the past two years. How many new surprises are there? Attention to program recording will also be the focus of this week at the end of the year-

At home ... after last week. In Yonghui and New Century Department Stores all over the city, after searching for two brands of instant noodles launched by Master Kong in recent years, three landmarks suddenly appeared: Guangxin Tiandi in Yubei, Yujiangzhou in Jiulongpo and Evergrande New Town on Yu 'ao Avenue. Although I have been to Shiqiaopu in the past two weeks (I found another' Huang Jiajia Rice Noodle' in Keyuan Third Street), I really feel that time ... is to fight against the busy traffic. Among them, human life is really the most fragile ... The R&F Hotel next to Chen Jiaping Long-distance Station has caught up with a post-90s wedding, and the boys and girls are not very attractive.

Thoughts on China Poetry Conference (Season 2) (7): Revisiting the Beauty of Poetry

I seldom watch TV programs, and occasionally I saw the Chinese Poetry Conference, and I was immediately fascinated. It coincides with the appearance of Wu Yishu and the later "flying flower order" link. When the contestants kept reciting poems with the word moon, I couldn't help thinking of Mr. Qian Jibo's words: "I don't know which country has a round moon, but I only know that no country has written so many moon poems as China." Yes, no country has written so many moon poems as China, and no country has written so many beautiful moon poems. At that moment, like many people, I was once again impressed by the beauty of China's poems.

I think the reason why so many people love the China Poetry Conference and spread it vividly is because they can feel the affection and beauty of poetry in it. Poetry is the ideological orientation of Confucianism, so poetry has always been the most important and favorite literary form of China literati. China literati's nobleness, talent, helping the world, seclusion, character and lofty sentiments are all revealed in his poems. Regardless of prosperity or adversity, literati turn their emotions into poetry, which is what Confucius said: "Poetry can flourish, examine, gather and complain". It should be said that poetry contains the essence of the Chinese nation.

It is also commendable that at the China Poetry Conference, poetry once again met with the times and people, which made poetry full of more practical significance. Each contestant's different experience and temperament injected unique charm into poetry. There are chen more who is bold and confident, Wu Yishu who is calm and calm, a girl with one arm, an old man who repairs bicycles, a worker who works with high-voltage electricity, and a farmer who fights cancer. It is touching and feels the unique spiritual charm of poetry. Su Shi has been demoted, but he said, "Don't listen to the sound of beating leaves through the forest." Li Bai's career is not smooth, but he is "laughing and going out, and my generation is Artemisia." There is also Lu You's "There is no doubt that there is no road, and there is another village". Du Fu's "Climbing to the top of the mountain, you will know that all the mountains are dwarfs under the blue sky." . Whether you are at the peak or at the trough, you can always find our inner comfort and spiritual strength in poetry.

This "China Poetry Conference" is undoubtedly a wonderful continuation. The 100-member group fought against circles such as "Flying Flower Order" and sand painting clues, and tried to get every reader to participate. The topic completely restores the settings in the program, and every reader can answer it, including the "flying flower order" link, with answers and self-evaluation, and the poems mentioned by each guest are annotated. At the end of the book, there is a poem index, which records in detail the poems and authors selected from pre-Qin to modern times, so that we can realize the painstaking efforts of the editors in choosing poems. After experiencing every wonderful moment, we can still freeze the time and taste the meaning in chewing poetry. This book, however, makes the phenomenal program "Chinese Poetry Conference" return to the paper text from the screen, making the instantaneous style stay between pen and ink and color.

The compilation of this book also took a lot of ingenuity. Besides reading poems, China's famous classical paintings are also dotted, which echoes the poems from a distance and makes it easier to understand the artistic conception in the poems. For example, next to the text of Su Shi's "Don't listen to the sound of beating leaves through the forest", there is a picture of "dead wood and bamboo stones" in Zhao Mengfu in Yuan Dynasty, which makes the pen look healthy and free and easy. It should be noted that bamboo stone is Su Shi's favorite painting element, which sets off the poet's obscurity beside the text. Perhaps this book, like this program, can arouse the interest of more people who love poetry and regain the beauty of poetry and ancient art.

Every cultural change in history, every time literature has nowhere to go, people always learn from the past and always look for new spiritual strength in ancient culture, because that is the source of our spirit and the foundation of our nation, and poetry is a beautiful flower nourished by Chinese civilization for 5,000 years, which will not fade after years. In the form of "China Poetry Conference", we met poetry and beauty again. That's good.

Welcome to pay attention to my official WeChat account: about reading.

Reflection on the Chinese Poetry Conference (Season 2) (8): What did we lose on the way to running?

The era I admire most in my life is the prosperous Tang Dynasty. It was a glorious era, a dynasty full of lofty sentiments. In those years, talented people in the prosperous Tang Dynasty sprang up like mushrooms after rain. Countless masterpieces, endless artistic conception like stars, these masterpieces that can cross history and inherit for thousands of years are not only works of art living alone, but also treasures of Chinese culture. At that time, writing poetry became a unique recreational activity that people acquiesced in. Just like modern people's habit of brushing their circle of friends after dinner, the ancients like to hold poetry fights. Or a gazebo, several cups of spirits, lotus leaves all over the pond, and clusters of peonies around the pond ... So in such a lively and cheerful environment, the poet mobilized all his literary cells, and before long, there will be a general idea in his heart, and the famous sentences of the ages will be swept away. As Wang Guowei said, a poet must be inside and outside the universe. If it is involved, you can write it. Outside it, we can see it. Into it, so there is life. Beyond it, it is high. It was indeed an era worth remembering forever. This is the comfortable life of the ancients. But now in our modern society, these things with a long history are slowly covered with a thick layer of dust. Everything in the past depends on nature, and all aspects of people's lives are inextricably linked with all things in nature. It is this close connection that makes human society naturally harmonious and everyone has poetic spirituality. Modern people living in industrialized cities have gradually lost this pure and beautiful spirituality of being friends with nature to some extent. Or this spirituality is suppressed and buried in the most invisible dark corner of the heart. Sometimes I can't help thinking, what's the difference between modern us and ordinary people in ancient times? Living environment, scientific and technological level, humanistic thought, or something else? I have read a thought-provoking sentence: "People who are awakened by alarm clocks or mechanized sounds are completely different from those who are awakened by morning light and bird songs." Yes, that's the difference. Modern people really have everything in their lives, such as trains, elevators, buildings, towering cement buildings, finely crafted food, ever-changing intelligent electronic products and so on. All these things, around us and on which we rely, are actually lifeless, not to mention the aura and vitality that make people feel beautiful. Without the atmosphere and vitality of life, it is difficult for modern people to live as leisurely as the ancients, and their living standards are getting higher and higher. We must fight for it. Farming and farming in rural life has also become an extravagant hope, and backache is the reality. Therefore, it is difficult to regenerate a lyrical mood of writing poetry under such destruction day after day. In previous times, people's lives were painted on the background board with the sun, moon and stars, as well as plants such as konjac, Japanese medicine, hibiscus, and animals such as Luo, Du Fu and Du Fu. These things from the coal sea of nature will make people feel scared. Compared with us now, staring at a smart phone all day, running around in cold concrete buildings, and the ancients strolling leisurely among colorful peach trees, our life experience is naturally completely different. What I have said above is not to belittle how negative today's society is, but to think that it is difficult to see the shadow of poetry in life after all. Will our traditional poetry continue to exist after the rapid development of those societies for ten, twenty or even sixty years? This is not an alarmist. But should we really get rid of these traditions to adapt? The answer is no, of course. Now these programs about China's traditional culture, which are launched by CCTV one after another, have great influence and wide thinking. In modern society, few people can have a leisurely state of mind to carefully read a poem. We live a boring life like "Wu Gang cutting Guangxi" day after day, rushing around the world of mortals, and day after day life challenges our patience. We can't stop and walk alone. The laurel tree of life will never fall, even if our axe is sharp, it can hardly change even one. So the monotonous life was covered with a gray film. In such a high-speed society, the broadcast of "Chinese Poetry Conference" is more like a gentle and lingering afternoon sunshine. Its popularity dispelled the gloomy smog in people's hearts and let the rain of "traditional poetry" spread all over everyone's heart again. Watching one contestant after another on the stage of the program, there are not only naive children, but also elegant people, gentle and affectionate weak women, and tough old people ... Among them, their manners in answering questions are not the same, some are calm, some are impatient, some are sighing, some are excited and cheering ... Although the endings are not the same, it can be seen that in the first half of this series, several songs of The Book of Songs are introduced. The Book of Songs is a classic representative of China's poetry. First of all, many poems in The Book of Songs are beautiful. Very romantic, beautiful language, beautiful picture and artistic conception. I like the song Jianjia best. Waterside, armor, beautiful scenery, and the theme of love, the pursuit of the lover in my heart, tactfully and repeatedly, is worth reciting. The Book of Songs also convinced me of one thing: people who live in the natural environment have a kind of spirituality. Each page has different players, different masterpieces, different understandings and understandings. The illustrations in the book have far-reaching connotations, and there are detailed annotations beside the poems. Under the boutique, the ancient style is hazy. Close to the eyes, untouchable, hazy and eager. Qingyuan is quiet, affectionate and elegant, antique, beautiful, attractive and meaningful. So more and more, I think the poems in our country are beautiful. So how can we keep these traditional spiritual products? Here, I suddenly thought of a point made by Ms. Qu Limin when reading The Book of Songs: China has been a country of poetry teaching since ancient times, and poetry teaching is a kind of aesthetic education, far more important than moral education. Because aesthetic education originates from nature, a flower is a world, a plant is a spirit, and children are happy when they see bloom. This is the sympathy of nature. Moral education comes from the day after tomorrow. Moral education is to prevent people from being too selfish and maintain a mutually beneficial social contract. The reason why there are moral constraints is actually telling everyone that because we are a gregarious society, people can't abuse their selfishness. In other words, in a socialized society, if everyone wants to live a good life, they must abide by the rules. About poetry teaching and aesthetic education, everyone may enter a misunderstanding and think that poetry teaching is to recite poems. In fact, poetry teaching is not about reciting poems, but about cultivating poetic heart and eyes. Poor modern people like to distinguish between "useful" and "useless". I don't know that "useful" things trap you in mediocrity, while "useless" poems free you from mediocrity-useful knowledge keeps you alive; Useless poetry is to make you live beautifully. No matter what kind of poem, as long as it is beneficial to the spiritual level, it is a good poem. Sometimes when you read a poem, you can't express an emotion that arises spontaneously in your heart, so don't express it at all. Anyway, reading and appreciating a poem is always your own business. Read poets, poets, great men, philosophers, saints, ordinary people and the world, and finally you can read yourself.

Reflection on China Poetry Conference (Season 2) (9): Life is full of poetry.

When I go out for a walk recently, I can always see the bluestone board full of osmanthus flowers, and the fragrance of osmanthus flowers lingers on the side. The shallow fragrance just floated into my nose, which made people intoxicated and enjoyed it. I really want to find a suitable word to describe it, and I feel that ancient poetry can better express my thoughts.

"The flowers are yellow, and I don't watch the beauty smell the autumn fragrance." "Snowflakes cut goose yellow on all sides, and golden millet dew has thousands of bran."

In fact, there are many such situations on weekdays, such as the sudden arrival of spring overnight, crisp autumn, and then sparkling water; Moonlight fills the courtyard; There is also the heart of wandering outside; Beautiful love and friendship ...

At this time, you will find the beauty of ancient poetry, because nothing can be better than this. Concise and meaningful. Just read a sentence, you can stick to people's hearts in time.

Recently, I watched "Chinese Poetry Conference (Season 2)". The first two books moved the individual pursuit competition, championship competition and flying flower order in TV programs into the book, making the content about poetry less monotonous and more interesting. In addition to perfect appreciation, there is also a fun answering mechanism. It is also interesting to turn over a few pages in your spare time. And the more you climb, the more you feel that life is poetic everywhere.

Speaking of beautiful scenery, there is "the spring eyes are silent and cherish the trickle, and the shade of the trees shines on the water and loves to be fine and soft." "The sky is wild, and the wind and grass see cattle and sheep." "How wide the world is, how close the trees are to heaven, and how close the moon is to the water! ""My road twists and turns through a valley covered by branches and flowers, leading to a Buddhist retreat. ""Thousands of miles in Huang Yun, the sun is shining, and the north wind blows geese and snow. "

Speaking of lyricism, there is a saying that "Mochow has no bosom friend before, and everyone knows you." "Year after year, she sewed gold thread for other girls on the bridal gown." "Who asked, can Lian Po still eat when she is old?" "But before he conquered, he died, and since then, heroes have cried on their coats." "Ten years of life and death, I don't think about it, I will never forget it."

They only have a few words, but they can express intriguing artistic conception and friendship, which is the unique realm of ancient poetry.

Moreover, the book "Chinese Poetry Conference" also explains many misunderstandings and misinterpretations of our usual stereotypes.

For example, in Bai Juyi's Memories of the South of the Yangtze River, "the flowers on the river are more fiery at sunrise and the river is blue in spring", and we have always understood "blue" as "blue". However, in fact, the "blue" in this poem is an aquatic plant called "Polygonum hydropiper", which is bright green.

There is also the Book of Songs, "I have been there, Liu Yiyi." It rained when I thought of it today. "We always thought it was a romantic scene, but what about reality? Just to set off the sadness of the people who came back behind, "walk slowly, with thirst and hunger." "

Speaking of my interest in ancient poetry, I read it again after I got pregnant, and every time I read poetry, I was very calm. Three months after the baby was born, I read him a poem and a fairy tale every day. Little people always listen carefully and watch me laugh. Such a small baby naturally doesn't understand what I'm doing, but poetry has its own rhythm, and it's beautiful just to read. Since ancient times, our ancestors have used the habit of singing and reciting poems, which is not unreasonable.

There used to be a hot topic in Zhihu about whether children should recite poems. Some people think it is unnecessary to learn poetry, and it is useless for children to memorize it. But they ignore the fact that a book read a hundred times is self-evident and full of poetry and complacency. This thing of ancient poetry is so subtle, it moistens things silently, and naturally takes root in my heart when I read it too much. One day, when you are really moved by the scene in front of you, a poem you have read suddenly pops up in your mind, and you will realize its wonderful. It's autumn, a cold autumn rain. It's also interesting to stay at home, make a cup of hot tea, eat moon cakes and read this book on weekends. Life is full of poetry, and poetry is in people's hearts.

Comments on China Poetry Conference (the second season) (10): Poetry is my leisure routine —— On the book China Poetry Conference from the perspective of poetry.

For me, reading and writing poems are both idle things and a way of life. When you are free or busy, you can read a book of poems, turn over a few pages and read a few poems, all of which are ways to kill time and improve yourself. When it comes to clouds, rain and the moon, there is a kind of poetry that stirs in my chest and I have to spit it out and turn it into a poem.

China is a country of poetry, and China people are a nation of poetry. From The Book of Songs to Songs of the South, to poetry, to Ci, to Qu, the poetry culture has never been cut off and has been circulated. For thousands of years, China's poetry culture has never changed color and never changed. China people are the most down-to-earth people, and also the most poetic and romantic people. Poetry is a kind of gene engraved in the bones of China people, so it can be written into poetry whenever and wherever. As long as there are poems, people will never despair, and there will always be ways. I think the role of poetry can never be ignored, because China civilization has lasted for five thousand years.

So since CCTV's "Chinese Poetry Conference" was broadcast, I will watch it as soon as I have time. This time, I came across this program with a book, and naturally I had to flip through it. I don't know, just like the program "Chinese Poetry Conference" has caused great controversy since it was broadcast, because this program is really unique, different from other variety shows, and it is not a serious poetry forum, so many people question it. When reading the book "China Poetry Congress", I also have an intuition that this book will cause great controversy, because from the book's point of view, this book is really unique, and its content is very different from the traditional book. Traditional books generally only provide knowledge, and people can't interact with books, but this book can let readers interact with this book. Whether this is a good thing or a bad thing depends on different views But I appreciate this practice.

Let me talk about the advantages of this book. First, the poems selected in this book are good, which is the most important point, and this is also the most noteworthy point of this book. China has had various anthologies of poems since ancient times, such as 300 Tang Poems. In fact, the poems are all there, and readers want to read them. Now the internet is so convenient that everyone can find it. But the problem is that China has too many poems. Take Tang poetry as an example, there are tens of thousands of poems, among which good and bad coexist. It is difficult for ordinary readers to distinguish, and they have no energy or time to distinguish. Therefore, the function of poetry anthology is to select the best and most attractive poems from China's poetry treasure house and present them to readers. The poems selected by the Chinese Poetry Congress are rich at first, but later they are all good poems, some of which are shared by everyone, and some are good but not common. The editor of this book should have spent a lot of effort in choosing poems. After reading this book, you can know the features of China's poems to the greatest extent and get in touch with China's good poems to the greatest extent in the least time.

Second, the book uses a very flexible and novel way, and there is interaction between the book and the reader. Let readers compare the poetry reserves in this book with the guests of China Poetry Conference, just like attending a paper version of China Poetry Conference, which will greatly enhance readers' interest in reading this book, make them remember many poems memorized before, and remember many new poems after reading this book. This book is extremely suitable for children or students, and I really recommend it.

Of course, the layout design and cover illustration of this book are very beautiful and generous, and these readers can see it, so I won't say much.

Finally, I want to say something I want to say. Perhaps many people think that poetry is a game for a few people, at least it belongs to that group of literati or the upper elite. Therefore, since the launch of the China Poetry Conference, there has been an argument that making poetry so entertaining and letting the general public in will not damage the image of poetry and let poetry start. In response to this argument, I want to say that poetry has never been a game for some elites or cultural figures. China is a great country in poetry, not because of the achievements of a few people, but because of the achievements of the whole nation. Since the Book of Songs, the general public has joined the creation of poetry. There are many paragraphs in The Book of Songs, such as Feng and Yuefu poems, which are all transformed from local folk songs. Moreover, China's great poets and great poets all grew up in this poetic land of China. Without this fertile poetic soil, we have reason to question whether Li Bai and Du Fu can still be Li Bai and Du Fu. China has enjoyed high popularity among the people since ancient times, and China is a country where all the people read and write poems. Therefore, it is right to let poetry return to the public and spread among ordinary people, and it is a return to the traditional track of poetry. The revival of poetry is a good thing, so in any case, it is a blessing to see people pay more and more attention to poetry and should be strongly supported.